Prefacing the Image : The Writing of Art History in Sixteenth-Century Iran /
:
This book studies developments in art historical writing and factors which shaped the album preface. The prefaces were written in Persian between ca. 1491 and 1609 to introduce albums of calligraphy, painting, and drawing assembled for Safavid rulers and courtiers. Approaches to the study of these sources are examined, followed by an analysis of the sociohistorical court-centered context; the circumstances of the texts' composition, reception, and literary dimensions; and their art historical formation and content. It ends with an interpretation of calligrapher Dust Muhammad's preface and his conceptualization of a history and aesthetics of depiction. The book is the first to study the prefaces collectively and in relationship to other cultural practices. It also draws on a wide variety of additional primary sources. It includes forty illustrations and several tables.
:
1 online resource. :
Includes bibliographical references and index. :
9789004491830
9789004113763
Album Prefaces and Other Documents on the History of Calligraphers and Painters /
:
This volume contains album prefaces in the original Persian version with English translation, miscellaneous documents relating to calligraphers and painters, and specimens of travel literature from the Timurid and Safavid periods.
:
1 online resource. :
Includes bibliographical references and index. :
9789004492301
9789004119611
À l'orientale : collecting, displaying and appropriating Islamic art and architecture in the 19th and early 20th centuries /
:
"The present volume offers a collection of essays that examine the mechanisms and strategies of collecting, displaying and appropriating Islamic art in the nineteenth and early twentieth centuries. Many studies in this book concentrate on lesser known collections of Islamic art, situated in Central and Eastern Europe that until now have received little attention from scholars. A section of the volume focuses on the figure of the Swiss collector Henri Moser Charlottenfels, whose important, still largely unstudied collection of Islamic art is now being preserved at the Bernisches Historisches Museum, Switzerland. Contributors to the volume include young researchers and established scholars from Western and Eastern Europe and beyond: Albert Lutz (foreword), Roger Nicholas Balsiger, Moya Carey, Valentina Colonna, Francine Giese, Hélène Guérin, Barbara Karl, Katrin Kaufmann, Sarah Keller, Agnieszka Kluczewska Wójcik, Inessa Kouteinikova, Axel Langer, Maria Medvedeva, Ágnes Sebestyén, Alban von Stockhausen, Ariane Varela Braga, Mercedes Volait. Les contributions de l'ouvrage examinent le mécanisme et les stratégies relatifs à la collection, la présentation et l'appropriation des arts de l'Islam au XIXe siècle et début du XXe siècle. Elles mettent l'accent sur des collections situées en Europe centrale et orientale, lesquelles ont été peu étudiées jusqu'à présent. Une partie de l'ouvrage est dédiée à la figure du collectionneur Suisse Henri Moser Charlottenfels, dont les objets se trouvent aujourd'hui au Bernisches Historisches Museum (Suisse) et qui ont été de même peu étudiés. Les textes émanent de jeunes chercheurs comme de chercheurs confirmés, basés en Europe occidentale et orientale, et au-delà".
:
1 online resource. :
Includes bibliographical references and indexes. :
9789004412644