Not the Classical Ideal : Athens and the Construction of the Other in Greek Art /
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A vision of reality in which a pre-eminent human type was defined in opposition to non-ideal 'Others' characterized ancient Greece. In democratic Athens the social structure privileged male citizens, and women, resident aliens, and slaves were marginalized. The Persian Wars polarized the opposition of Greeks and Barbarians. This anthology provides the first investigation of the delineation of otherness across a broad spectrum of the imagery of Greek art. An international cast of authors, with methodologies ranging from traditional to avant-garde, examines manifestations of the Other in Late Archaic and Classical Greek representations that particularly interest them. The 17 chapters develop a nuanced picture of the visual criteria that denoted otherness in regard to gender, class, and ethnicity and also reveal the social and political functions of this remarkable Greek imagery. Also available in paperback (ISBN 9789004117129).
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1 online resource. :
Includes bibliographical references and index. :
9789004493742
9789004116184
Ornamental Wall Painting in the Art of the Assyrian Empire /
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This study brings together the archaeological record and the pictorial documentation of ornamental wall painting produced in Assyria, from the thirteenth to the seventh centuries B.C. Nimrud, Khorsabad, Til Barsip, and Tell Sheikh Hamad, are among the ancient sites where impressive wall paintings were discovered; unfortunately most of these discoveries now exist in drawings and photographs only. Ornamental wall painting created a colorful and meaningful visual impact to the rooms of residences belonging to the Assyrian kings. The assembled material demonstrates that the polychrome and black-and-white decorated bands of geometric, floral, figural, and animal motifs were arranged into a variety of formulaic designs. Particular attention is given to the changing trends in the selection and combination of motifs, some of which had symbolic meaning. The chronology of the wall paintings at Til Barsip and the accompanying discussion of textile patterns are of special interest to the art historian. This book illustrates the ornamental wall paintings as recorded in the excavation reports.
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1 online resource. :
Includes bibliographical references and index. :
9789047406594
9789004141544
Subversive strategies in contemporary Chinese art
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What is art and what is its role in a China that is changing at a dizzying speed? These questions lie at the heart of Chinese contemporary art. Subversive Strategies paves the way for the rebirth of a Chinese aesthetics adequate to the art whose sheer energy and imaginative power is subverting the ideas through which western and Chinese critics think about art. The first collection of essays by American and Chinese philosophers and art historians, Subversive Strategies begins by showing how the art reflects current crises and is working them out through bodies gendered and political. The essays raise the question of Chinese identity in a global world and note a blurring of the boundary between art and everyday life.
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1 online resource. :
Includes bibliographical references and index. :
9789004201477 :
Available to subscribing member institutions only.
Polis and personification in classical Athenian art
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In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens-its people, government, and events-as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
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1 online resource. :
Includes bibliography (p. [xiii]-xxxix) and indexes. :
9789004214521 :
Available to subscribing member institutions only.
The early black-figured pottery of Attika in context (c. 630-570 BCE) /
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Setting as a starting point the introduction of the black-figure technique in Attic workshops at around 630 BCE, this book attempts a contextual analysis of Attic pottery until late in the first quarter of the sixth century BCE. The shapes and their functions, as well as the iconographic themes are explored through this perspective. This offers an interesting insight into funerary, cultic and profane activities in Athens and the Attic countryside, which is completed by an extensive study of the trade and distribution of Attic vases during this period. The result is a complete overview of early black-figure Attic production, enabling an afresh archaeological approach to late seventh-and early sixth-century Attic society.
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1 online resource. :
Includes bibliographical references (p. [xii]-xxxix) and indexes. :
9789004192317 :
0169-8850 ; :
Available to subscribing member institutions only.
Nymfarum domus : les pavements de la maison des nymphes à Néapolis (Nabeul, Tunisie) et leur lecture.
: "Néapolis-Nymfarum domus": folded leaf in pocket. : 1 online resource (xxxiv, 270 pages, [48] leaves of plates (6 folded)) : illustrations (some color) : Includes bibliographical references (p. [xvii]-xxxiv) and index. : 9789004295544 : Available to subscribing member institutions only.
The Apostles in Early Christian Art and Poetry /
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The Apostles in Early Christian Art and Poetry presents the first in-depth analysis of the origins of the representation of the apostles (the twelve disciples and Paul) in verse and image in the late antique Greco-Roman world (250-400). Especially in the West, the apostles are omnipresent, in particular on sarcophagi and in Biblical and martyr poetry. They primarily function as witnesses of Christ's stay on earth, but Peter and Paul are also popular saints of their own. Occasionally, the other apostles come to the fore as individual figures. Direct influence from art on poetry or vice versa appears to be difficult to trace, but principal developments of late antique society are reflected in the representation of the apostles in both media.
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Revision of the author's thesis (Ph. D.--Radboud Universiteit Nijmegen, 2014). :
1 online resource. :
Includes bibliographical references and index. :
9789004309746 :
Available to subscribing member institutions only.
Late antique images of the Virgin Annunciate spinning : allotting the scarlet and the purple /
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In Late Antique Images of the Virgin Annunciate Spinning: allotting the scarlet and the purple , Catherine Gines Taylor traces the way early Christians assimilated the symbolism of spinning into images of the Annunciation. Taylor offers an art historical and interdisciplinary look at the earliest images of Mary spinning, underscoring the iconographic model of idealized matronage consistent with lay piety and the cult of Mary. The personal and domestic nature of this motif is evidence toward popular Mariological devotion that preceded the exclusive, semi-divine presentation of the Theotokos , and stands in contrast with traditional ascetic models for Mary.
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1 online resource (242 pages) :
Includes bibliographical references and index. :
9789004362703 :
2213-0039 ; :
Available to subscribing member institutions only.
Mughal Occidentalism, Artistic Encounters between Europe and Asia at the Courts of India, 1580-1630.
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In Mughal Occidentalism , Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.
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1 online resource. :
9789004374997
Images of cosmology in Jewish and Byzantine art : God's blueprint of creation /
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Does the design of the Tabernacle in the wilderness correspond to God's blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the "pattern" revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements "after their pattern, which is being shown thee on the Mount." (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.
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1 online resource (xxi, 318 pages) :
Includes bibliographical references and index. :
9789004252196 :
Available to subscribing member institutions only.
The archaistic style in Roman statuary /
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This book deals with the use of archaistic stylistic elements (i.e., those which revive or imitate features of Greek Archaic art) in free standing statuary dating from the second century B.C. to the third century A.C. The main objective of the study is to determine how the archaistic style was used, what prototypes were imitated, what subjects were represented, how the replicas of statue types were distributed, how these statues were displayed, and what prompted such stylistic anachronism. The introductory chapter deals with general problems of archaism in ancient art and the specific questions pertaining to statuary in the round. The body of material, nearly three hundred pieces in all, is organized by type on the basis of pose and garment arrangement. In a concluding chapter, evidence from the body of the study is collected and possible answers are suggested for the questions outlined above. This study contributes to the currently widespread scholarly interest in stylistic revivals (especially classicism and archaism) which occurred not only in Roman times, but in earlier and later periods as well.
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Revision of the author's thesis (Ph. D.)--Bryn Mawr College, 1982, entitled: Archaistic draped statuary in the round of the Classical, Hellenistic, and Roman periods. :
1 online resource (xiv, 215 pages) : illustrations. :
Includes bibliographical references (p. 207-210) and index. :
9789004329065 :
0169-8958 ; :
Available to subscribing member institutions only.
The Crescent on the Temple : The Dome of the Rock as Image of the Ancient Jewish Sanctuary.
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\'The Crescent on the Temple\' by Pamela Berger elucidates an obscured tradition-how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. The crusaders called the Dome of the Rock the "Temple of the Lord," while Muslim imagery depicted Solomon enthroned within the domed structure. Jews knew that the ancient Temple had been destroyed. Nevertheless, in their imagery, they commonly labeled the Muslim shrine "The Temple." That domed "Temple" was often represented with a crescent on top. This iconography, long hidden in plain sight, reflects one aspect of an historical affinity between Jews and Muslims.
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Description based upon print version of record. :
1 online resource (393 pages) :
9789004230347 :
Available to subscribing member institutions only.
Isis und ihre Dienerinnen in der Kunst der römischen Kaiserzeit /
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Das Thema des Buches ist der Isiskult während der römischen Kaiserzeit, wie er in zahleichen Darstellungen der ägyptischen Göttin und solcher ihr angeglichener Frauen zum Ausdruck kommt. Während sich dadurch zum einen diese Frauen ganz allgemein als Dienerinnen der Isis zu erkennen geben, fällt zum anderen ein besonderes Licht auf die zur Angleichung ausgewählten Bilder der Göttin. Dabei handelt es sich, anders als bei den meisten bekannten Isistypen, um keine mythologisch erklärbaren Gottesbilder. Sie sind deshalb der Forschung ebenso rätselhaft geblieben wie die entsprechend angeglichenen und oftmals auch als Priesterinnen oder Mystinnen bezeichneten Frauen. Das Buch behandelt somit zwei Problemkreise, nämlich die Stellung jener Frauen im Kult sowie die damit verbundene Frage nach Sinn und Bedeutung der für die Angleichung verbindlichen Isisbilder. Das vorwiegend plastische Material ist in einem Katalog mit volständigem Abbildungsteil zusammengestellt. Auf dieser Basis bietet das Buch eine ikonographische und ikonologische Untersuchung des Themas. Die ausschliesslich in statuarischen Kopien überlieferten Isisbilder werden in angemessener Weise auf Originale hin rezensiert; die vorranging sepulkralen Darstellungen der Isisdienerinnen werden sowohl in quellenkritischer als auch archäologischer Hinsicht interpretiert. Daneben kommen auch religionsgeschichtliche Probleme zum Tragen. Ein längerer Exkurs am Ende des Buches ist der Frage nach der sozialen Stellung der Isisdienerinnen gewidmet.
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Revision of the author's thesis (doctoral)--Ludwig-Maximilians-Universität München, 1982. :
1 online resource (197 pages, [97] pages of plates) : illustrations. :
Includes bibliographical references and indexes. :
9789004329119 :
0169-8958 ; :
Available to subscribing member institutions only.
Why look at plants? : the botanical emergence in contemporary art /
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Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene. Plant's fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers' pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.
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1 online resource. :
Includes bibliographical references and index. :
9789004375253 :
2213-0659 ;
Dionysos in archaic Greece : an understanding through images /
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For the Greek, Dionysos was a very important god: for individuals as well as for the community as a whole. As there are only a few written sources dating from before the 5th Century BC the many images of Dionysos on Greek vases may well offer a genuine approach to the meaning given by the ancient viewer. This book explores the earliest images followed by those on small vases for private use, on mixing bowls of the symposion, on amphoras, on later drinking cups and on archaic sculptures. It gives an overview of Dionysian iconography of the 5th Century BC as well as an overall interpretation. The reader will learn why this god of vine and wine, of theatre and ecstasy, was so important for humans and why he played a key role in the life of the polis. Dionysos war für die Griechen ein Gott von zentraler Bedeutung, sowohl im Leben des Einzelnen wie der Gemeinschaft. Weil vor dem 5. Jahrhundert volumeChr. sehr wenige Schriftzeugnisse existieren, können uns die vielen Darstellungen des Dionysos auf griechischen Vasen am ehesten einen Zugang zu dem vermitteln, was der antike Mensch über ihn dachte. Analysiert werden zuerst die frühesten Bilder, dann jene auf kleinen individuell gebrauchten Vasen, auf grossen, beim Symposion verwendeten Mischgefässen, auf Amphoren, auf den späteren Trinkschalen und schliesslich in der archaischen Skulptur. Das Buch schliesst mit einem Ausblick auf die Bildgeschichte des Dionysos im 5. Jahrhundert volumeChr. und einer umfassenden Deutung. Diese Interpretation hilft zu verstehen, warum Dionysos, der Gott der Rebe und des Weins, des Theaters, der Ekstase, für den antiken Menschen so wichtig war und auch im öffentlichen Leben der klassischen Polis eine so grosse Rolle gespielt hat.
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1 online resource (xx, 291 pages, [68] pages of plates) : illustrations. :
Includes bibliographical references (p. 255-266) and indexes. :
9789047418825 :
0927-7633 ; :
Available to subscribing member institutions only.
The Modern Hercules : Images of the Hero from the Nineteenth to the Early Twenty-First Century /
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The Modern Hercules explores the reception of the ancient Greek hero Herakles - the Roman Hercules - in western culture from the nineteenth century to the present day. Each chapter considers a particular work or theme in detail, exploring this complex hero's transformations of identity and significance in a wide range of modern media, including literature, visual arts and film. The volume is one of four to be published in the Metaforms series examining the extraordinarily persistent figuring of Herakles-Hercules in western culture, drawing together scholars from a range of disciplines to offer a unique insight into the hero's perennial appeal.
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1 online resource. :
Includes bibliographical references and index. :
9789004440067
9789004440005