The Codex of the Anonimo Magliabechiano : Newly edited with a transcription faithful to the original manuscript and provided with an Introduction /
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This book offers a new edition of one of the most important art historical sources on Italian art. Written not long before Vasari's famous Lives (1550), this source provides an overview of art from Cimabue to Michelangelo. Moreover, the author's ambition was to provide a sketch of the art of classical antiquity. First published in the late nineteenth century, the Codex has led to numerous questions, the main one being: who was its author? We believe we have found the answer to this question, which led us to come up with a new edition of the Codex.
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1 online resource (312 pages) : illustrations. :
Includes bibliographical references and index. :
9789004539785
Receptions of antiquity, constructions of gender in European art, 1300-1600 /
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Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
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1 online resource (XV, 467 pages) : illustrations. :
Includes bibliographical references and index. :
9789004289697 :
Available to subscribing member institutions only.
Brill's Companion to the Reception of Pythagoras and Pythagoreanism in the Middle Ages and the Renaissance /
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A wide range of specialists provide a comprehensive overview of the reception of Pythagorean ideas in the Middle Ages and the Renaissance, shedding new light especially on the understudied 'Medieval Pythagoras' of the Latin West. They also explore the survival of Pythagoreanism in the Arabic, Jewish, and Persian cultures, thus adopting a multicultural perspective. Their common concern is to detect the sources of this reception, and to follow their circulation in diverse linguistic areas. The reader can thus have a panoramic view of the major themes belonging to the Pythagorean heritage - number philosophy and the sciences of the quadrivium; ethics and way of life; theology, metaphysics and the soul - until the Early Modern times.
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1 online resource. :
Includes bibliographical references and index. :
9789004499461
9789004373624
Corinthian and Attic vases in the Detroit Institute of Arts : geometric, black-figure, and red-figure /
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The collection of Greek vases in the Detroit Institute of Arts has been compiled over the course of the twentieth century to reflect the range of painting styles and shapes which characterize the period from the eighth through fourth centuries B.C. This catalogue is the first publication of that collection, comprising those vases from Corinth and Athens with painted decoration. The physical and painted characteristics of each vase are recorded, with an attribution to a painter or group, and a date. The relationship of the painted decoration to other Greek painted vases, religious or social institutions is discussed. The catalogue will be of interest to specialists in Greek vase painting, and those interested in Greek art and its modern collecting.
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1 online resource. :
Includes bibliographical references (p. [67]-69) and index. :
9789047423782 :
Available to subscribing member institutions only.
Egyptianizing figurines from Delos : a study in Hellenistic religion /
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This book investigates Hellenistic popular religion through an interdisciplinary study of terracotta figurines of Egyptian deities, mostly from domestic contexts, from the trading port of Delos. A comparison of the figurines' iconography to parallels in Egyptian religious texts, temple reliefs, and ritual objects suggests that many figurines depict deities or rituals associated with Egyptian festivals. An analysis of the objects' clay fabrics and manufacturing techniques indicates that most were made on Delos. Additionally, archival research on unpublished notes from early excavations reveals new data on many figurines' archaeological contexts, illuminating their roles in both domestic and temple cults. The results offer a new perspective on Hellenistic reinterpretations of Egyptian religion, as well as the relationship between "popular" and "official" cults.
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1 online resource (xix, 731 pages, [80] pages of plates) : illustrations (some color) :
Includes bibliographical references and indexes. :
9789004222663 :
Available to subscribing member institutions only.
The early black-figured pottery of Attika in context (c. 630-570 BCE) /
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Setting as a starting point the introduction of the black-figure technique in Attic workshops at around 630 BCE, this book attempts a contextual analysis of Attic pottery until late in the first quarter of the sixth century BCE. The shapes and their functions, as well as the iconographic themes are explored through this perspective. This offers an interesting insight into funerary, cultic and profane activities in Athens and the Attic countryside, which is completed by an extensive study of the trade and distribution of Attic vases during this period. The result is a complete overview of early black-figure Attic production, enabling an afresh archaeological approach to late seventh-and early sixth-century Attic society.
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1 online resource. :
Includes bibliographical references (p. [xii]-xxxix) and indexes. :
9789004192317 :
0169-8850 ; :
Available to subscribing member institutions only.
Museum archetypes and collecting in the ancient world /
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Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
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1 online resource (xiv, 222 pages) : illustrations. :
Includes bibliographical references (p. 163-192) and index. :
9789004283480 :
Available to subscribing member institutions only.
Polis and personification in classical Athenian art
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In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens-its people, government, and events-as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
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1 online resource. :
Includes bibliography (p. [xiii]-xxxix) and indexes. :
9789004214521 :
Available to subscribing member institutions only.
The ceremonial sculptures of the Roman gods /
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The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is in some measure mobile, designed specifically to be carried about in processions, brought out for public viewing at throne ceremonies, or participate in divine banquets. In addition to defining the characteristics of these ceremonial sculptures, this study also addresses their performative qualities: where and how they appeared, who was responsible for handling them, with what conventions of decorum, and with what response from the audience.
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Title from PDF title page (viewed on Dec. 3, 2012). :
1 online resource (xxviii, 120 pages) :
Includes bibliographical references and index. :
9789004242265 :
Available to subscribing member institutions only.
Hellenistic and Roman terracottas /
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Edited by G. Papantoniou, D. Michaelides and M. Dikomitou-Eliadou, Hellenistic and Roman Terracottas is a collection of 29 chapters with an introduction presenting diverse and innovative approaches (archaeological, stylistic, iconographic, functional, contextual, digital, and physicochemical) in the study of ancient terracottas across the Mediterranean and the Near East, from the Hellenistic period to Late Antiquity. The 34 authors advocate collectively the significance of a holistic approach to the study of coroplastic art, which considers terracottas not simply as works of art but, most importantly, as integral components of ancient material culture. The volume will prove to be an invaluable companion to all those interested in ancient terracottas and their associated iconography and technology, as well as in ancient artefacts and classical archaeology in general.
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1 online resource. :
Includes bibliographical references and index. :
9789004384835
New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts /
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The essays in New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts address art historical, historical, cultural and museological issues raised by one of two surviving intact statues of the Roman emperor Caligula (r. 37-41 C.E.). Contributions focus on the creation of a 3D-digital model of the statue and the search for traces of its original polychromy; the history of the statue from its creation to the present, including its rediscovery at a Julio-Claudian sanctuary at Bovillae; aspects of Caligula's literary and visual portrayal in antiquity and modern historiography (including questions concerning the destruction of his portraits and the implications of Jewish sources for the study of Caligula); and the emperor's image in popular culture.
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1 online resource. :
9789004417366
9789004412682
Recarving of Roman portraits in Late Antiquity : from face to face /
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This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
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1 online resource. :
9789004192324 :
Available to subscribing member institutions only.
From face to face : recarving of Roman portraits and the Late-Antique portrait arts /
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This book is based on an investigation of more than five hundred recarved portraits. It includes analyses of different recarving methods, some of which can be attributed to geographically localised workshops. The different recarving methods have made it possible to suggest classifiable categories, which together underpin a hypothesis that the late-antique portrait style is a consequence of the many recarved portraits at the time. The practice of portrait recarving emerged due to economic, political, religious and ideological factors, and was influenced by the cultural-historical changes of Late Antiquity. The conclusion gives a new understanding of how wide-ranging, culturally and politically encoded and comprehensive the practice of recarving was.
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1 online resource (xxii, 202 pages, 155 pages of plates) : illustrations. :
Includes bibliographical references (p. 159-176) and indexes. :
9789004324558 :
Available to subscribing member institutions only.
The art of the Hekatompedon inscription and the birth of the stoikhedon style /
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The purpose of this book is to present the Hekatompedon Inscription at Athens ( IG I³ 4) as a major monument of Greek art, legitimately on a par with more famous landmarks of the Greek aesthetic tradition like the Parthenon Frieze. Inscribed most probably in the middle of the decade that saw the Greek response to the Persian invasion, the Hekatompedon Inscription has long been recognized for its historical and religious importance. This study looks at the inscription on its own terms: the unique fusion of its visual and textual content in that most Greek of epigraphical layouts, the stoikhedon style. Such an approach leads to the question of origins: where and why was the stoikhedon style formulated and where does the Hekatompedon Inscription stand in that development? Egypt's influential system of proportions and use of grids will be considered determinative for the very first time.
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Based the author's thesis (doctoral--University of Southern California, Los Angeles, 1995) under the title: The 'Hekatompedon Inscription' at Athens. :
1 online resource. :
Includes bibliographical references and indexes. :
9789004193277 :
Available to subscribing member institutions only.
New directions and paradigms for the study of Greek architecture : interdisciplinary dialogues in the field /
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"New Directions and Paradigms for the Study of Greek Architecture comprises 20 chapters by nearly three dozen scholars who describe recent discoveries, new theoretical frameworks, and applications of cutting-edge techniques in their architectural research. The contributions are united by several broad themes that represent the current directions of study in the field, i.e.: the organization and techniques used by ancient Greek builders and designers; the use and life history of Greek monuments over time; the communication of ancient monuments with their intended audiences together with their reception by later viewers; the mining of large sets of architectural data for socio-economic inference; and the recreation and simulation of audio-visual experiences of ancient monuments and sites by means of digital technologies. Contributors are: Lena Lambrinou; Vasileia Manidaki; Jeanne Capelle; Alexander Tanner; Nancy L. Klein; Nils Hellner; D. Matthew Buell, John C. McEnroe, Jorge Andreas Botero Besadalombana, Rafał Bieńkowski; Yannos Kourayos, Kornilia Daifa, Goulielmos Orestidis, Dimitrios Egglezos, Vasilis Papavasileiou, Eleni-Eva Toumpakari; Kyle A. Jazwa; András Patay-Horváth; Mark Wilson Jones; Silke Müth; Sarah A. Rous; Matthias Grawehr; Mary B. Hollinshead; Miriam G. Clinton, Ansel MacLaughlin; Christian Fron, Verena Stappmanns, Xiaoru Zhou, Philip Leistner; Clemente Marconi, David Scahill, Massimo Limoncelli; Bonna D. Wescoat".
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1 online resource. :
Includes bibliographical references and index. :
9789004416659
Roman villas in central Italy : a social and economic history /
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This volume, which was awarded Honorable Mention and a Silver Medal from the Premio Romanistico Internationazionale Gérard Boulvert, investigates the socio-economic role of elite villas in Roman Central Italy drawing on both documentary sources and material evidence. Through the composite picture emerging from the juxtaposition of literary texts and archaeological evidence, the book traces elite ideological attitudes and economic behavior, caught between what was morally acceptable and the desire to invest capital intelligently. The analysis of the biases affecting the application of modern historiographical models to the interpretation of the archaeology frames the discussion on the identification of slave quarters in villas and the putative second century crisis of the Italian economy. The book brings an innovative perspective to the debate on the villa-system and the decline of villas in the imperial period.
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Based on the author's thesis (Ph.D., Columbia University, 2004). :
1 online resource. :
Includes bibliographical references (p. [797]-816) and indexes. :
9789047421221 :
Available to subscribing member institutions only.
La splendeur des dieux: Quatre études iconographiques sur l'hellénisme égyptien (2 vols) /
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"Why are the rays of the Greek god Helios on the forehead of a crocodile-headed Egyptian deity? Navigating the maze of Greek and Egyptian communities and creeds, Gaëlle Tallet investigates the plasticity of material culture in the polytheistic context of Graeco-Roman Egypt. Using the Ariadne's thread of the manufacturing of new images, suitable to new needs and new understandings of the divine, La Splendeur des dieux opens the doors of the workshops where these images were designed, ordered and crafted. Tallet offers a full re-appraisal of the cultural balance of powers in Graeco-Roman Egypt, depicting the indigenous clergies and artists as integratedactors of an Egyptian Hellenicity that helped promote and preserve their millenaries-old traditions. Que viennent faire les rayons solaires du dieu grec Hélios sur le front d'un dieu crocodile égyptien ? Cette question est au point de départ d'une enquête au cœur de la plasticité du système polythéiste de l'Égypte gréco-romaine. Parcourant le labyrinthe des diverses communautés et croyances grecques et égyptiennes, Gaëlle Tallet utilise le fil d'Ariane de la production des images religieuses, réponses à de nouveaux besoins et de nouvelles perceptions du divin, et ouvre les portes des ateliers où elles ont été conçues, commandées et façonnées. La Splendeur des dieux propose une réévaluation du rôle des clergés et des artistes indigènes dans l'élaboration d'un hellénisme proprement égyptien, qui leur a permis de promouvoir et préserver des traditions millénaires"--
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Revision of the author's thesis (doctoral)--Université de Strasbourg, 2006, under the title: Les dieux à couronne radiée dans l'iconographie de l'Egypte gréco-romaine. :
1 online resource. :
Includes bibliographical references and index. :
9789004428928
9789004428911