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روائع تحف الفن الاسلامي : في متحف المتروبوليتان للفنون / Rawāʼiʻ tuḥaf al-Fann al-Islāmī : fī matḥaf al-Mutrūbūlītān lil-funūnn...
: Published in conjunction with the reopening of the Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia on November 1, 2011 : 424 illustrations (some color), color map 29 : 9789774168154
Pottery, pavements, and paradise : iconographic and textual studies on late antiquity /
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These essays on late antiquity traverse a territory in which Christian and pagan imagery and practices compete, coexist, and intermingle. The iconography of the most significant late antique ceramic, African Red Slip Ware, is an important and relatively unexploited vehicle for documenting the diversity and interpenetration of late antique cultures. Literary texts and art in other media, particularly mosaics, provide imagery that complement and enhance the messages of the ceramics. Popular entertainments, pagan cults, mythic heroes, beasts, monsters, and biblical visions are themes dealt with on the patrician and popular levels. With interpretive supplements from these diverse realms, it is possible to achieve greater insight into the life, attitudes, and thought of Late Antiquity.
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1 online resource (xxii, 582 pages) : illustrations (some color) :
Includes bibliographical references (p. 435-459) and index. :
9789004256934 :
Available to subscribing member institutions only.
Hellenistic and Roman terracottas /
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Edited by G. Papantoniou, D. Michaelides and M. Dikomitou-Eliadou, Hellenistic and Roman Terracottas is a collection of 29 chapters with an introduction presenting diverse and innovative approaches (archaeological, stylistic, iconographic, functional, contextual, digital, and physicochemical) in the study of ancient terracottas across the Mediterranean and the Near East, from the Hellenistic period to Late Antiquity. The 34 authors advocate collectively the significance of a holistic approach to the study of coroplastic art, which considers terracottas not simply as works of art but, most importantly, as integral components of ancient material culture. The volume will prove to be an invaluable companion to all those interested in ancient terracottas and their associated iconography and technology, as well as in ancient artefacts and classical archaeology in general.
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1 online resource. :
Includes bibliographical references and index. :
9789004384835
Body language in Hellenistic art and society /
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Revision of the author's thesis (Ph. D.--University of Oxford, 1980) under the title : Gestures, postures and body actions in Hellenistic art. :
xxiv, 362 pages : illustrations (black and white) ; 25 cm. :
Includes bibliographical references (pages 329-355) and index. :
9780198723592 (hardback)
0198723598 (hardcover)
L'Art copte, Petit Palais, Paris, 17 juin 15 septembre 1964 /
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"Catalogue ... redige d'apres le catalogue de l'exposition d'Essen: Koptische Kunst; Christentum am Nil, Essen, 1963 ... L'adaptation ... et la redaction ... ont ete realisees par Pierre du Bourguet, S.J."
Exposition organized by Reunion des musees nationaux and Direction des beaux-arts de la ville de Paris. :
283, 5 unnumbered pages, color plates : illustrations ; 23 cm. :
Includes bibliographical references.
Topkapi à Versailles : trésors de la cour ottomane.
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En haut de la page de titre : Musée national des châteaux de Versailles et de Trianon, 4 mai-15 Août 1999.
Exposition org. à l'occasion du 700e anniversaire de l'Etat ottoman (cf. p. 19). :
349 pages : color, illustrations ; 30 cm. :
Bibliogr. p. 341-349. :
2711839060
ʻAli Qoli Jebādār et l'occidentalisme safavide : une étude sur les peintures dites farangi sāzi, leurs milieux et commanditaires sous Shāh Soleimān (1666-94) /
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In ʿAli Qoli Jebādār et l'Occidentalism safavide Negar Habibi provides a fresh account of the life and works of ʿAli Qoli Jebādār, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures Habibi brings to light the diversity of ʿAli Qoli Jebādār's most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sāzi , while suggesting the use of the term \'Occidentalism\' for those Safavid paintings that show some exotic and alien details of the Western world. ʿAli Qoli Jebādār et l'Occidentalisme safavide offre un nouveau récit de la vie et des œuvres de ʿAli Qoli Jebādār. Recueillant plusieurs peintures et signatures de l'artiste, Negar Habibi expose à la discussion de divers titres royaux de l'artiste. ʿAli Qoli Jebādār et l'Occidentalisme safavide approfondit également nos connaissances sur l'évolution artistique et socio-politique de la société iranienne à l'aube du modernisme. En consultant sans cesse les sources historiques, Negar Habibi montre la possibilité du patronage féminin et eunuque dans les peintures connues sous le nom de farangi sāzi au XVIIe siècle, tout en suggérant l'utilisation d'un nouveau titre comme l'Occidentalisme pour ces peintures safavides qui montrent des détails exotiques et étrangers appartenant au monde occidental.
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1 online resource (xiv, 207 pages) : color illustrations, portraits. :
Includes bibliographical references (p. [178]-203) and index. :
9789004356139 :
Available to subscribing member institutions only.