We Have Always Been Transcultural: The Arts as an Example /
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Wolfgang Welsch demonstrates for the first time that transculturality - the mixed constitution of cultures - is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
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1 online resource (238 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697829
Gallo-Roman Bronzes and the Process of Romanization: The Cobannus Hoard /
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This book constitutes the first comprehensive publication of a cache of eight bronzes from east-central Gaul. The types of objects and accompanying inscriptions suggest that these bronzes originally came from a sanctuary of a god named Cobannus. The first part of the book describes, analyzes, and interprets the individual objects, which are divided between the J. Paul Getty Museum and the Shelby White - Leon Levy Collection. The latter part of this work places the cache within a chronological, cultic, and cultural context. The Cobannus hoard is valuable not only from an artistic point of view but also for the information it provides on many different aspects of the religious, social, and political life of Roman Gaul. The book is lavishly illustrated, with 2 maps and 117 illustrations.
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1 online resource. :
Includes bibliographical references and index. :
9789004493667
9789004124370
Mystery and matter : on the relationship between liturgy and architecture in the thought of Dom Hans van der Laan OSB (1904-1991) /
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Most of the scholarship regarding the Dutch monk and architect Dom Hans van der Laan OSB (1904-1991) has been narrowly focused on his architectural theory and projects. The liturgical and theological dimensions have been virtually neglected, though they are vital for a proper understanding of his thought. Through a thorough reading of the original sources, including previously unexplored documents from various archives, this book takes an interdisciplinary approach to Van der Laan's theory. It brings together the different aspects of his work by studying both the liturgical-theological and architectural elements. On this basis the book offers a synthesis of the way in which Van der Laan was able to link earthly matter to the divine Mystery.
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Based on the author's thesis (doctoral)--Pontifical Gregorian University. :
1 online resource. :
Includes bibliographical references and index. :
9789004209428 :
Available to subscribing member institutions only.
From face to face : recarving of Roman portraits and the Late-Antique portrait arts /
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This book is based on an investigation of more than five hundred recarved portraits. It includes analyses of different recarving methods, some of which can be attributed to geographically localised workshops. The different recarving methods have made it possible to suggest classifiable categories, which together underpin a hypothesis that the late-antique portrait style is a consequence of the many recarved portraits at the time. The practice of portrait recarving emerged due to economic, political, religious and ideological factors, and was influenced by the cultural-historical changes of Late Antiquity. The conclusion gives a new understanding of how wide-ranging, culturally and politically encoded and comprehensive the practice of recarving was.
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1 online resource (xxii, 202 pages, 155 pages of plates) : illustrations. :
Includes bibliographical references (p. 159-176) and indexes. :
9789004324558 :
Available to subscribing member institutions only.
The Crescent on the Temple : The Dome of the Rock as Image of the Ancient Jewish Sanctuary.
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\'The Crescent on the Temple\' by Pamela Berger elucidates an obscured tradition-how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. The crusaders called the Dome of the Rock the "Temple of the Lord," while Muslim imagery depicted Solomon enthroned within the domed structure. Jews knew that the ancient Temple had been destroyed. Nevertheless, in their imagery, they commonly labeled the Muslim shrine "The Temple." That domed "Temple" was often represented with a crescent on top. This iconography, long hidden in plain sight, reflects one aspect of an historical affinity between Jews and Muslims.
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Description based upon print version of record. :
1 online resource (393 pages) :
9789004230347 :
Available to subscribing member institutions only.
Artists and intellectuals and the requests of power /
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A much discussed question in classical studies is the comparison between the situation of poets in Augustan Rome and that of artists and intellectuals in the totalitarian regimes of the twentieth century. As instructive as this question proves to be for an understanding of the relation between the freedom of art and thinking on the one hand and power on the other, it also reveals the insufficiency of our present grasp of this crucial articulation of our humanity. This volume offers a multidisciplinary and comparative approach to the problem, complementing the historical perspective with a regard on Eastern traditions. It thus explores tentative paths for future research on an issue of critical importance for the shaping of the global world.
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Papers given at the workshop 'Artists and Intellectuals and the Requests of Power', held from 26 to 29 July 2007 at the Accademia di studi italo-tedeschi. :
1 online resource. :
Includes bibliographical references and index. :
9789047425601 :
Available to subscribing member institutions only.