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Published 1954
History of the Peloponnesian War /

: translation of : History of the Peloponnesian War. : 553 pages : maps. ; 18 cm.

Published 1908
Herodoti Historiae /

: Translation of : History. : 2 volumes ; 19 cm.

Published 1984
Mnēmē : Geōrgiou A. Petropoulou (1897-1964) = Mnēmē : Georges A. Petropoulos /

: 2 volumes : portraits ; 24 cm. : Includes bibliographic references.

Published 1996
Columbia papyri X /

: x, 292 pages ; 24 cm. : Includes bibliographical references (pages [195]-197) and indexes. : 0788502751

Published 2012
Das Aktenbuch des Aurelios Philammon : Prozessberichte, annona militaris und Magie in BGU IV 1024-1027 /

: VIII, 156 pages, XX pages of plates : color illustrations ; 25 cm. : Includes bibliographical references (pages 150-156) and indexes. : 9783110282764 : 1868-9337

Published 2013
The romance between Greece and the East /

: xii, 396 pages ; 24 cm : Includes bibliographical references (pages 336-390) and index. : 9781107038240 (hardback)
1107038243 (hardback)

Published 2004
Heroic measures : Hippocratic medicine in the making of Euripidean tragedy /

: This book demonstrates the importance of Greek medical thought in the work of Euripides. The first part of the book argues for the significance of the healing figure in Euripidean drama, while the second part analyzes the role of traditional and rationalist healing strategies in the construction of Euripidean plots and arguments. The work will be of interest to those pursuing studies in Greek drama, Greek intellectual history and Greek medicine.
: 1 online resource (x, 229 pages) : Includes bibliographical references (p. 199-209) and indexes. : 9789047405955 : 0925-1421 ; : Available to subscribing member institutions only.

Published 2010
Tragic props and cognitive function : aspects of the function of images in thinking /

: By applying aspects of cognitive psychology to a study of three key tragic props, this book examines the importance of visual imagery in ancient Greek tragedy. The shield, the urn and the mask are props which serve as controls for investigating the connection between visual imagery and the spectators' intellectual experience of tragic drama. As vehicles for conceptual change the props point to a function of imagery in problem solving. Connections between the visual and the cognitive in tragedy, particularly through image shape and its potential for various meanings, add a new perspective to scholarship on the role of the visual in ancient performance. These connections also add weight to the importance of imagery in contemporary problem solving and creative thought.
: 1 online resource. : Includes bibliographical references (p. [245]-259) and indexes. : 9789047430827 : 0169-8958 ; : Available to subscribing member institutions only.

Published 1999
Linguistics into interpretation : speeches of war in Herodotus VII 5 and 8-18 /

: This volume is a sustained exercise in the genre of secondary literature which aims at explaining a literary work as much as possible in and through the author's own words. A crucial passage in direct speech by different speakers from the History of Herodotus, the earliest long Greek prose text, has been made the object of a systematic effort to distill and analyse the linguistic characteristics relevant to its interpretation, by confronting it with the rest of the work as well as with earlier and contemporary writings. This is done with the primary aim of placing the interpretation of a major author on the firmest ground available, the author's inches per secondissimi verba . The result, made accessible by full indexes, will prove helpful to readers of any part of Herodotus' History .
: 1 online resource (xlv, 325 pages) : Includes bibliographical references and index. : 9789004351264 : 0169-0985 ; : Available to subscribing member institutions only.

Published 2016
The Hellenica Oxyrhynchia and historiography : new research perspectives /

: This book involves a new historiographical study of the Hellenica Oxyrhynchia that defines its relationship with fifth- and fourth-century historical works as well as its role as a source of Diodorus' Bibliotheke . The traditional and common approach taken by those who studied the HO is primarily historical: scholars have focused on particular, often isolated, topics such as the question of the authorship, the historical perspective of the HO against other Hellenica from the 4th century BC. This book is unconventional in that it offers a study of the HO and fifth- and fourth-century historical works supported by papyrological enquiries and literary strategies, such as intertextuality and narratology, which will undoubtedly contribute to the progress of research in ancient historiography.
: 1 online resource (xi, 303 pages) : Includes bibliographical references and index. : 9789004325784 : 0169-8958 ; : Available to subscribing member institutions only.

Published 2012
Inscriptional records for the dramatic festivals in Athens : IG II2 2318-2325 and related texts /

: IG II2 2318-2325 represent the most substantial surviving body of evidence for the institutional history of the Athenian dramatic festivals from their establishment at the end of the 6th century BCE to their disappearance sometime in the mid- to late 100s. Millis and Olson offer a completely updated text of the inscriptions, based on a close study of the stones themselves; detailed explanations of the restorations of the dimensions and organization of the original records, with numerous redatings and the like; and new - and in some cases radically different - reconstructions of the monuments on which they were inscribed. The volume also includes substantial interpretative essays on each set of records, a full epigraphic and prosopographic commentary, and several indices.
: 1 online resource (xii, 238 pages) : 9789004232013 : Available to subscribing member institutions only.

Published 2010
Hesiod, the other poet : ancient reception of a cultural icon /

: Hesiod: The Other Poet is a study dealing with the role of Hesiod in the imagination and the collective memory of the ancient Greeks. Its main hypothesis is that Hesiod's image was to a large degree formed by the picture of Homer: Hesiod is decidedly different when presented as allied with, opposed to or simply without Homer. Following this approach, Hesiod is investigated as a moral and philosophical authority, a locus informed with values and qualities, a concept in literary-critical discourse, and more generally as a cultural and panhellenic icon constructed and reconstructed by later Greek authors who employed and so re-created him in their own texts.
: 1 online resource. : Includes bibliographical references and index. : 9789004189812 : 0169-8958 ; : Available to subscribing member institutions only.

Published 2004
Free speech in classical antiquity /

: This book contains a collection of essays on the notion of "Free Speech" in classical antiquity. The essays examine such concepts as "freedom of speech," "self-expression," and "censorship," in ancient Greek and Roman culture from historical, philosophical, and literary perspectives. Among the many questions addressed are: what was the precise lexicographical valence of the ancient terms we routinely translate as \'Freedom of Speech,\' e.g., Parrhesia in Greece, Licentia in Rome? What relationship do such terms have with concepts such as isêgoria , dêmokratia and eleutheria ; or libertas , res publica and imperium ? What does ancient theorizing about free speech tell us about contemporary relationships between power and speech? What are the philosophical foundations and ideological underpinnings of free speech in specific historical contexts?
: Consists of a collection of papers presented at the second Penn-Leiden Colloquium on Ancient Values, held in June 2002 at the University of Pennsylvania. : 1 online resource (xii, 450 pages) : Includes bibliographical references and indexes. : 9789047405689 : 0169-8958 ; : Available to subscribing member institutions only.

Published 2017
Authorship and Greek song : authority, authenticity, and performance /

: Authorship and Greek Song is a collection of papers dealing with various aspects of authorship in the song culture of Ancient Greece. In this cultural context the idea of the poet as author of his poems is complicated by the fact that poetry in archaic Greece circulated as songs performed for a variety of audiences, both local and "global" (Panhellenic). The volume's chapters discuss questions about the importance of the singers/performers; the nature of the performance occasion; the status of the poet; the authority of the poet/author and/or that of the performer; and the issues of authenticity arising when poems are composed under a given poet's name. The volume offers discussions of major authors such as Pindar, Sappho, and Theognis.
: Selected papers presented at a conference entitled "Authorship, Authority, and Authenticity in Archaic and Classical Greek Song," which was held June 6-9, 2011 at Yale University, organized by the Network for the Study of Archaic and Classical Greek Song. : 1 online resource. : Includes bibliographical references and index. : 9789004339705 : 0169-8958 ; : Available to subscribing member institutions only.

Published 2012
Xenophon : ethical principles and historical enquiry /

: Xenophon's personal history was exceptional for its combination of Socratic education and the exercise of military leadership in a time of crisis. His writings provide an intellectually and morally consistent response to his times and to the issue of ethical but effective leadership, and they play a special role in defining our sense of the post-Athenian-Empire Greek world. Recent Xenophontic scholarship has established the general truth of these claims. The current volume will not only reinforce them but also contribute to greater understanding of a voice that is neither simply ironic nor simply ingenuous and of a view of the world that is informed by an engagement with history.
: Includes index. : 1 online resource (791 pages) : 9789004234192 : 0169-8958 ; : Available to subscribing member institutions only.

Published 1984
Euripides' Bacchae : the play and its audience /

: The purpose of this book is to investigate what it was Euripides intended to convey to the theatre-going public of his day when he wrote his most exciting and most gruesome play, the Bacchae . The meanings which are to be attached to the action of a play are woven by an audience, both during and after the performance, into a single dramatic experience, labelled in this book as 'audience response'. After some introductory chapters dealing with the history of the interpretation of the Bacchae and with the theory of audience response, the main part of the book is devoted to a detailed analysis of the action of the play (chapters 4 and 5), and to a study of Dionysus in his various apects in Athenian life and in his appearances in earlier literature and on the tragic stage. The discussion of the choruses concentrates on the choruses' repeated utterances about cleverness and wisdom, which form the core of the Dionysian propaganda of the play. The most immediate results of this new interpretation of the Bacchae are that the widely-accepted view of Pentheus as a dark puritan, a man possessed by the Dionysian qualities of his divine opponent, proves to be untenable, and that that which in the past has been rightly called the overriding theme of the play - the god's epiphany - also contains the poet's most serious and ironical discussion of divinity and of man's treatment of it. The problems of the Greek text are given full discussion, mainly in the nots and appendices. In many cases new solutions are proposed; some new problems are however added.
: Originally presented as the author's thesis (doctoral)--Free University of Amsterdam. : 1 online resource (200 pages) : Includes bibliographical references (p. 192-198) and index. : 9789004328051 : Available to subscribing member institutions only.

Published 1993
Narrative setting and dramatic poetry /

: This volume evaluates a single element of tragic art, namely the way in which narrative descriptions of place participate in the poetry of tragedy. They join together structures of the theater to create a context for tragic performance, and ultimately reflect upon tragedy's connection to earlier narrative forms and to the traditional tales that regularly supply tragic plots. The first part of this book examines the introductory function of spatial descriptions and the peculiar resources offered to the playwright by cult settings. In the second part, the spatial oppositions, that are inherent structuring devices in traditional tales, are taken up in chapters treating the motif of exile in extant tragedy.
: Revision of the author's thesis (doctoral--Yale), presented in 1985 under the title, Setting and theme in Greek tragedy. : 1 online resource (178 pages) : Includes bibliographical references (p. 162-168) and index. : 9789004329201 : 0169-8958 ; : Available to subscribing member institutions only.

Published 2001
Speaking volumes : orality and literacy in the Greek and Roman world /

: This volume examines orality and literacy in the ancient Greek and Roman world through a range of perspectives and in various genres. Four essays on the Homeric epics present recent research into performative aspects of language, cognitive theory and oral composition, a re-evaluation of Parry's oral-formulaic theory, and a new perspective on the poem's transmission. These are complemented by studies of the oral nature of Greek proverbial expressions, and of poetic authority within a fluid oral tradition. Two essays consider the significance of the written word in a predominantly oral culture, in relation to star calendars and to Panathenaic inscriptions. Finally, two chapters consider the ongoing influence of oral tradition in the ancient novel and in Roman declamation. These essays illustrate the importance of considering ancient texts in the context of fluctuating oral and literate influences.
: 1 online resource (xvi, 235 pages) : Includes bibliographical references (p. 216-228) and index. : 9789004351028 : Available to subscribing member institutions only.

Published 2013
Performance in Greek and Roman theatre /

: In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre.
: 1 online resource (ix, 591 pages) : Includes bibliographical references and index. : 9789004245457 : Available to subscribing member institutions only.

Published 1995
Interpolation in Thucydides /

: The scraps of hard evidence are carefully sifted from the putative so as to uncover the probable extent and nature of interpolation in Thucydides. This gives a coarse but firm "typology," which may be of some use in the study of other MS traditions, and clarifies hard passages many of which are discussed in depth, so that the book's Index Locorum can be a tool for students of this author. Separate chapters examine evidence given by MS disagreement, by a long inscription, by papyri, by scholiasts, by Valla's translation and more. A chapter analyzes the types of mechanical "interpolation" another, the hypothesis of Hellenistic "editing." Constant close attention is paid to the stemma codicum (discussed also in an appendix) and to the smallest idiosyncrasies of Thucydides' style.
: Based on the author's thesis (doctoral)--1993. : 1 online resource (xxiv, 242 pages) : Includes bibliographical references (p. 228-233) and indexes. : 9789004329553 : 0169-8958 ; : Available to subscribing member institutions only.