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Vocalisation in group writing : a new proposal /
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The so-called group writing or syllabic orthography is a special orthography used in Egyptian hieroglyphic texts starting from the New Kingdom/Late Bronze Age. The nature and function of this orthography, especially the way it notates vowels, has been a topic of debate for more than a century, without any consensus being reached. In this book, Marwan Kilani presents a new interpretative model that provides a fresh explanation of how the syllabic orthography notates vowels. The author starts from a critical reanalysis of previous suggestions and from a thorough reassessment of the evidence. He then infers the functioning of the system by comparing the group writing spelling of Late Egyptian words surviving in Coptic with the reconstructions of their vocalizations. This approach leads to the recognition of a system that not only coherently explains all the spellings attested in the corpus, but which also produces interpretations of the spellings in group writing that agree with current reconstructions of the Egyptian vocalization. The book contains indexes and an Appendix listing the words analysed in the study.
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vi, 149 pages : illustrations ; 24 cm. :
Includes bibliographical references and indexes. :
9783943955200
3943955206 :
0946-8641;
The cosmic script : sacred geometry and the science of Arabic penmanship /
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"A fully illustrated, landmark study of Islamic calligraphy traced back to its deepest historical and cultural roots Explores the sacred geometry of each letter form of the Arabic alphabet as attributed to renowned 10th-century scribe Ibn Muqla Traces Ibn Muqla's system to the cross-cultural encounter between Greek learning and the scientific, artistic, and philosophical pursuits of classical Islam A richly illustrated, two-volume presentation of decades of research with more than 430 full-color illustrations Calligraphy is the central visual art of Islam. At its core resides a perennial challenge: What letter shapes traced by human hands are rightful bearers of the divine message? The answer lies in the "Proportioned Script" of Ibn Muqla, renowned scribe, man of letters, and minister under the great Abbasid Caliphate in 10th-century Baghdad. Emphasizing harmony and geometry, Ibn Muqla's system has governed the practice of Arabic scribal art up to the present day. In this two-volume, richly illustrated study, Ahmed Moustafa and Stefan Sperl analyze each letter form of Ibn Muqla's perfected penmanship and share their decades of research on Islamic letter shapes, revealing the history, linguistics, philosophy, theology, and sacred geometry that underlie this spiritual art form. In volume one the authors reveal the trilogy of prophecy, penmanship, and geometry at the foundation of Ibn Muqla's Proportioned Script. Providing a fully illustrated analysis of Islamic calligraphy's geometrical principles as transmitted in surviving writings and key manuscript sources, they examine the geometric grid of square, circle, and hexagon that informs the pen strokes of each letter shape and explore how the golden ratio appears within the matrix of the grid. They examine the development of Ibn Muqla's system in the context of the sciences, arts, and penmanship of 10th-century Baghdad and trace its origins to the cross-cultural encounter between Greek learning and the scientific, artistic, and philosophical pursuits of classical Islam. In volume two the authors analyze the calligraphic forms of each letter of the Arabic alphabet. They decode the sacred geometry of each form as it appears within the geometric grid, providing letter samples from ancient sources. Unearthing the theoretical and scientific foundations of Arabic calligraphy, this landmark study examines the aesthetic implications of Ibn Muqla's theory for the visual, verbal, and aural arts of Islam as well as the Islamic mystical tradition"--
""A fully illustrated, landmark study of Islamic calligraphy traced back to its deepest historical and cultural roots"--Provided by publisher"--
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2 volumes : illustrations (chiefly color) ; 29 x 34 cm. :
Includes bibliographical references and index. :
9781620553961 (hardback : set)
From Hannibal to Saint Augustine : ancient art of North Africa from the Musée du Louvre /
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Catalog of an exhibition of the same title held at Michael C. Carlos Museum, Atlanta, Ga., Feb. 6-May 29, 1994, at the Crocker Art Museum, Sacramento, Calif., Sept. 17-Nov. 13, 1994, and at the Milwaukee Art Museum, Milwaukee, Wis., Dec. 2, 1994-Feb. 5, 1995. :
176 pages : illustrations (some color), maps ; 27 cm. :
Includes bibliographical references. :
0963816918
9780963816917