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Boats, ships and shipyards : proceedings of the Ninth International Symposium on Boat and Ship Archaeology, Venice 2000 /
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"ISBSA 9."
"Università Ca' Foscari Venezia, Dipartimento di scienze dell'antichità e del Vicino Oriente." :
xiv, 362 p. : ill. ; 31 cm. :
Includes bibliographical references. :
1842170937
The large Egyptian pyramids : modelling a complex engineering project /
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xi, 125 pages : illustrations (some color), maps ; 30 cm. :
Includes bibliographical references and index. :
9781407305462 :
http://merlin.lib.umsystem.edu/search~S1?/o551398401/o551398401/1%2C1%2C1%2CB/marc&FF=o551398401&1%2C1%2C
shimaa
The secret of the great pyramid : how one man's obsession led to the solution of ancient Egypt's greatest mystery /
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xiii, 224 pages : illustrations (some color) ; 24 cm. :
Includes bibliographical references and index. :
9780061655524
006165552X :
https://opac.tulsalibrary.org/search~S27?/o191932088/o191932088/1%2C1%2C1%2CB/marc&FF=o191932088&1%2C1%2C
shimaa
Ancient Egyptian Image-Writing: Between the Unspoken and Visual Poetics /
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This article highlights the significance of considering the visual mediums of the ancient Egyptian (henceforth AE) writing system, in reading and translating AE literary texts. Despite their importance for understanding the internal mechanism of AE literary expressions, modern scholarship has not assimilated these visual mediums into its exploration. A possible theoretical framework for AE morphology structure may identify two input systems,, one visual for visually presented materials that are more related to visual comprehension, and the other phonological for material presented using the auditory modality. The studied examples confirm that the AE writers had the opportunity to invite their receivers to take part in two experiential tasks (visual and phonological) to provoke two different behaviours, to get the right meaning intended by the resourceful writer. The article is divided into two parts. The first part is concerned with the role of innovative imagination in forming both the “eloquent content” and its inseparable “poetic vocal form,” with full consideration of the creative relationship between these two elements. The second part is related to the ancient and modern reader’s reception of such visual-verbal interactions. The article demonstrates the significance of looking into such visual aesthetics—which were mainly designed to stimulate the eyes of the indigenous readers—to shape any theory related to the literary nature of ancient Egyptian writing. http://dx.doi.org/10.5913/jarce.55.2019.a009
Greek art and archaeology : c. 1200-30 BC /
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Surveys Greek archeology from the collapse of the Mycenaean palaces to the subordination of the last Hellenistic kingdoms to Rome. Its aim is to study Greek art through the material record, and against its cultural and social backdrop. Through concise, systematic coverage of the main categories of classical monuments, the reader is taken on a tour of ancient Greece through the most important period in its history, the first millennium BC. Architecture and city planning, sculpture, painting, pottery, metallurgy, jewelry, and numismatics are some of the areas covered. Divided into accessible, user-friendly sections including case studies, terminology, charts, maps, a timeline, and full index, the book is designed primarily for art and archeology students as well as for anyone interested in Greek art and culture.
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Translation of : Hellēnikē technē kai archaiologia. :
303 pages : illustrations (chiefly color), maps (some color) ; 28 cm :
Includes bibliographical references and index. :
9781937040574
1937040577