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Monotheism between pagans and Christians in late antiquity /
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Summary : The fourth century was a major religious battleground. The rise of Christianity, and in particular its dominance from Constantine onwards, marked an important shift in the religious history of the Mediterranean. Christianity saw this change as the victory of its monotheism over the polytheism of paganism. This volume studies how similarities between paganism and Christianity were obscured in the polemic that was waged by Christianity against paganism and in the pagan responses to it. The volume includes papers on Porphyry, Augustine, Themistius, Latin verse inscriptions, as well as dealing with the different ways in which Christian and pagan thinkers conceived of monotheism. A recurring theme in the papers shows that a concrete religions issue lay at the heart of such polemic: who can worship?
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OCLC 647901911 :
vi, 225 pages ; 24 cm. :
Includes bibliographical references (pagges [203]-222) and index. :
9789042922426 :
https://catalog.loc.gov/vwebv/staffView?searchId=3424&recPointer=0&recCount=25&searchType=0&bibId=16686497
aya
The cosmic script : sacred geometry and the science of Arabic penmanship /
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"A fully illustrated, landmark study of Islamic calligraphy traced back to its deepest historical and cultural roots Explores the sacred geometry of each letter form of the Arabic alphabet as attributed to renowned 10th-century scribe Ibn Muqla Traces Ibn Muqla's system to the cross-cultural encounter between Greek learning and the scientific, artistic, and philosophical pursuits of classical Islam A richly illustrated, two-volume presentation of decades of research with more than 430 full-color illustrations Calligraphy is the central visual art of Islam. At its core resides a perennial challenge: What letter shapes traced by human hands are rightful bearers of the divine message? The answer lies in the "Proportioned Script" of Ibn Muqla, renowned scribe, man of letters, and minister under the great Abbasid Caliphate in 10th-century Baghdad. Emphasizing harmony and geometry, Ibn Muqla's system has governed the practice of Arabic scribal art up to the present day. In this two-volume, richly illustrated study, Ahmed Moustafa and Stefan Sperl analyze each letter form of Ibn Muqla's perfected penmanship and share their decades of research on Islamic letter shapes, revealing the history, linguistics, philosophy, theology, and sacred geometry that underlie this spiritual art form. In volume one the authors reveal the trilogy of prophecy, penmanship, and geometry at the foundation of Ibn Muqla's Proportioned Script. Providing a fully illustrated analysis of Islamic calligraphy's geometrical principles as transmitted in surviving writings and key manuscript sources, they examine the geometric grid of square, circle, and hexagon that informs the pen strokes of each letter shape and explore how the golden ratio appears within the matrix of the grid. They examine the development of Ibn Muqla's system in the context of the sciences, arts, and penmanship of 10th-century Baghdad and trace its origins to the cross-cultural encounter between Greek learning and the scientific, artistic, and philosophical pursuits of classical Islam. In volume two the authors analyze the calligraphic forms of each letter of the Arabic alphabet. They decode the sacred geometry of each form as it appears within the geometric grid, providing letter samples from ancient sources. Unearthing the theoretical and scientific foundations of Arabic calligraphy, this landmark study examines the aesthetic implications of Ibn Muqla's theory for the visual, verbal, and aural arts of Islam as well as the Islamic mystical tradition"--
""A fully illustrated, landmark study of Islamic calligraphy traced back to its deepest historical and cultural roots"--Provided by publisher"--
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2 volumes : illustrations (chiefly color) ; 29 x 34 cm. :
Includes bibliographical references and index. :
9781620553961 (hardback : set)
Christian women in the Greek papyri of Egypt to 400 CE /
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The documentary papyri are an unparalleled source for the study of women in antiquity. Among them are numbers of female-authored texts which allow women's voices to be heard. In the period to 400 CE twenty-six of these texts provide information on Christian women's religious lives. This book analyses these papyri. They give insight into Christian women's knowledge and use of biblical texts, their practice of prayer, their theological understanding of God, their lives and relationships. This book also examines texts written to Christian women or referring to Christian women among which are a valuable group referring to ascetic women. The perspectives of the papyri nuance what is known about women from other sources.
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"Ancient Cultures Research Centre, Macquarie University, NSW, Australia."
"This book arose from a doctoral thesis entitled The Perspectives of the Greek papyri of Egypt on the beliefs, practices and experiences of Jewish and Christian women from 100 CE to 400 CE" -- Pref. :
xii, 311 pages ; 24 cm. :
Includes bibliographical references (pages 282-307) and indexes. :
2503552412
9782503552415
Studies in the archaeology of the Iron age in Israel and Jordan /
: Based on a colloquium initiated and organized by the Institute of Jewish Studies, University College, London, 16-17, April 1996. : 337 pages : illustrations ; 24 cm. : Includes bibliographical references and indexes. : 1841272035
The Gendered Individual in Funerary Papyri of the Ptolemaic and Roman Periods /
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In the magical texts provided to Egyptians to transition to the afterlife, the mythological precedent set by the rebirth of Osiris created gendered theological principles, which remained central to funerary beliefs throughout Egyptian history. At the point of mummification, the body of the deceased, male or female, temporarily took part in the Osirian rituals and was transformed. As restrictive guidelines for the use of texts started to fall away in the Third Intermediate period, and even more so in the Graeco-Roman period, there were many new, appropriate ways to connect a funerary text to a single person. This article addresses how ancient scribes accommodated allusions and adapted religious content to the text’s owner more extensively in later periods. Rather than the basic grammatical changes found in pharaonic sources, later scribes inserted gendered mythological references and biographical material as textual alterations to create personalized documents for either gender. They creatively pushed the boundaries of individualization as far as possible, but remained within the idealized context of funerary beliefs. Instead, they differentiated male or female gender roles to accentuate the character of the deceased only where appropriate without jeopardizing access to the next life.