Pentecostal aesthetics : theological reflections in a pentecostal philosophy of art and aesthetics /
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Pentecostals have not sufficiently worked out a distinctively Pentecostal philosophy of art and aesthetics. In Pentecostal Aesthetics: Theological Reflections in a Pentecostal Philosophy of Art and Aesthetics , with a foreword by Amos Yong, Steven Félix-Jäger corrects this by reflecting theologically on art and aesthetics from a global Pentecostal perspective, particularly through a pneumatic Pentecostal lens. Félix-Jäger contends that a Pentecostal philosophy of art and aesthetics must comply with the global, experiential, and pneumatocentric nature of the Pentecostal movement. Such a philosophy can be ontologically grounded in a relativistic theory of art. Theological reflections concerning the nature and purpose of art must then be sensitive to the ontological foundations secured thereof. In this fashion, Pentecostals can gain ample insight about the Spirit's work in today's contemporary artworld.
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1 online resource (ix, 224 pages) : chiefly color illustrations. :
Includes bibliographical references and index. :
9789004291621 :
1876-2247 ; :
Available to subscribing member institutions only.
Michel Henry et l'affect de l'art : recherches sur l'esthétique de la phénoménologie matérielle /
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Quel est le statut de l'art et de l'affectivité esthétique chez Michel Henry ? Le champ occupé par l'art dans l'économie de la phénoménologie matérielle est-il le lieu le plus propre pour l'exploration immanente de l'apparaître et l'auscultation de l'affectivité transcendantale de la vie ? Ce livre offre un repérage de quelques pistes remarquables à partir desquelles le besoin de poser les jalons d'une esthétique matérielle se fait suffisamment pressant pour qu'on y prête attention. C'est pour frayer cette voie et faire les premiers pas dans la direction qu'elle infléchit que les études ici réunies engagent, chacune à sa manière, l'examen du statut de l'art chez Michel Henry : du côté de la peinture bien sûr, mais aussi dans les champs du langage, de la littérature, de la danse, de l'architecture et de la musique. L'ensemble est précédé par un texte de Michel Henry, consacré à l'œuvre picturale de Pierre Magré. What is the status of art and aesthetic affectivity in Michel Henry? Is the place occupied by art within the economy of his material phenomenology the most appropriate site for the immanent exploration of appearing and the auscultation of the transcendental affectivity of life? This book locates some remarkable avenues through which the need to prepare the ground for a material aesthetic becomes urgent enough to be given attention. In order to clear this path and take the first steps in the direction it leads, the studies gathered here, each in its own way, are engaged in the study of the status of art in Michel Henry, from the perspective of painting, of course, but also the fields of language, literature, dance, architecture and music. The collection is preceded by an essay by Michel Henry, devoted to the painting of Pierre Magré.
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1 online resource (xlii, 343 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789004186811 :
1875-2470 ; :
Available to subscribing member institutions only.
An Idiosyncratic Ethics, Or, the Lauramachean Ethics /
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This book is an original synthesis of four elements: (1) the phenomenology of value, (2) caring, (3) the moral imagination, and (4) Kant's formula of humanity. The striking result is an ethics of caring that develops our shared humanity. The probing analysis and pungent argument are assisted by imaginative forms of dialogue, narration, and parable. This lively contribution to our ethical fulfillment concludes with a case for student-centered education that is democratic, creative and caring.
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1 online resource. :
Includes bibliographical references and index. :
9789004463776
9789051836820
Art, Philosophy, and Ideology : Writings on Aesthetics and Visual Culture from the Avantgarde to Postsocialism /
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This volume presents a selection of aesthetic and art theoretical writings by the internationally renowned philosopher Aleš Erjavec from the 1990s to the present. Erjavec was an active participant in the artistic revolt in Slovenia throughout the 1980 and became one of the most notable international theorists of late- and post-socialist developments in art. His work also extended to new, emergent forms of contemporary art and visual culture in global art and culture networks. The diverse contexts and artists with which he has engaged gives him a unique critical perspective on major debates in philosophical aesthetics and art theory.
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1 online resource (408 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697515