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Published 2021
The Egyptian Elite as Roman Citizens : Looking at Ptolemaic Private Portraiture /

: In The Egyptian Elite as Roman Citizens Giorgia Cafici offers the analysis of private, male portrait sculptures as attested in Egypt between the end of the Ptolemaic and the beginning of the Roman Period. Ptolemaic/Early Roman portraits are examined using a combination of detailed stylistic evaluation, philological analysis of the inscriptions and historical and prosopographical investigation of the individuals portrayed. The emergence of this type of sculpture has been contextualised, both geographically and chronologically, as it belongs to a wider Mediterranean horizon. The analysis has revealed that eminent members of the Egyptian elite decided to be represented in an innovative way, echoing the portraits of eminent Romans of the Late Republic, whose identity was surely known in Egypt.
: 1 online resource. : Includes bibliographical references and index. : 9789004459564
9789004432635

Published 1973
Artemis von Ephesos und verwandte Kultstatuen aus Anatolien und Syrien /

: 1 online resource (xvi, 449 pages) : 2 folded maps, 171 pages of photographs. : Includes bibliographical references. : 9789004295001 : Available to subscribing member institutions only.

Published 1985
Le sculture egizie ed egittizzanti nelle ville Torlonia in Roma /

: 1 online resource (59 pages [25] pages of plates) : illustrations. : Includes bibliographical references. : 9789004296640 : Available to subscribing member institutions only.

Published 2023
The Iconography of Family Members in Egypt's Elite Tombs of the Old Kingdom /

: In The Iconography of Family Members in Egypt's Elite Tombs of the Old Kingdom, , Jing Wen offers a comprehensive survey of how ancient Egyptians portrayed their family members in the reliefs of an elite tomb. Through the analysis of the depiction of family members, this book investigates familial relations, the funerary cult of the dead, ancestor worship, and relevant texts. It provides a new hypothesis and perspective that would update our understanding of the Egyptian funerary practice and familial ideology. The scenes of family members are not a record of family history but language games of the tomb owner that convey specific meaning to those who enter the chapel despite time and space.
: 1 online resource : Includes bibliographical references and index. : 9789004528628
9789004528635

Published 2019
Hellenistic and Roman terracottas /

: Edited by G. Papantoniou, D. Michaelides and M. Dikomitou-Eliadou, Hellenistic and Roman Terracottas is a collection of 29 chapters with an introduction presenting diverse and innovative approaches (archaeological, stylistic, iconographic, functional, contextual, digital, and physicochemical) in the study of ancient terracottas across the Mediterranean and the Near East, from the Hellenistic period to Late Antiquity. The 34 authors advocate collectively the significance of a holistic approach to the study of coroplastic art, which considers terracottas not simply as works of art but, most importantly, as integral components of ancient material culture. The volume will prove to be an invaluable companion to all those interested in ancient terracottas and their associated iconography and technology, as well as in ancient artefacts and classical archaeology in general.
: 1 online resource. : Includes bibliographical references and index. : 9789004384835

Published 2010
Recarving of Roman portraits in Late Antiquity : from face to face /

: This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
: 1 online resource. : 9789004192324 : Available to subscribing member institutions only.

Published 1990
The archaistic style in Roman statuary /

: This book deals with the use of archaistic stylistic elements (i.e., those which revive or imitate features of Greek Archaic art) in free standing statuary dating from the second century B.C. to the third century A.C. The main objective of the study is to determine how the archaistic style was used, what prototypes were imitated, what subjects were represented, how the replicas of statue types were distributed, how these statues were displayed, and what prompted such stylistic anachronism. The introductory chapter deals with general problems of archaism in ancient art and the specific questions pertaining to statuary in the round. The body of material, nearly three hundred pieces in all, is organized by type on the basis of pose and garment arrangement. In a concluding chapter, evidence from the body of the study is collected and possible answers are suggested for the questions outlined above. This study contributes to the currently widespread scholarly interest in stylistic revivals (especially classicism and archaism) which occurred not only in Roman times, but in earlier and later periods as well.
: Revision of the author's thesis (Ph. D.)--Bryn Mawr College, 1982, entitled: Archaistic draped statuary in the round of the Classical, Hellenistic, and Roman periods. : 1 online resource (xiv, 215 pages) : illustrations. : Includes bibliographical references (p. 207-210) and index. : 9789004329065 : 0169-8958 ; : Available to subscribing member institutions only.

Published 2012
The ceremonial sculptures of the Roman gods /

: The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is in some measure mobile, designed specifically to be carried about in processions, brought out for public viewing at throne ceremonies, or participate in divine banquets. In addition to defining the characteristics of these ceremonial sculptures, this study also addresses their performative qualities: where and how they appeared, who was responsible for handling them, with what conventions of decorum, and with what response from the audience.
: Title from PDF title page (viewed on Dec. 3, 2012). : 1 online resource (xxviii, 120 pages) : Includes bibliographical references and index. : 9789004242265 : Available to subscribing member institutions only.

Published 2016
From face to face : recarving of Roman portraits and the Late-Antique portrait arts /

: This book is based on an investigation of more than five hundred recarved portraits. It includes analyses of different recarving methods, some of which can be attributed to geographically localised workshops. The different recarving methods have made it possible to suggest classifiable categories, which together underpin a hypothesis that the late-antique portrait style is a consequence of the many recarved portraits at the time. The practice of portrait recarving emerged due to economic, political, religious and ideological factors, and was influenced by the cultural-historical changes of Late Antiquity. The conclusion gives a new understanding of how wide-ranging, culturally and politically encoded and comprehensive the practice of recarving was.
: 1 online resource (xxii, 202 pages, 155 pages of plates) : illustrations. : Includes bibliographical references (p. 159-176) and indexes. : 9789004324558 : Available to subscribing member institutions only.

Published 2019
The geography of Gandharan art : proceedings of the Second International Workshop of the Gandhara Connections Project, University of Oxford, 22nd-23rd March, 2018 /

: This second volume of the Gandhara Connections Project at Oxford University's Classical Art Research Centre picks apart the regional geography of Gandharan art, presenting new discoveries at particular sites, textual evidence, and the challenges and opportunities of exploring Gandhara's artistic geography.
: Previously issued in print: 2019. : 1 online resource (xii, 186 pages) : illustrations (black and white, and colour) : Specialized. : 9781789691870 (ebook) :

Published 2017
Large scale Rhodian sculpture of Hellenistic and Roman times /

: This volume presents the large-scale Rhodian sculpture of the Hellenistic and Roman period through the publication of 60 unpublished sculptures of life size or larger than life size, together with 45 sculptures already published.
: Previously issued in print: 2017. : 1 online resource : illustrations (black and white, and colour), maps (black and white, and colour). : Specialized. : Includes bibliographical references. : 9781784915773 (ebook) :

Published 1973
A preliminary catalogue of Sarapis monuments /

: 1 online resource (xl, 230 pages, 33 pages of plates) : illustrations, maps (2 folded) : Includes bibliographical references (p. xi-xl) and index. : 9789004295018 : Available to subscribing member institutions only.

Published 2017
The politics of honour in the Greek cities of the Roman empire /

: The volume The Politics of Honour in the Greek Cities of the Roman Empire , co-edited by Anna Heller and Onno van Nijf, studies the public honours that Greek cities bestowed upon their own citizens and foreign dignitaries and benefactors. These included civic praise, crowns, proedria , public funerals, honorific statues and monuments. The authors discuss the development of this honorific system, and in particular the epigraphic texts and the monuments through which it is accessible. The focus is on the Imperial period (1st-3rd centuries AD). The papers investigate the forms of honour, the procedures and formulae of local practices, as well as the changes in local honorific habits that resulted from the integration of the Greek cities in the Roman Empire.
: 1 online resource. : Includes bibliographical references and index. : 9789004352179 : 1876-2557 ; : Available to subscribing member institutions only.

Published 2021
The British Museum's Excavations at Nineveh, 1846-1855 /

: Geoffrey Turner has written the definitive study of the mid-19th century excavations sponsored by the British Museum at the ancient Assyrian site of Nineveh in Iraq. Based on exhaustive analysis of unpublished archives combined with his own extensive knowledge of Assyrian architecture, Turner's work documents the complete history of these excavations. Turner also draws on the archives and numerous additional sources to provide a detailed reconstruction of the architecture and relief sculpture in the building that was the primary focus of these excavations, the Southwest Palace of Sennacherib (ruled 705-681 BC). The result constitutes the final report both on the results of these excavations and on the original appearance of one of the ancient world's most famous buildings.
: 1 online resource. : Includes bibliographical references and index. : 9789004435377
9789004435360

Published 2004
Mutilation and Transformation : Damnatio Memoriae and Roman Imperial Portraiture /

: The condemnation of memory inexorably altered the visual landscape of imperial Rome. Representations of 'bad' emperors, such as Caligula, Nero, Domitian, Commodus, or Elagabalus were routinely reconfigured into likenesses of victorious successors or revered predecessors. Alternatively, portraits could be physically attacked and mutilated or even executed in effigy. From the late first century B.C. until the fourth century A.D., the recycling and destruction of images of emperors, empresses, and other members of the imperial family occurred on a vast scale and often marked periods of violent political transition. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for damnatio memoriae and ultimately reveals its praxis to be at the core of Roman cultural identity.
: 1 online resource. : Includes bibliographical references and index. : 9789047404705
9789004135772

Published 2015
The traditio legis : anatomy of an image /

: The bearded and mature figure of Christ stands majestically raising his right hand, open palm facing the viewer. In his left he holds an unfurled scroll. Saints Peter and Paul appear on either side, Peter approaching to catch or protect the dangling bookroll. This image, the so-called traditio legis, first appeared in late fourthcentury Rome in a variety of media, from the monumental to the miniature, including mosaic, catacomb painting, gold-glass and, the most numerous group, marble relief carving on sarcophagi. This monograph engages in a close reading of the traditio legis, highlighting its novelty and complexity to early Christian viewers.
: 1 online resource : illustrations (black and white, and colour). : Specialized. : Includes bibliographical references and index. : 9781784910822 (PDF ebook) :

Published 1991
Isis und ihre Dienerinnen in der Kunst der römischen Kaiserzeit /

: Das Thema des Buches ist der Isiskult während der römischen Kaiserzeit, wie er in zahleichen Darstellungen der ägyptischen Göttin und solcher ihr angeglichener Frauen zum Ausdruck kommt. Während sich dadurch zum einen diese Frauen ganz allgemein als Dienerinnen der Isis zu erkennen geben, fällt zum anderen ein besonderes Licht auf die zur Angleichung ausgewählten Bilder der Göttin. Dabei handelt es sich, anders als bei den meisten bekannten Isistypen, um keine mythologisch erklärbaren Gottesbilder. Sie sind deshalb der Forschung ebenso rätselhaft geblieben wie die entsprechend angeglichenen und oftmals auch als Priesterinnen oder Mystinnen bezeichneten Frauen. Das Buch behandelt somit zwei Problemkreise, nämlich die Stellung jener Frauen im Kult sowie die damit verbundene Frage nach Sinn und Bedeutung der für die Angleichung verbindlichen Isisbilder. Das vorwiegend plastische Material ist in einem Katalog mit volständigem Abbildungsteil zusammengestellt. Auf dieser Basis bietet das Buch eine ikonographische und ikonologische Untersuchung des Themas. Die ausschliesslich in statuarischen Kopien überlieferten Isisbilder werden in angemessener Weise auf Originale hin rezensiert; die vorranging sepulkralen Darstellungen der Isisdienerinnen werden sowohl in quellenkritischer als auch archäologischer Hinsicht interpretiert. Daneben kommen auch religionsgeschichtliche Probleme zum Tragen. Ein längerer Exkurs am Ende des Buches ist der Frage nach der sozialen Stellung der Isisdienerinnen gewidmet.
: Revision of the author's thesis (doctoral)--Ludwig-Maximilians-Universität München, 1982. : 1 online resource (197 pages, [97] pages of plates) : illustrations. : Includes bibliographical references and indexes. : 9789004329119 : 0169-8958 ; : Available to subscribing member institutions only.

Published 1998
Christus Medicus in der frühchristlichen Sarkophagskulptur : ikonographische Studien der Sepulkralkunst des späten vierten Jahrhunderts /

: This study deals with the representation of Christ's Healing Miracles in early Christian sepulchral art from Provence and Northern Italy. It sees the imagery through the contemporary exegetical writings and tries thus to uncover new strata of symbolic significance in early Christian art. The aim of the work is to reveal the complex theological concepts reflected in the relief decoration of a small number of late fourth-century sarcophagi and to cast thus light upon the spiritual climate of the sphere the persons who commissioned them were part of. It also links the narrative structure of representations of medical treatment and miracle scenes in ancient art with the Christian images and establishes new formal and iconographic connexions.
: 1 online resource (xv, 212 pages, [32] pages of plates) : illustrations. : Includes bibliographical references (p. 196-204) and index. : 9789004313040 : 0920-623X ; : Available to subscribing member institutions only.

Published 1979
Religion populaire en Égypte romaine : les terres cuites isiaques du Musée du Caire /

: 1 online resource (xii, 287 pages, 129 pages of plates) : illustrations, folded map. : Includes bibliographical references. : 9789004295551 : Available to subscribing member institutions only.

Published 2022
The maritime transport of sculptures in the ancient Mediterranean /

: With a focus on the underwater context of sculptures retrieved from beneath the sea, this volume examines where, when, why and how sculptures were transported on the Mediterranean Sea during Classical Antiquity through the lenses of both maritime and classical archaeology.
: Also issued in print: 2022. : 1 online resource (166 pages) : illustrations (colour) : Specialized. : Includes bibliographical references and index. : 9781803273310 (PDF ebook) :