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Published 1977
Ovid's art of imitation : Propertius in the Amores /

: Includes indexes. : 1 online resource (116 pages) : Includes bibliographical references (p. 110-112). : 9789004327641 : Available to subscribing member institutions only.

Published 2001
Ethics in Aesop's fables : the Augustana collection /

: Ethics in Aesop's Fables: the Augustana Collection offers an original and innovative analysis of the Greek fable in the framework of Greek ethical thinking. The book starts with a brief account of the history and genre of the Greek fable. It then focuses on the Augustana collection of prose fables and analyses its ethical content in the larger context of Greek thought. A detailed comparison of Greek ethical thinking with the language of the fables shows the persistence of certain types of ethical reasoning and of certain key ethical norms. The author argues that although the fable was not 'philosophy', it was indeed 'philosophical' because it communicated normative messages about human behaviour, which reflected widespread views in Greek ethical thought. This book is of special interest to both students and scholars of Greek fable and of Greek philosophy.
: 1 online resource (xiv, 202 pages) : Includes bibliographical references and index. : 9789004351042 : 0169-8958 ; : Available to subscribing member institutions only.

Published 1994
Apollonius' Argonautica : a Callimachean epic /

: The Argonautica was said to have been the source of a quarrel between Apollonius, who wrote what looks like an epic poem, and Callimachus, who denounced the writing of epic poetry. Although the quarrel did not take place in the real world, its issue controls the poem. The heroes are determined to take part in a Homeric epic, which the Callimachean narrator refuses to write. Drawing on the methods of modern literary theorists but eschewing the jargon, DeForest shows how Apollonius uses the literary dispute in Alexandria to give a three-dimensional quality to his poem. The amusing conflict between heroes and narrator turns serious when the levels of narrative split apart and Medea steps into the gap as a free-standing figure, the forerunner of powerful women in fiction.
: 1 online resource (160 pages) : Includes bibliographical references (p. 153-157) and index. : 9789004329478 : Available to subscribing member institutions only.

Published 1995
The renewal of epic : responses to Homer in the Argonautica of Apollonius /

: The Renewal of Epic considers various modes of allusion to Homer in the Argonautica of Apollonius, dealing not only with similarities in phraseology but also with thematic and structural resemblances. After an introduction, two chapters discuss Apollonian techniques in treating repeated Homeric scenes: sacrifice, shipwreck, boxing and battle. The central section of the work considers the multiple links between the adventures of the Argonauts and Odysseus' wanderings. A final chapter explores Apollonius' innovative treatment of the divine, both generally and in particular scenes. The work shows convincingly that the Argonautica reproduces many of the patterns which have been found in the Iliad and Odyssey . It demonstrates the presence of allusion at every level in the poem, linking it to its predecesors and acting as an essential interpretative aid to the reader.
: 1 online resource (x, 335 pages) : Includes bibliographical references (p. 306-317) and indexes. : 9789004329775 : 0169-8958 ; : Available to subscribing member institutions only.

Published 2004
Poetic memory : allusion in the poetry of Callimachus and the Metamorphoses of Ovid /

: This book explores Callimachus' allusive practice in his Aetia prologue and Hymns 4, 5, and 6, and in Ovid's Metamorphoses . The study includes an overview of modern approaches to poetic allusion, a close (re-)examination of the lexical allusions in the Aetia's and Metamorphoses' prologues, extensive examinations of allusive techniques within selections of these works, the poets' use of \'signposting\' and \'authorization\' techniques, and the relationship between allusion and genre.
: 1 online resource (viii, 218 pages) : Includes bibliographical references (p. 197-206) and indexes. : 9789047406624 : 0169-8958 ; : Available to subscribing member institutions only.

Published 2002
Clio and the poets : Augustan poetry and the traditions of ancient historiography /

: The Augustan age was one in which writers were constantly reworking the Roman past, and which was marked by a profound engagement of poets with the historians and historical techniques which were the main vehicle for the transmission of the image of the past to their day. In this book seventeen leading scholars from Europe and America examine the fascinating interaction between such apparently diverse genres: how the Augustan poets drew on - or reacted against - the historians' presentation of the world, and how, conversely, historians picked up and transformed poetic themes for their own ends. With essays on poems from Horace's Odes to Ovid's Metamorphoses , on authors from Virgil to Valerius Maximus, it forms the most important topic so central to such a particulary relevant period of literary history.
: Selected papers given at a conference at the University of Durham in 1999. : 1 online resource (xv, 396 pages) : illustrations. : Includes bibliographical references (p. 363-379) and index. : 9789047400493 : 0169-8958 ; : Available to subscribing member institutions only.

Published 2017
Portrayals of Antigone in Portugal : 20th and 21st century rewritings of the Antigone myth /

: Portrayals of Antigone in Portugal gathers a collection of essays on the Portuguese drama rewritings of this Theban myth produced in the 20th and 21st centuries. For each of the cases analysed, the Portuguese historical, political and cultural context is described. This perspective is expanded through a dialogue with coeval European events. As concerns Portugal, this results principally in political and feminist approaches to the texts. Since the importation of the Sophoclean model is often indirect, the volume includes comparisons with intermediate sources, namely French (Cocteau, Anouilh) and Spanish (María Zambrano), which were extremely influential on the many and diversified versions written in Portugal during this period.
: 1 online resource (xii, 361 pages) : illustrations. : Includes bibliographical references and index. : 9789004340060 : 2212-9405 ; : Available to subscribing member institutions only.