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Ship 17 : a baris from Thonis-Heracleion /
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A study of the construction, structure and identification of Ship 17, a Late Period baris-vessel discovered during underwater excavations at Thonis-Heracleion, a sunken city in Aboukir Bay. Ship 17 is placed within the traditions of naval architecture both in Egypt and the wider Mediterranean.
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xii, 140 pages : illustrations (mostly color), color maps ; 31 cm. + 1 poster. :
Includes bibliographical references (pages 125-133) and index. :
9781905905362
The large Egyptian pyramids : modelling a complex engineering project /
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xi, 125 pages : illustrations (some color), maps ; 30 cm. :
Includes bibliographical references and index. :
9781407305462 :
http://merlin.lib.umsystem.edu/search~S1?/o551398401/o551398401/1%2C1%2C1%2CB/marc&FF=o551398401&1%2C1%2C
shimaa
The secret of the great pyramid : how one man's obsession led to the solution of ancient Egypt's greatest mystery /
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xiii, 224 pages : illustrations (some color) ; 24 cm. :
Includes bibliographical references and index. :
9780061655524
006165552X :
https://opac.tulsalibrary.org/search~S27?/o191932088/o191932088/1%2C1%2C1%2CB/marc&FF=o191932088&1%2C1%2C
shimaa
Monitoring plan and practical design concept for the restoration of the Great Sphinx through...
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Restoration proposal submitted by the Waseda Mission. -- Page 1.
"Copyright holder : Waseda University Egyptian Culture Center ... Tokyo, Japan" -- Title page verso. :
41 pages : illustrations, maps, plans ; 30 cm.
La splendeur des dieux: Quatre études iconographiques sur l'hellénisme égyptien (2 vols) /
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"Why are the rays of the Greek god Helios on the forehead of a crocodile-headed Egyptian deity? Navigating the maze of Greek and Egyptian communities and creeds, Gaëlle Tallet investigates the plasticity of material culture in the polytheistic context of Graeco-Roman Egypt. Using the Ariadne's thread of the manufacturing of new images, suitable to new needs and new understandings of the divine, La Splendeur des dieux opens the doors of the workshops where these images were designed, ordered and crafted. Tallet offers a full re-appraisal of the cultural balance of powers in Graeco-Roman Egypt, depicting the indigenous clergies and artists as integratedactors of an Egyptian Hellenicity that helped promote and preserve their millenaries-old traditions. Que viennent faire les rayons solaires du dieu grec Hélios sur le front d'un dieu crocodile égyptien ? Cette question est au point de départ d'une enquête au cœur de la plasticité du système polythéiste de l'Égypte gréco-romaine. Parcourant le labyrinthe des diverses communautés et croyances grecques et égyptiennes, Gaëlle Tallet utilise le fil d'Ariane de la production des images religieuses, réponses à de nouveaux besoins et de nouvelles perceptions du divin, et ouvre les portes des ateliers où elles ont été conçues, commandées et façonnées. La Splendeur des dieux propose une réévaluation du rôle des clergés et des artistes indigènes dans l'élaboration d'un hellénisme proprement égyptien, qui leur a permis de promouvoir et préserver des traditions millénaires"--
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Revision of the author's thesis (doctoral)--Université de Strasbourg, 2006, under the title: Les dieux à couronne radiée dans l'iconographie de l'Egypte gréco-romaine. :
1 online resource. :
Includes bibliographical references and index. :
9789004428928
9789004428911
Middle Kingdom Palace Culture and Its Echoes in the Provinces : Regional Perspectives and Realities /
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"Middle Kingdom Palace Culture and Its Echoes in the Provinces addresses the significant gaps that remain in scholarly understanding about the origins and development of Egypt's "Classical Age". The essays in this volume are the end result of a conference held at the University of Jaén in Spain to study history, archaeology, art, and language of the Middle Kingdom. Special attention is paid to provincial culture, perspectives, and historical realities. The distinguished group of Egyptologists from around the world gathered to consider the degree of influence that provincial developments played in reshaping the Egyptian state and its culture during the period. This volume aims to take a step towards a better understanding of the cultural renaissance, including the ideological transformations and social reorganization that produced the Middle Kingdom"--
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This collection of essays is the result of a conference dedicated to the study of Palace Culture and its Echoes in the Provinces in Middle Kingdom Egypt, held at the University of Jaén in Spain on June 2-3, 2016--Introduction. :
1 online resource. :
Includes bibliographical references and index. :
9789004442825
9789004442818
Antique Dealing and Creative Reuse in Cairo and Damascus 1850-1890 : Intercultural Engagements with Architecture and Craft in the Age of Travel and Reform /
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"The commodification of Islamic antiques intensified in the late Ottoman Empire, an age of domestic reform and increased European interference following the Tanzimat (reorganisation) of 1839. Mercedes Volait examines the social life of typical objects moving from Cairo and Damascus to Paris, London, and beyond, uncovers the range of agencies and subjectivities involved in the trade of architectural salvage and historic handicraft, and traces impacts on private interiors, through creative reuse and Revival design, in Egypt, Europe and America. By devoting attention to both local and global engagements with Middle Eastern tangible heritage, the present volume invites to look anew at Orientalism in art and interior design, the canon of Islamic architecture and the translocation of historic works of art"--
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1 online resource. :
Includes bibliographical references and index. :
9789004449886
9789004449879
Cartooning for a modern Egypt /
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The Egyptian caricature is generally studied as part of Egyptian mass culture, and mainly discussed in the context of Egypt's anti-colonial resistance to British foreign rule, as part of the forging of a "national style". In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt's foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years, that was designated for, and reflected, a colonial and cosmopolitan culture of a few. Keren Zdafee illustrates how Egyptian foreign-local caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism, by adopting a theoretical, semiotic, and historical approach.
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1 online resource. :
Includes bibliographical references. :
9789004410381