Mutilation and Transformation : Damnatio Memoriae and Roman Imperial Portraiture /
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The condemnation of memory inexorably altered the visual landscape of imperial Rome. Representations of 'bad' emperors, such as Caligula, Nero, Domitian, Commodus, or Elagabalus were routinely reconfigured into likenesses of victorious successors or revered predecessors. Alternatively, portraits could be physically attacked and mutilated or even executed in effigy. From the late first century B.C. until the fourth century A.D., the recycling and destruction of images of emperors, empresses, and other members of the imperial family occurred on a vast scale and often marked periods of violent political transition. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for damnatio memoriae and ultimately reveals its praxis to be at the core of Roman cultural identity.
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1 online resource. :
Includes bibliographical references and index. :
9789047404705
9789004135772
The first hall of fame : a study of the statues in the Forum Augustum /
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Although both national sites of commemoration and Halls of Fame for a variety of human endeavours are widespread, little thought was given to the fact that the statues in the Forum Augustum were the first assemblage of this kind. This book identifies the Greek and Roman backgrounds to and influences on Augustus' decision as well as his probable motives for setting up these statues. The central chapters deal with the structure of the Forum and its statues, and provide a detailed analysis of the list of men (and women) known to have been included and the criteria for inclusion. Finally the additions to the heroes between Augustus and Trajan and the later impact of this Gallery of Heroes are discussed.
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1 online resource. :
Includes bibliographical references (p. [205]-217) and index. :
9789047443438 :
Available to subscribing member institutions only.
The ceremonial sculptures of the Roman gods /
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The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is in some measure mobile, designed specifically to be carried about in processions, brought out for public viewing at throne ceremonies, or participate in divine banquets. In addition to defining the characteristics of these ceremonial sculptures, this study also addresses their performative qualities: where and how they appeared, who was responsible for handling them, with what conventions of decorum, and with what response from the audience.
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Title from PDF title page (viewed on Dec. 3, 2012). :
1 online resource (xxviii, 120 pages) :
Includes bibliographical references and index. :
9789004242265 :
Available to subscribing member institutions only.
Museum archetypes and collecting in the ancient world /
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Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
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1 online resource (xiv, 222 pages) : illustrations. :
Includes bibliographical references (p. 163-192) and index. :
9789004283480 :
Available to subscribing member institutions only.