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Arthur Upham Pope and a new survey of Persian art /
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In Arthur Upham Pope and A New Survey of Persian Art , fourteen scholars explore the legacy of Arthur Upham Pope (1881-1969) by tracing the formation of Persian art scholarship and connoisseurship during the twentieth century. Widely considered as a self-made scholar, curator, and entrepreneur, Pope was credited for establishing the basis of what we now categorize broadly as Persian art. His unrivalled professional achievement, together with his personal charisma, influenced the way in which many scholars and collectors worldwide came to understand the art, architecture and material culture of the Persian world. This ultimately resulted in the establishment of the aesthetic criteria for assessing the importance of cultural remains from modern-day Iran. With contributions by Lindsay Allen, Sheila S. Blair, Jonathan M. Bloom, Talinn Grigor, Robert Hillenbrand, Yuka Kadoi, Sumru Belger Krody, Judith A. Lerner, Kimberly Masteller, Cornelia Montgomery, Bernard O'Kane, Keelan Overton, Laura Weinstein, and Donald Whitcomb.
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1 online resource. :
Includes bibliographical references and index. :
9789004309906 :
Available to subscribing member institutions only.
Mediating museums : exhibiting material culture in Tunisia (1881-2016) /
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This book documents and interprets the trajectory of ethnographic museums in Tunisia from the colonial to the post-revolutionary period, demonstrating changes and continuities in role, setting and architecture across shifting ideological landscapes. The display of everyday culture in museums is generally looked down upon as being kitsch and old-fashioned. This research shows that, in Tunisia, ethnographic museums have been highly significant sites in the definition of social identities. They have worked as sites that diffuse social, economic and political tensions through a vast array of means, such as the exhibition itself, architecture, activities, tourism, and consumerism. The book excavates the evolution of paradigms in which Tunisian popular identity has been expressed through the ethnographic museum, from the modernist notion of 'indigenous authenticity' under colonial time, to efforts at developing a Tunisian ethnography after Independence, and more recent conceptions of cultural diversity since the revolution. Based on a combination of archival research in Tunisia and in France, participant observation and interviews with past and present protagonists in the Tunisian museum field, this research brings to light new material on an understudied area.
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1 online resource. :
Includes bibliographical references and index. :
9789004394971
Mirʼāt al-quds (Mirror of holiness) : a life of Christ for Emperor Akbar : a commentary on Father Jerome Xavier's text and the miniatures of Cleveland Museum of Art, Acc. numbers 2005.145 /
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Emperor Akbar's exceptional interest in Christianity is reflected in many ways. Among these was his commissioning in 1602 of a Life of Christ from his guest, the Jesuit priest Jerome Xavier, thus marking a singular moment in the relations between one of the greatest Muslim rulers and Catholicism. This fascinating text-translated into English for the first time-draws mostly on Biblical and apocryphal sources, but also reveals that in order not to antagonize his Muslim hosts, Father Jerome occasionally made concessions in his work. Of the three illustrated copies, the one used in this study and now in the Cleveland Museum of Art is the most important. Its twenty-seven high-quality miniatures were inspired by the text itself, resulting in unique interpretations of episodes that often do not find parallels in a European context.
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1 online resource. :
Includes bibliographical references and index. :
9789004215740 :
0921-0326 ; :
Available to subscribing member institutions only.
Museum archetypes and collecting in the ancient world /
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Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
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1 online resource (xiv, 222 pages) : illustrations. :
Includes bibliographical references (p. 163-192) and index. :
9789004283480 :
Available to subscribing member institutions only.
The Villanovan, Etruscan, and Hellenistic collections in the Detroit Institute of Arts /
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The Villanovan and Etruscan collections of the Detroit Institute of Arts not only represent an important source of Classical Antiquity in the United States, but also serve as a historical model of how such artifacts were acquired by large American museums from the late-nineteenth through mid-twentieth centuries. These collections provide museum visitors, scholars, and students with an indepth view into one of antiquity's most fascinating peoples, the Etruscans and their predecessors. The wide-ranging collections contain artifacts from every aspect of Etruscan life such as utilitarian tools and weapons, objects for personal adornment, votive statuettes, and cinerary urns to house the dead. One statuette, the Detroit Rider, is considered to be among the finest surviving examples of Etruscan small sculpture. The catalogue brings together all of these pieces for the first time with photographs and relevant bibliographic sources on their cultural and religious functions in antiquity.
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1 online resource. :
Includes bibliographical references. :
9789047425779 :
Available to subscribing member institutions only.
Enigmatic charms : medieval Arabic block printed amulets in American and European libraries and museums /
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This is the first comprehensive examination of block printing in the medieval Islamic world. Examples of Arabic block prints have been preserved in various collections across the globe, but they have long been treated as curiosities and oddities. Here, for the first time, a large representative corpus of block prints is examined and illustrated. The first section of the book places Arabic block printing in historical perspective and recounts their rediscovery by modern day scholars. The second section illustrates fifty-five examples of medieval Arabic block printed amulets, provides detailed techical descriptions of each, presents transcriptions of their texts into legible Arabic and offers translations of those texts into English.
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1 online resource (xiii, 250 pages, [64] pages of plates) : illustrations (some color) :
Includes bibliographical references (p. 235-240) and indexes. :
9789047408529 :
Available to subscribing member institutions only.
Hellenizing art in ancient Nubia, 300 BC-AD 250, and its Egyptian model s a study in "acculturation" /
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Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and "hybrid" elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.
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1 online resource. :
Includes bibliographical references and index. :
9789004211292 :
Available to subscribing member institutions only.
Numinous Fields: Perceiving the Sacred in Nature, Landscape, and Art /
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Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they provide, landscape, nature, and art, both separately and jointly, may mean when we experience them. It focuses on actual or potential experiences of the numinous, or sacred, that such encounters may give rise to. This volume is multi-disciplinary in scope. It examines perceptions of place, space, nature, and art as well as perceptions of place, space, and nature in art. It includes chapters written by art curators, and historians and scholars in the fields of landscape, architecture, cultural geography, religious studies, philosophy, and art. Its chapters examine ideas, objects, and practices from the ancient time of Aboriginal Australians' Dreaming through to the present. The volume is also multi-cultural in scope and includes chapters focussed on manifestations of the sacred in indigenous culture, in cultures influenced by each of the world's major religions, and in the secular, contemporary world. Foreword by Jeff Malpas Contributors: Samer Akkach, James Bennett, Veronica della Dora, Alasdair Forbes, Virginia Hooker, Philip Jones, Russell Kelty, Muchammadun,Tracey Lock, Ellen Philpott-Teo, John Powell, Rebekah Pryor, Wendy Shaw.
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1 online resource (412 pages) : illustrations. :
Includes bibliographical references and index. :
9789004687387
Recarving of Roman portraits in Late Antiquity : from face to face /
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This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
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1 online resource. :
9789004192324 :
Available to subscribing member institutions only.
Why look at plants? : the botanical emergence in contemporary art /
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Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene. Plant's fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers' pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.
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1 online resource. :
Includes bibliographical references and index. :
9789004375253 :
2213-0659 ;
The adventure of the illustrious scholar : papers presented to Oscar White Muscarella /
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The Adventure of the Illustrious Scholar: Papers Presented to Oscar White Muscarella , edited by Elizabeth Simpson, is a Festschrift celebrating the career of one of the foremost archaeologists of the ancient Near East. Oscar Muscarella is a former curator at the Metropolitan Museum of Art and a formidable scholar who has excavated at sites in Turkey, Iran, and the United States. He has published eight books and nearly 200 articles, excavation reports, and reviews on topics ranging from the arts of antiquity and the importance of connoisseurship, to the difficulties of dating and the problems of forgeries, the looting of ancient sites, and the antiquities trade. The forty-seven contributors are experts in the areas of Muscarella's interests and are major scholars in their fields. This volume constitutes an unusual, important, and timely addition to the archaeological and art historical literature.
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1 online resource. :
Includes bibliographical references and index. :
9789004361713 :
Available to subscribing member institutions only.
On the art in the ancient Near East /
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This second volume of collected essays, complement to volume one, focuses upon the art and culture of the third millennium B.C.E. in ancient Mesopotamia. Stress is upon the ability of free-standing sculpture and public monuments not only to reflect cultural attitudes, but to affect a viewing audience. Using Sumerian and Akkadian texts as well as works, the power of visual experience is pursued toward an understanding not only of the monuments but of their times and our own. \'These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection.\' J.C. Exum
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1 online resource. :
Includes bibliographical references and index. :
9789047428459 :
Available to subscribing member institutions only.
Treasures of knowledge : an inventory of the Ottoman Palace Library (1502/3-1503/4) /
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The subject of this two-volume publication is an inventory of manuscripts in the book treasury of the Topkapı Palace in Istanbul, commissioned by the Ottoman sultan Bayezid II from his royal librarian ʿAtufi in the year 908 (1502-3) and transcribed in a clean copy in 909 (1503-4). This unicum inventory preserved in the Oriental Collection of the Library of the Hungarian Academy of Sciences (Magyar Tudományos Akadémia Könyvtára Keleti Gyűjtemény, MS Török F. 59) records over 5,000 volumes, and more than 7,000 titles, on virtually every branch of human erudition at the time. The Ottoman palace library housed an unmatched encyclopedic collection of learning and literature; hence, the publication of this unique inventory opens a larger conversation about Ottoman and Islamic intellectual/cultural history. The very creation of such a systematically ordered inventory of books raises broad questions about knowledge production and practices of collecting, readership, librarianship, and the arts of the book at the dawn of the sixteenth century. The first volume contains twenty-eight interpretative essays on this fascinating document, authored by a team of scholars from diverse disciplines, including Islamic and Ottoman history, history of science, arts of the book and codicology, agriculture, medicine, astrology, astronomy, occultism, mathematics, philosophy, theology, law, mysticism, political thought, ethics, literature (Arabic, Persian, Turkish/Turkic), philology, and epistolary. Following the first three essays by the editors on implications of the library inventory as a whole, the other essays focus on particular fields of knowledge under which books are catalogued in MS Török F. 59, each accompanied by annotated lists of entries. The second volume presents a transliteration of the Arabic manuscript, which also features an Ottoman Turkish preface on method, together with a reduced-scale facsimile.
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1 online resource. :
Includes bibliographical references. :
9789004402508 :
0921-0326 ;
In the House of Heqanakht : Text and Context in Ancient Egypt. Studies in Honor of James P. Allen /
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In the House of Heqanakht: Text and Context in Ancient Egypt gathers Egyptological articles in honor of James P. Allen, Charles Edwin Wilbour Professor of Egyptology at Brown University. Professor Allen's contribution to our current understanding of the ancient Egyptian language, religion, society, and history is immeasurable and has earned him the respect of generations of scholars. In accordance with Professor Allen's own academic prolificity, the present volume represents an assemblage of studies that range among different methodologies, objects of study, and time periods. The contributors specifically focus on the interconnectedness of text and context in ancient Egypt, exploring how a symbiosis of linguistics, philology, archaeology, and history can help us reconstruct a more accurate picture of ancient Egypt and its people. The Figshare images in this volume have been made available online and can be accessed at https://figshare.com/s/8b3e5ad9f8a374885949
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1 online resource :
9789004459526
9789004459533
In the House of Heqanakht : Text and Context in Ancient Egypt. Studies in Honor of James P. Allen /
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In the House of Heqanakht: Text and Context in Ancient Egypt gathers Egyptological articles in honor of James P. Allen, Charles Edwin Wilbour Professor of Egyptology at Brown University. Professor Allen's contribution to our current understanding of the ancient Egyptian language, religion, society, and history is immeasurable and has earned him the respect of generations of scholars. In accordance with Professor Allen's own academic prolificity, the present volume represents an assemblage of studies that range among different methodologies, objects of study, and time periods. The contributors specifically focus on the interconnectedness of text and context in ancient Egypt, exploring how a symbiosis of linguistics, philology, archaeology, and history can help us reconstruct a more accurate picture of ancient Egypt and its people. The Figshare images in this volume have been made available online and can be accessed at https://figshare.com/s/8b3e5ad9f8a374885949
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1 online resource :
9789004459526
9789004459533
The forgotten scholar : Georg Zoëga (1755-1809) : at the dawn of Egyptology and Coptic studies /
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Renowned for his work within the fields of Numismatics, Archaeology, Egyptology and Coptic studies, Georg Zoëga was a figure of outstanding importance both in Rome and in Europe, at the end of the eighteenth century. Although highly valued by his contemporaries, Zoëga's scientific legacy fell almost entirely into oblivion with the end of the Enlightenment. The Forgotten Scholar: Georg Zoëga (1755-1819): At the Dawn of Egyptology and Coptic Studies represents an exceptional occasion to rediscover the largely unknown scientific legacy of this Danish scholar consisting of hundreds of letters, drawings, sketches, notes, and other documents, mainly preserved in the Royal Library and in the Thorvaldsen Museum of Copenhagen.
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1 online resource (ix, 267 pages) :
Includes bibliographical references and index. :
9789004290839 :
1566-2055 ; :
Available to subscribing member institutions only.