Majlis dar qiṣṣa-yi rasūl (ṣalawāt Allāh ʿalayhi) /
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In Persian literature, so-called ' majālis ' works typically evoke the atmosphere of a religious gathering. In such a gathering, a chronicler relates parts of the history of Islam and the lives and times of its prominent representatives, often referring to trustworthy sources. Besides, questions may be asked, while teachings or sermons may also be given. Examples are Jalāl al-Dīn Rūmī's (d. 672/1273) Majālis-i sabʿa and Saʿdī's (d. 691/1292) Majālis-i panj-gānah . Judging by its title, the present work by an unknown author from the 5th/12th century-it is not known if it was originally written in Persian or translated from Arabic-would seem to belong to this same type of writings. Only, on closer inspection this is not the case. Being mostly inspired by Ibn Isḥāq's (d. 150/767) al-Sīra al-nabawiyya and Abū Ḥātim al-Rāzī's (d. 322/933-4) Aʿlām al-nubuwwa , only its last five chapters are called majlis , but then lack the characteristics of a typical majālis work.
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1 online resource. :
9789004405769
9786002030122
Takmila-yi Nafaḥāt al-uns /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in his joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is impressive. In his biographical handbook on Sufi masters, the Nafaḥāt al-uns , Jāmī did not mention himself. This is why his student ʿAbd al-Ghafūr Lārī (d. 912/1506) wrote this biographical supplement to it.
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1 online resource. :
9789004408098
9786002031334
Muntakhab-i risālāt-i Ṣafāʾ al-Ḥaqq /
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Ṣafāʾ al-Ḥaqq (1879-1962) is the artist's name of an Iranian Kurd whose family had moved from Kurdistan to Hamadan when he was still a child. His father was a respected businessman and a follower of the ideas of Shaykh Aḥmad Aḥsāʾī (d. 1241/1826). Though well-educated, having studied traditional and herbal medicine and animal husbandry, as an adolescent Ṣafāʾ al-Haqq spent a lot of time in his father's business in the bazaar. Due to his convictions, his father lost his livelyhood and Ṣafāʾ al-Ḥaqq started travelling. He spent several years in India, where he worked in a British hospital in Bombay. He then returned to Hamadan, where he settled as a physician. As a poet Ṣafāʾ al-Ḥaqq wrote in the Hindī style. He was an amateur musicologist as well as an accomplished calligrapher. This volume contains his autobiography, a treatise on animal husbandry, and two further treatises on various aspects of Shaykhism and music.
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1 online resource. :
9789004404892
9789648700466
Maḥakk-i Khusrawī /
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When the founder of the Qajar dynasty of Iran, Āqā Muḥammad Khān Qājār (r. 1789-97), conquered the capital of Georgia Tiflis in 1795, two infant sons of the defeated king Heraclius II were captured. Of these, the eldest died on the way. The other, Khusraw Khān, the later Mīrzā Khusraw Bayg Gurjī (d. 1277/1860), was taken back to Tehran by the commander of the Persian forces, Ḥājjī Ibrāhīm, who treated him as if he were his own child, calling him Mīrzā. When Ḥājjī Ibrāhīm was executed in 1803 on the orders of Fatḥ ʿAlī Shāh (d. 1249/1834), Mīrzā Khusraw first lived with a family in Shiraz and then, in 1805, he was adopted by the childless Talpur ruler of Sind, Mīr Karam ʿAlī Khān (r. 1227-44/1812-28). It is there at the court in Hyderabad that he developed into a refined man of letters and where he compiled this poetical anthology, then only 27 years old.
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1 online resource. :
9789004405776
9786002030146
Al-Ifāda fī tarīkh al-aʾimma al-sāda /
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As is well known, the main difference between the Imāmiyya and Zaydiyya branches in Shīʿī Islam is to do with the fact that the Zaydiyya-named so after their first leader Zayd b.ʿAlī b. al-Ḥusayn (d. 122/740)-did not unconditionally condemn the first three caliphs before ʿAlī b. Abī Ṭālib, while to the Imāmiyya branch, all Sunnīs were infidels. But even though the Zaydīs did not consider Sunnīs generally as infidels, they regarded rebellion against Sunnī rule -unlawful to them-as a religious duty for all. The Imāmīs on the other hand, while radical in doctrine, did not have a militant attitude comparable to that of the Zaydīs. Geographically, the Zaydīs divided into a Yemeni and an Iranian branch, concentrated along the shores of the Caspian sea. The present work contains the biographies of 15 Zaydī imams, some from the Caspian, the author-Abū Ṭālib Hārūnī (d. 424/1033)-being a Zaydī scholar from that region.
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1 online resource. :
9789004404960
9789648700572
Naqd wa bar rasī-yi Āthār u sharḥ-i aḥwāl-i Jāmī /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. The present volume by Aʿlākhān Afṣaḥzād contains an in-depth study of his life, work and significance, concluded by a two hundred-page analysis of his famous Laylī u Majnūn.
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Series taken from jacket. :
1 online resource. :
9789004402478
9789646781160
Al-Mukhtaṣar min Kitāb al-siyāq li-tārīkh-i Nīsābūr /
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In the Islamic middle ages, urban histories were for the most part not the kind of chronicle that one might think, covering the political, economic, or cultural history of a particular city over a certain time. Instead, they were a kind of 'who's who' directory of names of a city's prominent inhabitants, mostly from as far back as information would be available until the lifetime of the author. In the case of the city of Nishapur, which saw its greatest blossoming between the ninth and thirteenth centuries, there is al-Ḥākim al-Nīshāpūrī's (d. 405/1014) foundational Taʾrīkh Nīsābūr , an Arabic work-now lost-on which many later biographers relied. Al-Ḥākim's work was continued by ʿAbd al-Ghāfir al-Fārisī (d. 529/1134) in his al-Siyāq li-Taʾrīkh Nīsābūr . The text published here is described as a partial summary of al-Fārisī's work, although Frye in his The Histories of Nishapur (p. 10) still regarded it as a fragment of the Siyāq itself.
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1 online resource. :
9789004404656
9789648700022
Al-Qand fī dhikr ʿulamāʾ Samarqand /
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In the Arabic literary tradition, biographies form a class of their own and have always been widely used. Whether about a single person or about some group, their shared objective was to provide an authoritative account of someone's lineage, social or literary career, academic or religious background or affiliation, or connection to some historic event. As examples one could mention Ibn Hishām's (d. 218/834) Sīrat Muḥammad rasūli ʼllāh , Ibn Abī Uṣaybiʿa's (d. 668/1270) Kitāb ʿuyūn al-anbāʾ fī ṭabaqāt al-aṭibbāʾ , or Nūr al-Dīn al-Ṭūkhī's (d. ca 900/1494) Quḍāt Miṣr . The author of the present work, Najm al-Dīn al-Nasafī (d. 537/1142-43), was a long-time resident of Samarqand and widely known and respected as jurist. He wrote more than 30 works, in Persian and in Arabic. The present volume contains an inventory of ḥadīth scholars bearing some connection to Samarqand. Its importance lies mainly in the many names of people, places, and books which are otherwise entirely unknown.
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1 online resource. :
9789004402614
9789646781122
Khulāṣat al-ashʿār wa-zubdat al-afkār. Volume 6.9 : Bakhsh-i Shīrāz wa nawāḥi-yi ān /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The work by Mīr Taqī al-Dīn Kāshānī (alive in 1016/1607) published here is an important example of this. It consists of an introduction, four divisions, and an epilogue ( khātima ), six volumes in all. From among these volumes, the epilogue listing some 394 poets from specific cities and regions in the Persianate world, many of whom were contemporaries of the author, is of special interest. Having met with many of them on his literary travels, their biographies contain a lot of information on the social and cultural climate of the time, besides new poets and poems. This volume: 6.9, Shiraz.
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1 online resource. :
9789004404922
9786002030719
Al-Tadhkira fī ʿilm al-hayʾa /
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Naṣīr al-Dīn Ṭūsī (d. 672/1274) was an influential philosopher, theologian, mathematician and astronomer, besides being the first director of the famous observatory at Marāghah near Tabriz as well as a man of politics. The author of a large number of works, he is especially famous for such treatises as his Tajrīd al-iʿtiqād on theology; the Zīj-i Īlkhānī on astronomy; the Ḥall mushkilāt al-Ishārāt ; his influential commentary on Avicenna's (428/1037) Kitāb al-ishārāt wal-tanbīhāt on philosophy and logic; and his Akhlāq-i Nāṣirī on ethics. Another famous work is his Tadhkira fī ʿilm al-hayʾa published here. As stated by the editor, this is one of the most important and influential astronomical works written in the pre-modern Islamic world. It belongs to the second phase of Ṭūsī's academic career and constitutes a synthesis between two earlier works by him, written when he was still working for the Nizārī Ismailis. Arabic text and apparatus, Persian introduction translated from the English edition.
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1 online resource. :
9789004406476
9786002030917
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 5, ʿAyn-Fāʾ /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
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1 online resource. :
9789004405547
9789648700848
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 3, Dal-Sīn /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
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1 online resource. :
9789004405233
9789648700831
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 4, Shīn-Ẓāʾ /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
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1 online resource. :
9789004405530
9789648700824
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 6, Qāf-Mīm /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
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1 online resource. :
9789004405554
9789648700855
Majālis-i Jahāngīrī : Majlishā-yi shabāna-yi darbār-i Nūr al-Dīn Jahāngīr /
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Nūr al-Dīn Jahāngīr (d. 1037/1627) was the fourth Mughal emperor, son of emperor Akbar I (d. 1014/1605) and great-grandson of the founder of the Mughal dynasty, the Timurid prince Ẓahīr al-Dīn Muḥammad Bābur (d. 937/1530). Highly cultivated and a patron of the arts, especially portrait painting, Jahāngīr entertained many artists, literati and other members of the social and cultural elite at his court, where Persian was the dominant language. The author of the present work, ʿAbd al-Sattār b. Qāsim Lāhūrī, was a regular guest for a number of years. A specialist on foreign religions, especially Christianity, he was also present at many of the interreligious debates that were held in Jahāngīr's presence. Jahāngīr had such confidence in ʿAbd al-Sattār that he not only let him keep a record of his nightly entertainments published here, but also consulted him on what and what not to include in his personal record of his reign, the Jahāngīr-nāma.
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1 online resource. :
9789004404779
9789648700213
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 2, Bāʾ-Khāʾ /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
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1 online resource. :
9789004405226
9789648700817
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 8, Indices /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
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1 online resource. :
9789004405578
9789648700879
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 1, Āʾ-Alif /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfi-yi Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
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1 online resource. :
9789004405219
9789648700800
Khulāṣat al-ashʿār wa-zubdat al-afkār. Volume 6.2 : Bakhsh-i Iṣfahān /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The work by Mīr Taqī al-Dīn Kāshānī (alive in 1016/1607) published here is an important example of this. It consists of an introduction, four divisions, and an epilogue ( khātima ), six volumes in all. From among these volumes, the epilogue listing some 394 poets from specific cities and regions in the Persianate world, many of whom were contemporaries of the author, is of special interest. Having met with many of them on his literary travels, their biographies contain a lot of information on the social and cultural climate of the time, besides new poets and poems. This volume: 6.2, Isfahan.
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1 online resource. :
9789004404694
9789648700312
Khulāṣat al-ashʿār wa-zubdat al-afkār. Volume 6.1 : Bakhsh-i Kāshān /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The work by Mīr Taqī al-Dīn Kāshānī (alive in 1016/1607) published here is an important example of this. It consists of an introduction, four divisions, and an epilogue ( khātima ), six volumes in all. From among these volumes, the epilogue listing some 394 poets from specific cities and regions in the Persianate world, many of whom were contemporaries of the author, is of special interest. Having met with many of them on his literary travels, their biographies contain a lot of information on the social and cultural climate of the time, besides new poets and poems. This volume: 6.1, Kashan.
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1 online resource. :
9789004404670
9789646781979