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Giza I ( -XII). Bericht über die von der akademie der wissenschaften in wien auf gemeinsame kosten mit Dr. wihelm pelizaeus unternommenen grabungen auf dem friedhof des alten reich...
: vols. 8-12 have imprint: in kommission bei R.M.ROHRER, Vienna. : 12.v (part col) 31cm : includes hieroglyphics.
The Fársnáma of Ibnuʼl-Balkhí /
:
"'The name of the author of this Fársnáma is as yet unknown, but he states in his preface that his ancestor was a native of Balkh, and Ibnuʼl-Balkhi will serve as a convenient title by which to refer to him until his identity be better established.'"-- Introd., pages x (quotation from introd. to G. Le Strange's translation of part of the Fārsnāmah, which appeared under title, "Description of the province Fars", London, 1912)
Paged with Arabic numerals.
Persian text.
Translation of : Fārsnāmah. :
xxxii, 199 pages, 1 l ; 25 cm.
The Tomb of Huy, Viceroy of Nubia in the reign of Tut'ankhamūn ... Copied in line and colour by Nina de Garis Davies, and with explanatory text by Alan H. Gardiner
: 2P. ., 42.P 1 illus, xl pl. (i.e60) (incl front part col, part double) 31cm : Includes bibliographical referencesn and indexes
Scenes from some Theban tombs (no. 38, 66, 162, with excerpts from 81)
: "The second volume to appear in the series designed for the publication of Norman de Garis, Davies's records of private tombs at Thebes." : 22 pages illustrations, 24 plates (part folded) 31 cm. : Bibliographical footnotes.
Scenes from some Theban tombs (no. 38, 66, 162, with excerpts from 81)
: "The second volume to appear in the series designed for the publication of Norman de Garis, Davies's records of private tombs at Thebes." : 22 pages illustrations, 24 plates (part folded) 31 cm. : Bibliographical footnotes.
Scenes from some Theban tombs (no. 38, 66, 162, with excerpts from 81)
: "The second volume to appear in the series designed for the publication of Norman de Garis, Davies's records of private tombs at Thebes." : 22 pages illustrations, 24 plates (part folded) 31 cm. : Bibliographical footnotes.
Scenes from some Theban tombs (no. 38, 66, 162, with excerpts from 81)
: "The second volume to appear in the series designed for the publication of Norman de Garis, Davies's records of private tombs at Thebes." : 22 pages illustrations, 24 plates (part folded) 31 cm. : Bibliographical footnotes.
The Gendered Individual in Funerary Papyri of the Ptolemaic and Roman Periods /
:
In the magical texts provided to Egyptians to transition to the afterlife, the mythological precedent set by the rebirth of Osiris created gendered theological principles, which remained central to funerary beliefs throughout Egyptian history. At the point of mummification, the body of the deceased, male or female, temporarily took part in the Osirian rituals and was transformed. As restrictive guidelines for the use of texts started to fall away in the Third Intermediate period, and even more so in the Graeco-Roman period, there were many new, appropriate ways to connect a funerary text to a single person. This article addresses how ancient scribes accommodated allusions and adapted religious content to the text’s owner more extensively in later periods. Rather than the basic grammatical changes found in pharaonic sources, later scribes inserted gendered mythological references and biographical material as textual alterations to create personalized documents for either gender. They creatively pushed the boundaries of individualization as far as possible, but remained within the idealized context of funerary beliefs. Instead, they differentiated male or female gender roles to accentuate the character of the deceased only where appropriate without jeopardizing access to the next life.
The Barque of Wenut-Shemau at the Sed-Festival: An Old Kingdom Temple Relief from Herakleopolis /
:
In the collection of the University of Pennsylvania Museum is a limestone relief depicting a king at life-size engaged in a boat ritual as part of the Sed-festival. Discovered in 1904 at Herakleopolis, this object can be dated, based on context, iconography, and style to the early Old Kingdom. Only the upper part of this monumental relief is preserved and the name of the king does not survive. However, the associated labels show that the scene depicted a king, accompanied by Iunmutef, receiving the barque of the goddess Wenut-Shemau, or Nekhbet, at the Sed-festival. This relief, reused in the foundations of the Twelfth Dynasty at Herakleopolis derives from what was evidently a large-format tableau of Sed-festival scenes in a royal cult complex of the Old Kingdom. The relief is a forerunner to scenes in the Twentieth Dynasty tomb of Setau at El Kab depicting the arrival of Wenut-Shemau at the site of the Sed-festival. The ceremonial mooring of the barques of Wadjet and Nekhbet at the Sed-festival may form a central, but hitherto unrecognized, element of the Sed-festival. The closest surviving parallels to the Herakleopolis scene occur in fragmentary reliefs from the Valley Temple of Sneferu at Dahshur. Attribution is proposed to Huni, Sneferu or Khufu. The Sed-festival block may have been transported to Herakelopolis from one of the Memphite pyramid complexes, or from Meidum, during the early Twelfth Dynasty. Alternatively, the relief may derive from an early Old Kingdom royal complex at Herakelopolis itself, possibly originating in a mortuary complex of Huni that once stood at that site. doi: http://dx.doi.org/10.5913/jarce.53.2017.a007