Nūr al-Dīn ʻAbd al-Raḥmān al-Jāmī : fihris bi-muʼallafātihi al-makhṭūṭah wa-al-maṭbūʻah allatī taqtanīhā al-Dār /
: At head of title : al-Jumhūrīyah al-ʻArabīyah al-Muttaḥidah. Wizārat al-Thaqāfah wa-al-Irshād al-Qawmī. Dār al-Kutub. : 10, 78 pages ; 24 cm. : Bibliography : pages [75]-78.
Kitāb al-majmūʻ : aw al-Ḥikmah al-ʻarūḍīyah fī maʻānī Kitāb al-shiʻr /
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At head of title : al-Jumhūrīyah al-ʻArabīyah al-Muttaḥidah. Wizārat al-Thaqāfah. Markaz Taḥqīq al-Turāth wa-Nashrih.
Cover title : Kitāb al-magmūʻ, "al-Ḥikmah al-ʻarūḍīyah fī maʻānī Kitāb al-shiʻr", by Ibn Sina. :
38 pages ; 25 cm :
Includes bibliographical references.
Aesthetics, applications, artistry and anarchy : essays in prehistoric and contemporary art : a festschrift in honour of John Kay Clegg, 11 January 1935 - 1 March 2015 /
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This volume, in honour of John Kay Clegg, consists of papers by rock art researchers from around the world on topics such as aesthetics, the application of statistical analyses, frontier conflict and layered symbolic meanings, the deliberate use of optical illusion, and the contemporary significance of ancient and street art.
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Festschrift for John Kay Clegg.
Previously issued in print: 2019. :
1 online resource (viii, 170 pages) : illustrations (black and white, and colour) :
Specialized. :
9781784919993 (ebook) :
Practicing pragmatist aesthetics : critical perspectives on the arts /
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This is the first collection in English devoted exclusively to pragmatist aesthetics. Its main aim is to employ the resources of that rich and exciting tradition in studying artistic phenomena such as film, sculpture, bio-art, poetry, the novel, cuisine, and various body arts. But it also attempts to provide a wider background for such studies by sketching the history of pragmatist reflection on the aesthetic and by discussing some of the main positions that this history has produced: the aesthetic conceptions of C.S. Peirce, William James, John Dewey, Joseph Margolis, Richard Shusterman (somaesthetics in particular), and others.
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1 online resource (vi, 224 pages) : illustrations (chiefly color) :
Includes bibliographical references and index. :
9789401210812 :
Available to subscribing member institutions only.
Ethik und Ästhetik bei Fichte und Sartre : eine vergleichende Studie über den Zusammenhang von Ethik und Ästhetik in der Transzendentalphilosophie Fichtes und dem Existenzialismus...
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Fichte wie auch später Sartre gewinnen vergleichbare Resultate auf der theoretischen Ebene hinsichtlich der ethischen Fundierung der Intersubjektivität im Selbstbewusstsein. Die Rolle der Ästhetik wird von beiden Denkern aufgrund ethischer Implikationen so bestimmt, dass sie die durch sie bestimmte Intersubjektivität auf praktischer Ebene zum Vorschein bringt. Die Ästhetik stellt bei beiden Autoren nicht einen Selbstzweck dar, sondern spielt eine herausragende Rolle für die Bildung der Menschen. Sartre wie auch Fichte brauchen die Ästhetik, um die Ethik zu fundieren. Während Sartre ein unmittelbar lebensbezogenes ästhetisches Denken hat, in dem er ethische Aspekte in seiner Literatur anhand konkreter Beispiele verarbeitet, geht es Fichte in seinen Ausführungen zur Ästhetik vornehmlich um die Frage nach der Bedingung der Möglichkeit des ästhetischen Bewusstseins und darum, dieses als Voraussetzung des ethischen Bewusstseins zu bestimmen. Sartres Ethik offenbart sich vor allem in seinem ästhetischen Schaffen. Dem ästhetischen Moment in Sartres Ethik kommt die zentrale Aufgabe für die Entwicklung des ethischen Individualismus des Menschen und der gesamten Menschheit zu. Die Analogie zu Fichtes transzendentalkritischem Idealismus liegt in der Fundierungsrolle der Ästhetik für die Ethik in beiden philosophischen Konzeptionen, woraus eine aussagefähige Ethik in Sartres Existenzphilosophie resultiert. So zeigt sich In Sartres Literatur der direkte Wechselbezug zwischen praktischer Ethik und produktiver Ästhetik. Die Funktion der Ästhetik wird von Sartre dadurch bestimmt, dass in seinem Konzept mittels der Ästhetik die Vermittlung zwischen theoretischer und praktischer Vernunft geleistet wird.
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1 online resource (x, 254 pages, [5] pages of plates) : 5 illustrations. :
Includes bibliographical references. :
9789042028982 :
Available to subscribing member institutions only.
The marriage of aesthetics and ethics /
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In The Marriage of Aesthetics and Ethics , fifteen authors reflect on the nature of friendship and love and on the complex relation between art and morality. Karl Verstrynge, Vincent Caudron, Anne Christine Habbard, and Walter Jaeschke draw from authors from Aristotle to Derrida, Montaigne to Kierkegaard, and Hegel to Blanchot to discuss friendship and love. Andreas Arndt, Paul Cobben, Paul Cruysberghs, Gerbert Faure, Simon Truwant, and Margherita Tonon focus on the connection between aesthetics and ethics in the works of Kant, Schiller, Hegel, Schleiermacher, Kierkegaard, Cassirer, and Adorno. Baldine Saint Girons, Stéphane Symons, Marlies De Munck, Stijn De Cauwer, and Willem Styfhals explore the connection between ethical and aesthetic issues in photography, film, music, literature, and the visual arts.
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1 online resource (ix, 303 pages) :
Includes bibliographical references and index. :
9789004298811 :
1878-9986 ; :
Available to subscribing member institutions only.
Aesthetic capitalism /
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Aesthetic Capitalism debates the social aesthetics of contemporary economic processes. The book connects modern cultural dynamics with the workings of contemporary capitalism. It explores art and the new spirit of capitalism; visual culture and the experience economy; aesthetics and organisations; the art of fiscal management; capitalism without myth; and architecture in the age of aesthetic capitalism. Contributors include: Peter Murphy, Eduardo de la Fuente, Antonio Strati, Ken Friedman, Dominique Bouchet, Anders Michelsen, David Roberts, Carlo Tognato
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Includes index. :
1 online resource (pages) :
9789004274723 :
1572-459X ; :
Available to subscribing member institutions only.
Evolution and human culture : texts and contexts /
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Evolution and Human Culture argues that values, beliefs, and practices are expressions of individual and shared moral sentiments. Much of our cultural production stems from what in early hominins was a caring tendency, both the care to share and a self-care to challenge others. Topics cover prehistory, mind, biology, morality, comparative primatology, art, and aesthetics. The book is valuable to students and scholars in the arts, including moral philosophers, who would benefit from reading about scientific developments that impact their fields. For biologists and social scientists the book provides a window into how scientific research contributes to understanding the arts and humanities. The take-home point is that culture does not transcend nature; rather, culture is an evolved moral behavior.
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1 online resource. :
Includes bibliographical references and index. :
9789004319486 :
0929-8436 ; :
Available to subscribing member institutions only.
Rethinking Plato : a Cartesian quest for the real Plato /
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No new book on Plato can surprise Plato scholars. For there is nothing new under the sun, nor inside the cave. We have grown complacent in our preconceptions of Plato, habitually adopting the web of belief that comes with the canonical corpus. Yet it is not the web itself that stands in the way of progress, but the tendency to adopt it without question. Rethinking Plato is, as the subtitle suggests, a Cartesian quest for the real Plato. What makes it Cartesian is that it looks for Plato independently of the prevailing paradigms on where we are supposed to find him. The result of the quest is a complete pedagogical platform on Plato. This does not mean that the book leaves nothing out, covering all the dialogues and all the themes, but that it provides the full intellectual apparatus for doing just that. It consists of two parts. The first is a general orientation in three chapters, one each pertaining to the life, thought, and works of Plato. The second is a dialogic companion covering the four dialogues built around the last days of Socrates, with a separate chapter devoted to each: Euthyphro , Apology , Crito , and Phaedo .
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1 online resource (620 pages) :
Includes bibliographical references and index. :
9789401208123 :
Available to subscribing member institutions only.
Michel Henry et l'affect de l'art : recherches sur l'esthétique de la phénoménologie matérielle /
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Quel est le statut de l'art et de l'affectivité esthétique chez Michel Henry ? Le champ occupé par l'art dans l'économie de la phénoménologie matérielle est-il le lieu le plus propre pour l'exploration immanente de l'apparaître et l'auscultation de l'affectivité transcendantale de la vie ? Ce livre offre un repérage de quelques pistes remarquables à partir desquelles le besoin de poser les jalons d'une esthétique matérielle se fait suffisamment pressant pour qu'on y prête attention. C'est pour frayer cette voie et faire les premiers pas dans la direction qu'elle infléchit que les études ici réunies engagent, chacune à sa manière, l'examen du statut de l'art chez Michel Henry : du côté de la peinture bien sûr, mais aussi dans les champs du langage, de la littérature, de la danse, de l'architecture et de la musique. L'ensemble est précédé par un texte de Michel Henry, consacré à l'œuvre picturale de Pierre Magré. What is the status of art and aesthetic affectivity in Michel Henry? Is the place occupied by art within the economy of his material phenomenology the most appropriate site for the immanent exploration of appearing and the auscultation of the transcendental affectivity of life? This book locates some remarkable avenues through which the need to prepare the ground for a material aesthetic becomes urgent enough to be given attention. In order to clear this path and take the first steps in the direction it leads, the studies gathered here, each in its own way, are engaged in the study of the status of art in Michel Henry, from the perspective of painting, of course, but also the fields of language, literature, dance, architecture and music. The collection is preceded by an essay by Michel Henry, devoted to the painting of Pierre Magré.
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1 online resource (xlii, 343 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789004186811 :
1875-2470 ; :
Available to subscribing member institutions only.
Embodied aesthetics : proceedings of the 1st International Conference on Aesthetics and the Embodied Mind, 26th-28th August 2013 /
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This volume discusses the role of embodiment in the reevaluation of aesthetics as a process of bodily mediated meaning-making. It focuses on the bodily basis of aesthetic appreciation from an evolutionary point of view, on the bodily physical structures such as the brain involved in perception, on aesthetic experience and appreciation, on the role of physiological responses in experiencing the objects of the environment aesthetically, on the role of one's own body in motion in the engagement with the environment, on somatic responses and the experience of meaning, on the pre-reflective experience of the body, on the role of the interplay of different types of physical and sensory activities in the process of education to art appreciation.
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Includes index. :
1 online resource (vii, 150 pages) : illustrations (some color) :
9789004281516 :
0922-6001 ; :
Available to subscribing member institutions only.
Pentecostal aesthetics : theological reflections in a pentecostal philosophy of art and aesthetics /
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Pentecostals have not sufficiently worked out a distinctively Pentecostal philosophy of art and aesthetics. In Pentecostal Aesthetics: Theological Reflections in a Pentecostal Philosophy of Art and Aesthetics , with a foreword by Amos Yong, Steven Félix-Jäger corrects this by reflecting theologically on art and aesthetics from a global Pentecostal perspective, particularly through a pneumatic Pentecostal lens. Félix-Jäger contends that a Pentecostal philosophy of art and aesthetics must comply with the global, experiential, and pneumatocentric nature of the Pentecostal movement. Such a philosophy can be ontologically grounded in a relativistic theory of art. Theological reflections concerning the nature and purpose of art must then be sensitive to the ontological foundations secured thereof. In this fashion, Pentecostals can gain ample insight about the Spirit's work in today's contemporary artworld.
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1 online resource (ix, 224 pages) : chiefly color illustrations. :
Includes bibliographical references and index. :
9789004291621 :
1876-2247 ; :
Available to subscribing member institutions only.
Wittgenstein as philosophical tone-poet : philosophy and music in dialogue /
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This book provides the first in-depth exploration of the importance of music for Ludwig Wittgenstein's life and work. Wittgenstein's remarks on music are essential for understanding his philosophy: they are on the nature of musical understanding, the relation of music to language, the concepts of representation and expression, on melody, irony and aspect-perception, and, on the great composers belonging to the Austrian-German tradition. Biography and philosophy, this work suggests that Wittgenstein was a composer of philosophy who used the musical form as a blueprint for his own writing and thought. For Wittgenstein music is not alone, but connects and resonates with our cultural forms of life. His relation to composers, especially to Richard Wagner and Gustav Mahler, enables Wittgenstein to address the question of how to do philosophy and compose music in the breakdown of tradition. Unlike his conservative musical sensibility, Wittgenstein's philosophy is open to musical experiments. Reflecting on his remarks on music makes it possible to compare the therapeutic aim of his philosophical activity with that of music, and thus notice affinities between Wittgenstein and John Cage.
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1 online resource (225 pages) :
Includes bibliographical references and index. :
9789401210997 :
0167-4102 ; :
Available to subscribing member institutions only.
Narrative cultures and the aesthetics of religion /
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"Narrative Cultures and the Aesthetics of Religion presents the aesthetics of narrative in religious contexts by approaching narrative acts as situated modes of engaging with reality, equally shaped by the immersive character of the stories told and the sensory qualities of their performances. Introducing narrative cultures as an integrative framework of analysis, the volume builds a bridge between classical content-based approaches to narrative sources and the aesthetic study of religions as constituted by sensory and mediated practices. Studying stories in conjunction with the role performative acts of storytelling play in the cultivation of the senses, the contributors explore the efficacy of storytelling formats in narrative cultures from Antiquity until today, in regions and cultures across the globe".
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1 online resource. :
Includes bibliographical references and index. :
9789004421677
Aesthetic experience and somaesthetics /
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This collection of essays explores the crucial connections between aesthetic experience and the interdisciplinary field of somaesthetics, while further advancing inquiry in both. After the editor's introduction and three articles examining philosophical accounts of embodiment and aesthetic experience in existentialism, phenomenology, hermeneutics, and pragmatism, the book's nine remaining articles apply somaesthetic theory to the fine arts (including detailed studies of the body's role in painting, sculpture, architecture, poetry, music, photography, and cinema) but also to diverse arts of living, considering such topics as cosmetics and sexual practice. These interdisciplinary, multicultural essays are written by a distinctively international group of experts, ranging from Asia (China and India) to Europe (Denmark, Finland, Hungary, and Italy) and the United States.
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1 online resource (220 pages) :
Includes bibliographical references and index. :
9789004361928 :
2451-8646 ; :
Available to subscribing member institutions only.