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Dalmatia and the Mediterranean : portable archeology and the poetics of influence /
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Using the Braudelian concept of the Mediterranean this volume focuses on the condition of "coastal exchanges" involving the Dalmatian littoral and its Adriatic and more distant maritime network. Spalato and Ragusa intersect with Constantinople, Cairo and Spanish Naples just as Sinan, Palladio and Robert Adam cross paths in this liquid expanse. Concentrating on materiality and on the arts, architecture in particular, the authors identify portability and hybridity as characteristic of these exchanges, and tease out expected and unexpected serendipitous moments when they occurred. Focusing on translation and its instruments these essays expand the traditional concept of influence by thrusting mobility and the \'hardware\' of cultural transmission, its mechanisms, rather than its effects, into the foreground. Contributors include: Doris Behrens-Abouseif , SOAS, University of London ; Joško Belamarić , Institute of Art History , Split; Marzia Faietti , Uffizi , Florence; Jasenka Gudelj , University of Zagreb ; Cemal Kafadar , Harvard University ; Ioli Kalavrezou , Harvard University ; Suzanne Marchand , State University of Louisiana ; Erika Naginski , Harvard University ; Gülru Necipoğlu , Harvard University ; Goran Nikšić , City of Split , Split; Alina Payne , Harvard University ; Avinoam Shalem , Columbia University and David Young Kim , University of Pennsylvania
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1 online resource. :
Includes bibliographical references and index. :
9789004263918 :
2213-3399 ;
Mystery and matter : on the relationship between liturgy and architecture in the thought of Dom Hans van der Laan OSB (1904-1991) /
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Most of the scholarship regarding the Dutch monk and architect Dom Hans van der Laan OSB (1904-1991) has been narrowly focused on his architectural theory and projects. The liturgical and theological dimensions have been virtually neglected, though they are vital for a proper understanding of his thought. Through a thorough reading of the original sources, including previously unexplored documents from various archives, this book takes an interdisciplinary approach to Van der Laan's theory. It brings together the different aspects of his work by studying both the liturgical-theological and architectural elements. On this basis the book offers a synthesis of the way in which Van der Laan was able to link earthly matter to the divine Mystery.
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Based on the author's thesis (doctoral)--Pontifical Gregorian University. :
1 online resource. :
Includes bibliographical references and index. :
9789004209428 :
Available to subscribing member institutions only.
Dust : Egypt's forgotten architecture /
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"Between 1860 and 1940, Cairo and other large cities in Egypt witnessed a major construction boom that gave birth to extraordinary palaces and lavish buildings. These incorporated a mix of architectural styles, such as Beaux-Arts and Art Deco, with local design influences and materials. Today, many lie empty and neglected, rapidly succumbing to time, a real-estate frenzy, and an ongoing population crisis. In 2006 Russian-born photographer Xenia Nikolskaya began the process of documenting these structures. She gained exceptional access to them, taking photographs at some thirty locations, including Cairo, Alexandria, Luxor, Minya, Esna, and Port Said. These photographs were documented in the first edition of Dust: Egypt's Forgotten Architecture, which soon after its release in 2012 became a rare collector's item. This revised and expanded edition includes photographs from the first edition together with extra unseen images and new photographs taken by Nikolskaya between 2013 and 2021. It also includes previously unpublished essays by Heba Farid, co-owner of the Cairo-based photo gallery Tintera, and architect and urban planner Omar Nagati, co-founder of CLUSTER, an urban design and research platform also in Cairo. Dust: Egypt's Forgotten Architecture leads us seductively into some of the most breathtaking architectural spaces of Egypt's recent past, filled with a sense of both the immense weight and impermanence of history."--
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157 pages : color illustrations ; 26 x 32 cm. :
9781649031365
The architecture of Ramses Wissa Wassef /
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The pioneering Egyptian architect and teacher Ramses Wissa Wassef (1911-74) is best known for his founding in 1951 of the Ramses Wissa Wassef Art Centre in Harraniya, a small village near the Giza Pyramids in Greater Cairo. The center, internationally acclaimed for its tapestries and sculptures, began partly as an art school for young villagers, reflecting Wissa Wassef's aim of reviving traditional Egyptian architecture and crafts, and his belief in the innate creative power and potential of children. Less well known are Wissa Wassef's prolific architectural output and his efforts and influence beyond the confines of the Harraniya center to promote artistic expression among Egyptian youth. This generously illustrated volume is the first comprehensive survey of Wissa Wassef's architectural works, both extant and non-extant, shedding light on his legacy and significant engagement with vernacular and contemporary Egyptian architecture. Wissa Wassef renounced self-promotion and monetary reward in his work, placing human physical and psychological well-being at the center of his architectural philosophy. An astute observer and modest personality, he saw himself as part of the people and began experimenting with participatory design and people-centered architecture before they became popular. The Architecture of Ramses Wissa Wassef reveals Wissa Wassef's profuse architectural oeuvre, which spanned private villas and rural houses, as well as public buildings, such as churches, schools, and museums, highlighting his rich contribution to Egypt's architectural heritage at a moment when that heritage is at risk of being lost.
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vii, 259 pages : illustrations (some color), plans (some color) ; 22 x 25 cm. :
9789774169243
9774169247