Bes : demon God, protector of Egypt /
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"The demon god Bes was above all a protector of Egypt, as manifested in a variety of ways over the ages. This publication takes a closer look at the themes of the exhibition Bes. Demon God - Protector of Egypt. Who was Bes? What role did he play in sexuality, as a musician or alongside other gods? And why was he so popular in Nubia, Egypt's southern neighbour? Exhibition: Ny Carlsberg Glyptotek, Copenhagen, Denmark (20.05 - 31.10.2021)"-- Back cover.
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Catalogue of an exhibition held at Ny Carlsberg Glyptotek, Copenhagen, May 20-October 31, 2021. :
127 pages : many illustrations (chiefly color) ; 22 cm. :
Includes bibliographical references (page 127). :
9788774523772
Platonism and Christianity in Late Ancient Cosmology : God, Soul, Matter /
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The book breaks new ground by examining ideas about the cosmos, its shape, and its origin in late antiquity. Leading international experts discuss key texts and situate them in their historical environment.Les articles innovants de ce volume examinent les idées sur le cosmos, sa forme et son origine dans l'Antiquité tardive. Des spécialistes internationaux de premier plan présentent des éditions inédites de nouveaux fragments, en approfondissant les textes clés, les situant dans leur cadre historique complexe. :
1 online resource. :
Includes bibliographical references and index. :
9789004518469
9789004518308
Mutilation and Transformation : Damnatio Memoriae and Roman Imperial Portraiture /
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The condemnation of memory inexorably altered the visual landscape of imperial Rome. Representations of 'bad' emperors, such as Caligula, Nero, Domitian, Commodus, or Elagabalus were routinely reconfigured into likenesses of victorious successors or revered predecessors. Alternatively, portraits could be physically attacked and mutilated or even executed in effigy. From the late first century B.C. until the fourth century A.D., the recycling and destruction of images of emperors, empresses, and other members of the imperial family occurred on a vast scale and often marked periods of violent political transition. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for damnatio memoriae and ultimately reveals its praxis to be at the core of Roman cultural identity.
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1 online resource. :
Includes bibliographical references and index. :
9789047404705
9789004135772
Euripides and the language of craft
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This first in-depth account of Euripides and the visual arts demonstrates how the tragedian used language to visual effect, whether through allusion or actual references to objects, motifs built around real or imaginary objects, or the use of technical terminology. The evidence presented in this study corroborates the concern for realism and the genre detail for which Euripides is parodied in Aristophanes' Frogs and presents him as a man of his time, like Socrates, fully versed in the ways and means of the visual arts as well as the verbal. In revealing the extent of the visual inclination of Euripides' language, this study reflects upon the larger dialogue between text and image, image and text.
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1 online resource. :
Includes bibliographical references (p. [435]-459) and indexes. :
9789004201149 :
Available to subscribing member institutions only.
The world of Disney : from antiquarianism to archaeology /
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Dr John Disney (1779-1857) was the benefactor of the first chair in archaeology at a British university. He also donated his major collection to the University of Cambridge. The sculptures continue to be displayed in the Fitzwilliam Museum. The Disney family traced its origins back to the Norman invasion of England, and the family home was at Norton Disney in Lincolnshire. Disney's father, the Reverend John Disney DD (1746-1816) left the Church of England to become a minister at the Unitarian Essex Street Chapel in London. A major sponsor of the chapel was Thomas Brand-Hollis of The Hyde, Essex, who bequeathed the house and his Grand Tour collection (formed with Thomas Hollis) on his death in 1804 to the Reverend John Disney. Disney inherited part of the classical collection of his uncle and father-in-law Lewis Disney-Ffytche, owner of the 18th century pleasure gardens, Le Désert de Retz, outside Paris.
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Also issued in print: 2020. :
1 online resource (154 pages) : illustrations. :
Specialized. :
Includes bibliographical references and index. :
9781789698282 (PDF ebook) :
Isis lactans : Corpus des monuments gréco-romains d'Isis allaitant Harpocrate.
: At head of title: V. Tran tam Tinh, Yvette Labrecque. : 1 online resource (225 pages, 78 plates) : illustrations. : Includes bibliographical references (p. ix-xi) and index. : 9789004295032 : Available to subscribing member institutions only.
Platonism and Christianity in Late Ancient Cosmology : God, Soul, Matter /
:
The book breaks new ground by examining ideas about the cosmos, its shape, and its origin in late antiquity. Leading international experts discuss key texts and situate them in their historical environment.Les articles innovants de ce volume examinent les idées sur le cosmos, sa forme et son origine dans l'Antiquité tardive. Des spécialistes internationaux de premier plan présentent des éditions inédites de nouveaux fragments, en approfondissant les textes clés, les situant dans leur cadre historique complexe. :
1 online resource. :
Includes bibliographical references and index. :
9789004518469
9789004518308
L'egittomania in pitture e mosaici romano-campani della prima età imperiale /
: 1 online resource (xiii, 107 pages, [69] pages of plates (2 folded)) : illustrations (some color) : Includes bibliographical references and index. : 9789004295643 : Available to subscribing member institutions only.
Corpus cultus Iovis Dolicheni (CCID) /
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Errata slip inserted.
Includes indexes. :
1 online resource (xxiv, 422 pages, [cxxxiv] pages of plates) : illustrations. :
Includes bibliographical references (p. xvii-xxiv). :
9789004295742 :
0531-1950 ; :
Available to subscribing member institutions only.
Museum archetypes and collecting in the ancient world /
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Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
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1 online resource (xiv, 222 pages) : illustrations. :
Includes bibliographical references (p. 163-192) and index. :
9789004283480 :
Available to subscribing member institutions only.
Poetic memory : allusion in the poetry of Callimachus and the Metamorphoses of Ovid /
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This book explores Callimachus' allusive practice in his Aetia prologue and Hymns 4, 5, and 6, and in Ovid's Metamorphoses . The study includes an overview of modern approaches to poetic allusion, a close (re-)examination of the lexical allusions in the Aetia's and Metamorphoses' prologues, extensive examinations of allusive techniques within selections of these works, the poets' use of \'signposting\' and \'authorization\' techniques, and the relationship between allusion and genre.
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1 online resource (viii, 218 pages) :
Includes bibliographical references (p. 197-206) and indexes. :
9789047406624 :
0169-8958 ; :
Available to subscribing member institutions only.
Isis und ihre Dienerinnen in der Kunst der römischen Kaiserzeit /
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Das Thema des Buches ist der Isiskult während der römischen Kaiserzeit, wie er in zahleichen Darstellungen der ägyptischen Göttin und solcher ihr angeglichener Frauen zum Ausdruck kommt. Während sich dadurch zum einen diese Frauen ganz allgemein als Dienerinnen der Isis zu erkennen geben, fällt zum anderen ein besonderes Licht auf die zur Angleichung ausgewählten Bilder der Göttin. Dabei handelt es sich, anders als bei den meisten bekannten Isistypen, um keine mythologisch erklärbaren Gottesbilder. Sie sind deshalb der Forschung ebenso rätselhaft geblieben wie die entsprechend angeglichenen und oftmals auch als Priesterinnen oder Mystinnen bezeichneten Frauen. Das Buch behandelt somit zwei Problemkreise, nämlich die Stellung jener Frauen im Kult sowie die damit verbundene Frage nach Sinn und Bedeutung der für die Angleichung verbindlichen Isisbilder. Das vorwiegend plastische Material ist in einem Katalog mit volständigem Abbildungsteil zusammengestellt. Auf dieser Basis bietet das Buch eine ikonographische und ikonologische Untersuchung des Themas. Die ausschliesslich in statuarischen Kopien überlieferten Isisbilder werden in angemessener Weise auf Originale hin rezensiert; die vorranging sepulkralen Darstellungen der Isisdienerinnen werden sowohl in quellenkritischer als auch archäologischer Hinsicht interpretiert. Daneben kommen auch religionsgeschichtliche Probleme zum Tragen. Ein längerer Exkurs am Ende des Buches ist der Frage nach der sozialen Stellung der Isisdienerinnen gewidmet.
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Revision of the author's thesis (doctoral)--Ludwig-Maximilians-Universität München, 1982. :
1 online resource (197 pages, [97] pages of plates) : illustrations. :
Includes bibliographical references and indexes. :
9789004329119 :
0169-8958 ; :
Available to subscribing member institutions only.
New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts /
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The essays in New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts address art historical, historical, cultural and museological issues raised by one of two surviving intact statues of the Roman emperor Caligula (r. 37-41 C.E.). Contributions focus on the creation of a 3D-digital model of the statue and the search for traces of its original polychromy; the history of the statue from its creation to the present, including its rediscovery at a Julio-Claudian sanctuary at Bovillae; aspects of Caligula's literary and visual portrayal in antiquity and modern historiography (including questions concerning the destruction of his portraits and the implications of Jewish sources for the study of Caligula); and the emperor's image in popular culture.
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1 online resource. :
9789004417366
9789004412682