Essays on Christian art and culture in the Middle East.
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Vol. 1 (1998)-volume 3 (2000) :
Holdings volume2 (1999) volume3 (2000)
Published by the projects : Egyptian-Netherlands Cooperation for Coptic Art Preservation (ENCCAP), and Syrian-Netherlands Cooperation for the Study of Art in Syria (SYNCAS). :
volumes : illustrations ; 28 cm. :
Annual
The dragon in medieval East Christian and Islamic art
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This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures. The book will be of particular interest to those concerned with the relationship between the pre-Islamic, Islamic and Eastern Christian (especially Armenian) world. The study is fully illustrated, with 209 (b/w and full colour) plates, many of previously unpublished material. Illustrations include photographs of architectural structures visited by the author, as well as a vast collection of artefacts, all of which are described and discussed in detail with inscription readings, historical data and textual sources.
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1 online resource. :
Includes bibliographical references and index. :
9789004209725 :
Available to subscribing member institutions only.
La crucifixion sans crucifié dans l'art éthiopien : recherches sur la survie de l'iconographie chrétienne de l'antiquité tardive /
: Revision of thesis (doctoral) -- University of Uppsala, 1993. : x, 187 pages : illustrations (some color) ; 31 cm. : Includes bibliographical references (pages 139-[172]) and index. : 8390180944
The wall paintings from the monastery on Kom H in Dongola /
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The volume is a complete pubication of a set of 144 religious paintings from the 11th through the 13th-14th centuries discovered by Polish archaeologists in Dongola, the capital of the Christian Nubian kingdom of Makuria, which existed in the valley of the Middle Nile from the 6th through the 14th century. The murals come from the monastic enclosure on Kom H, from a church, but also from an ascetic monk's cell turned chapel, and two substantial architectural complexes of the Northwest and Southwest Annexes. The author discusses this religious painting assemblage in thematical order, presenting Biblical and apocryphal scenes taken from the Old and New Testament, representations of holy figures including archangels and saints, images of Nubian church and royal dignitaries, and figures of donors that also appeared among the murals. Finally, she deals with compositions, like the unique prothesis and coronation scenes, as well as individual ornamental motifs. The catalogue takes a topographical approach, describing the paintings in detail and illustrating each item as richly as possible. A selection of perspective views of individual buildings, rooms, and walls facilitates quick understanding of the painting decoration systems in the various monastery buildings and annexes, and gives grounds for evaluation of the state of preservation, artistic quality, and iconography of particular paintings.--Page [4] of cover.
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"Catalogue of wall paintings" : pages 268-278.
"Institute of Mediterranean and Oriental Cultures, Polish Academy of Sciences."
Accompanying DVD-ROM contains all 144 religious paintings discussed in the print volume.
Title on DVD : The catalogue. :
281 pages, 1 unnumbered folded leaf of plates : illustrations (chiefly color), plans ; 31 cm + 1 DVD-ROM. :
Includes bibliographical references (pages 9-30) and indexes. :
8323509239
9788323509233