Album Prefaces and Other Documents on the History of Calligraphers and Painters /
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This volume contains album prefaces in the original Persian version with English translation, miscellaneous documents relating to calligraphers and painters, and specimens of travel literature from the Timurid and Safavid periods.
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1 online resource. :
Includes bibliographical references and index. :
9789004492301
9789004119611
Prefacing the Image : The Writing of Art History in Sixteenth-Century Iran /
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This book studies developments in art historical writing and factors which shaped the album preface. The prefaces were written in Persian between ca. 1491 and 1609 to introduce albums of calligraphy, painting, and drawing assembled for Safavid rulers and courtiers. Approaches to the study of these sources are examined, followed by an analysis of the sociohistorical court-centered context; the circumstances of the texts' composition, reception, and literary dimensions; and their art historical formation and content. It ends with an interpretation of calligrapher Dust Muhammad's preface and his conceptualization of a history and aesthetics of depiction. The book is the first to study the prefaces collectively and in relationship to other cultural practices. It also draws on a wide variety of additional primary sources. It includes forty illustrations and several tables.
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1 online resource. :
Includes bibliographical references and index. :
9789004491830
9789004113763
The Image of an Ottoman City : Imperial Architecture and Urban Experience in Aleppo in the 16th and 17th Centuries /
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This urban and architectural study of Aleppo, a center of early modern global trade, draws upon archival and narrative texts, architectural evidence, and contemporary theoretical discussions of the relation between imperial ideology, urban patterns and rituals, and architectural form. The first two centuries of Ottoman rule fostered tremendous urban development and reorientation through judiciously sited acts of patronage. Monumental structures endowed by Ottoman officials both introduced a new imperial architecture from Istanbul and incorporated formal elements from the local urban visual language. By viewing the urban and social contexts of these acts, tracing their evolution over two centuries, and examining their discussion in Ottoman and Arabic sources, this book proposes a new model for understanding the local reception and adaptation of imperial forms, institutions and norms.
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1 online resource. :
Includes bibliographical references and index. :
9789047404224
9789004124547
Roman villas in central Italy : a social and economic history /
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This volume, which was awarded Honorable Mention and a Silver Medal from the Premio Romanistico Internationazionale Gérard Boulvert, investigates the socio-economic role of elite villas in Roman Central Italy drawing on both documentary sources and material evidence. Through the composite picture emerging from the juxtaposition of literary texts and archaeological evidence, the book traces elite ideological attitudes and economic behavior, caught between what was morally acceptable and the desire to invest capital intelligently. The analysis of the biases affecting the application of modern historiographical models to the interpretation of the archaeology frames the discussion on the identification of slave quarters in villas and the putative second century crisis of the Italian economy. The book brings an innovative perspective to the debate on the villa-system and the decline of villas in the imperial period.
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Based on the author's thesis (Ph.D., Columbia University, 2004). :
1 online resource. :
Includes bibliographical references (p. [797]-816) and indexes. :
9789047421221 :
Available to subscribing member institutions only.
Artists and intellectuals and the requests of power /
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A much discussed question in classical studies is the comparison between the situation of poets in Augustan Rome and that of artists and intellectuals in the totalitarian regimes of the twentieth century. As instructive as this question proves to be for an understanding of the relation between the freedom of art and thinking on the one hand and power on the other, it also reveals the insufficiency of our present grasp of this crucial articulation of our humanity. This volume offers a multidisciplinary and comparative approach to the problem, complementing the historical perspective with a regard on Eastern traditions. It thus explores tentative paths for future research on an issue of critical importance for the shaping of the global world.
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Papers given at the workshop 'Artists and Intellectuals and the Requests of Power', held from 26 to 29 July 2007 at the Accademia di studi italo-tedeschi. :
1 online resource. :
Includes bibliographical references and index. :
9789047425601 :
Available to subscribing member institutions only.
Recarving of Roman portraits in Late Antiquity : from face to face /
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This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
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1 online resource. :
9789004192324 :
Available to subscribing member institutions only.
Performing the Sacred: Christian Representation and the Arts /
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What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? Performing the Sacred: Christian Representation and the Arts explores both the meaning of re-presentation and the role of performance within the Christian tradition between arts and drama. The essays in this book demonstrate that the idea of performance was central to Christian theology and that-from the Middle Ages to the Early Modern era-it became a device through which people saw, prayed, preached, wrote, imagined, officiated rites, celebrated cults, and practiced devotions. Seen that performance is a habitus within Christianity, performing the sacred does not just mean representing it, but rather enacting it in a tangible, visible and involved way.
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1 online resource. :
Includes bibliographical references and index. :
9789004522183
9789004517462
Les representations architecturales dans l'iconographie Neo-Assyrienne /
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In this book Nicolas Gillmann provides scholars as well as non-specialists with a comprehensive study of architectural representations in Neo Assyrian iconography. The author answers three important questions: How are Mesopotamian images conceived? What rules are presiding over them and how are they to be interpreted by modern viewers? Can the architectural representations be of some use to archaeologists or are they merely schematic depictions of given building types? Nicolas Gillmann shows that new conclusions can be reached once the reader is given the right reading keys and interpretation framework.
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1 online resource. :
Includes bibliographical references and index. :
9789004324015 :
Available to subscribing member institutions only.
Cartooning for a modern Egypt /
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The Egyptian caricature is generally studied as part of Egyptian mass culture, and mainly discussed in the context of Egypt's anti-colonial resistance to British foreign rule, as part of the forging of a "national style". In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt's foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years, that was designated for, and reflected, a colonial and cosmopolitan culture of a few. Keren Zdafee illustrates how Egyptian foreign-local caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism, by adopting a theoretical, semiotic, and historical approach.
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1 online resource. :
Includes bibliographical references. :
9789004410381
Caught in a whirlwind : a cultural history of Ottoman Baghdad as reflected in its illustrated manuscripts /
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Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in its Illustrated Manuscripts focuses on a period of great artistic vitality in the region of Baghdad, a frontier area that was caught between the rival Ottoman and the Safavid empires. In the period following the peace treaty of 1590, a corpus of more than thirty illustrated manuscripts and several single page paintings were produced. In this book Melis Taner presents a contextual study of the vibrant late sixteenth-century and early seventeenth-century Baghdad art market, opening up further avenues of research on art production in provinces and border regions.
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Revision of the author's thesis (doctoral)--Harvard University, 2016, under the title: Caught in a whirlwind : painting in Baghdad in the late sixteenth-early seventeenth centuries. :
1 online resource. :
Includes bibliographical references and index. :
9789004412804
In the shadow of the church : the building of mosques in early medieval Syria /
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In his book In the Shadow of the Church: The Building of Mosques in Early Medieval Syria Mattia Guidetti examines the establishment of Muslim religious architecture within the Christian context in which it first appeared in the Syrian region, contributing to the debate on the transformation of late antique society to a Muslim one. He scrutinizes the slow process of conversion to Islam of the most important town centers by looking at religious places of both communities between the seventh and the eleventh century. The author assesses the relevancy of churches by analyzing the location of mosques and by researching phenomena of transfer of marble material from churches to mosques.
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1 online resource. :
Includes bibliographical references and index. :
9789004328839 :
Available to subscribing member institutions only.
Kunst und Ontologie : Für Roman Ingarden zum 100. Geburtstag /
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This collection of 12 essays at the 100th anniversary of Roman Ingarden is to show the actuality of the outstanding Polish representative of twentieth century philosophy. The authors take up Ingarden's main philosophical topics and, accordingly, deal with phenomenological and ontological problems on the various modes of givenness and existence in the wide range of real and intentional being, true and fictional existence, and they devote particular interest to Ingarden's conception of reality as well as to his aesthetics and theory of arts.
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1 online resource. :
Includes bibliographical references and index. :
9789004455740
9789051834796
Building between Eastern and Western Mediterranean Lands : Construction Processes and Transmission of Knowledge from Late Antiquity to Early Islam /
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This edited volume examines the construction processes and the mechanisms of transmission of knowledge between the eastern and western Mediterranean lands from the late Roman period to the early centuries of Islam. The essays explore issues of material culture, craft techniques, technological and typological changes and cultural contacts in Syria, Jordan, North Africa and Spain. The volume includes case studies on prestigious architectural complexes, defensive systems and other structures located in major urban centres (Cyrrhus, Bosra, Jerash, Sousse, Kairouan and Cordoba), as well as minor sites and rural buildings. It offers a fresh contribution to the long-lasting historiographic debate on the transition from antiquity to the Middle Ages and how Early Islamic architecture fostered the structural assumptions for new building experiences in many Mediterranean regions. Contributors: Antonio Almagro, Shaker Al Shbib, Stefano Anastasio, Ignacio Arce, Jean-Claude Bessac, Pascale Clauss-Balty, Piero Gilento, Mattia Guidetti, Pedro Gurriarán Daza, Roberto Parenti, Pauline Piraud-Fournet, María de los Ángeles Utrero Agudo, Jean-Pierre van Staëvel, Apolline Vernet, François Villeneuve.
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This book explores the construction processes and the mechanisms of transmission of knowledge between the eastern and western Mediterranean lands from the late Roman period to the early centuries of Islam. :
1 online resource. :
Includes bibliographical references and index. :
9789004516458
9789004516793
Bilderwelten : ägyptische Bilder und ägyptologische Kunst : Vorarbeiten für eine bildwissenschaftliche Ägyptologie /
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Egyptologists have been debating for decades about whether or not Egyptian images classify as art . Nevertheless, the term 'art' still serves as a guiding concept for Egyptology. Kai Widmaier offers an overview of how different art-historical interpretive methods influence Egyptological research. His study demonstrates that, due to its adherence to the term art , Egyptology has considerably dissociated Egyptian images from their original contexts. Bilderwelten combines the analysis of Egyptian images from the 6th to the 18th Dynasty with methodological reflection. This leads to both a new terminology of style as well as to an alternative approach to Egyptian images. By differentiating systematically between Egyptian images and Egyptological art , this book lays the foundation for an Egyptology that follows the path of Visual Studies instead of adhering to questionable art-historical methods.
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1 online resource. :
Includes bibliographical references and index. :
9789004347748 :
0169-9601 ; :
Available to subscribing member institutions only.
The Egyptian Elite as Roman Citizens : Looking at Ptolemaic Private Portraiture /
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In The Egyptian Elite as Roman Citizens Giorgia Cafici offers the analysis of private, male portrait sculptures as attested in Egypt between the end of the Ptolemaic and the beginning of the Roman Period. Ptolemaic/Early Roman portraits are examined using a combination of detailed stylistic evaluation, philological analysis of the inscriptions and historical and prosopographical investigation of the individuals portrayed. The emergence of this type of sculpture has been contextualised, both geographically and chronologically, as it belongs to a wider Mediterranean horizon. The analysis has revealed that eminent members of the Egyptian elite decided to be represented in an innovative way, echoing the portraits of eminent Romans of the Late Republic, whose identity was surely known in Egypt.
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1 online resource. :
Includes bibliographical references and index. :
9789004459564
9789004432635
Antique Dealing and Creative Reuse in Cairo and Damascus 1850-1890 : Intercultural Engagements with Architecture and Craft in the Age of Travel and Reform /
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"The commodification of Islamic antiques intensified in the late Ottoman Empire, an age of domestic reform and increased European interference following the Tanzimat (reorganisation) of 1839. Mercedes Volait examines the social life of typical objects moving from Cairo and Damascus to Paris, London, and beyond, uncovers the range of agencies and subjectivities involved in the trade of architectural salvage and historic handicraft, and traces impacts on private interiors, through creative reuse and Revival design, in Egypt, Europe and America. By devoting attention to both local and global engagements with Middle Eastern tangible heritage, the present volume invites to look anew at Orientalism in art and interior design, the canon of Islamic architecture and the translocation of historic works of art"--
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1 online resource. :
Includes bibliographical references and index. :
9789004449886
9789004449879
Ancient synagogues-archaeology and art : new discoveries and current research /
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Ancient Synagogues - Archaeology and Art. New Discoveries and Current Research presents archaeological evidence - the architecture, art, Jewish symbols, zodiac, biblical tales, inscriptions, and coins - which attest to the importance of the synagogue. When considered as a whole, all these pieces of evidence confirm the centrality of the synagogue institution in the life of the Jewish communities all through Israel and in the Diaspora. Most importantly, the synagogue and its art and architecture played a powerful role in the preservation of the fundamental beliefs, customs, and traditions of the Jewish people following the destruction of the Second Temple and the loss of Jewish sovereignty in the Land of Israel. The book also includes a supplement of the report on the Qazion excavation.
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1 online resource (xxxiv, 738 pages, [64] pages of plates) : illustrations (some color) :
Includes bibliographical references (p. 687-714) and index. :
9789004257726 :
Available to subscribing member institutions only.
Ancient Jewish art and archaeology in the diaspora /
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Jewish Diaspora in Hellenistic, Roman and Byzantine periods from first to the eighth centuries C.E. is the subject of this work. The author thoroughly investigates origin, symbolism and significance of the mainly synagogal and funerary art forms in the Diaspora. Ancient Jewish Art and Archaeology in the Diaspora is the companion volume to the successful Ancient Jewish Art and Archeaeology in the Land of Israel (1988) by the same author. The geographical area covered includes Syria, Asia Minor, North Africa and Mediterranean Europe. The first section examines the characteristic features of Diaspora Art synagogue architecture and art (including the Torah shrine and mosaic pavements). Another section deals with burial and funerary practices. Of special importance are the sections on the Biblical scenes , designs and iconography of the Dura Europos synagogue, and the Jewish symbols such as the Menorah, ritual objects, the Ark, the conch and the Torah Scrolls . The book is richly illustrated with more than 325 drawings and photographs, some in colour.
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1 online resource (xxxiii, 499 pages, [64] pages of plates) : illustrations (some color), maps. :
Includes bibliographical references (p. 466-486) and index. :
9789004294042 :
0169-9423 ; :
Available to subscribing member institutions only.
Making and remaking mosques in Senegal /
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This book constitutes a seminal contribution to the fields of Islamic architectural history and gender studies. It is the first major empirical study of the history and current state of mosque building in Senegal and the first study of mosque space from a gender perspective. The author positions Senegalese mosques within the field of Islamic architectural history, unraveling their history through pre-colonial travelers' accounts to conversations with present-day planners, imams and women who continually shape and reshape the mosques they worship inches Using contemporary Dakar as a case study, the book's second aim is to explore the role of women in the "making and remaking" of mosques. In particular, the rise of non-tariqa grass-roots movements (i.e.: the "Sunni/Ibadou" movement) has empowered women (particularly young women) and has greatly strengthened their capacity to use mosques as places of spirituality, education and socialization. The text is aimed at several specialized readerships: readers interested in Islam in West Africa, in the role of women in Islam, as well as those interested in the sociology and art-history of mosques.
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Originally presented as the author's thesis (PhD)--SOAS, University of London, 2006. :
1 online resource (xxvii, 408 pages [22 pages] of plates) : illustrations, maps. :
Includes bibliographical references and index. :
9789004217508 :
Available to subscribing member institutions only.