Poet of Jordan: The Political Poetry of Muhammad Fanatil Al-Hajaya.
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In Poet of Jordan , William Tamplin presents two decades' worth of the political poetry of Muhammad Fanatil al-Hajaya, a Bedouin poet from Jordan and a public figure whose voice channels a popular strain of popular Arab political thought. Tamplin's footnoted translations are supplemented with a biography, interviews, and pictures in order to contextualize the man behind the poetry. The aesthetics and politics of vernacular Arabic poetry have long gone undervalued. By offering a close study of the life and work of Hajaya, Tamplin demonstrates the impact that one poet's voice can have on the people and leaders of the contemporary Middle East.
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1 online resource. :
9789004372801
Al-Maqrīzī's al-Ḫabar 'an al-bašar.
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In The Arab Thieves , Peter Webb critically explores the classic tales of pre-Islamic Arabian outlaws in Arabic Literature. A group of Arabian camel-rustlers became celebrated figures in Muslim memories of pre-Islam, and much poetry ascribed to them and stories about their escapades grew into an outlaw tradition cited across Arabic literature. The ninth/fifteenth-century Egyptian historian al-Maqrīzī arranged biographies of ten outlaws into a chapter on 'Arab Thieves' in his wide-ranging history of the world before Muhammad. This volume presents the first critical edition of al-Maqrīzī's text with a fully annotated English translation, alongside a detailed study that interrogates the outlaw lore to uncover the ways in which Arabic writers constructed outlaw identities and how al-Maqrīzī used the tales to communicate his vision of pre-Islam. Via an exhaustive survey of early Arabic sources about the outlaws and comparative readings with outlaw traditions in other world literatures, The Arab Thieves reveals how Arabic literature crafted lurid narratives about criminality and employed them to tell ancient Arab history.
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1 online resource. :
Includes bibliographical references and index. :
9789004386952 :
2211-6737 ;
Majlis dar qiṣṣa-yi rasūl (ṣalawāt Allāh ʿalayhi) /
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In Persian literature, so-called ' majālis ' works typically evoke the atmosphere of a religious gathering. In such a gathering, a chronicler relates parts of the history of Islam and the lives and times of its prominent representatives, often referring to trustworthy sources. Besides, questions may be asked, while teachings or sermons may also be given. Examples are Jalāl al-Dīn Rūmī's (d. 672/1273) Majālis-i sabʿa and Saʿdī's (d. 691/1292) Majālis-i panj-gānah . Judging by its title, the present work by an unknown author from the 5th/12th century-it is not known if it was originally written in Persian or translated from Arabic-would seem to belong to this same type of writings. Only, on closer inspection this is not the case. Being mostly inspired by Ibn Isḥāq's (d. 150/767) al-Sīra al-nabawiyya and Abū Ḥātim al-Rāzī's (d. 322/933-4) Aʿlām al-nubuwwa , only its last five chapters are called majlis , but then lack the characteristics of a typical majālis work.
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1 online resource. :
9789004405769
9786002030122