A distant prospect of Wessex : archaeology and the past in the life and works of Thomas Hardy /
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'If the real Wessex, with its counties, towns, villages and topography, was no mere readily available template upon which Hardy could carve a fictional pattern, Dorchester provided a very different model, though at the level of local colour and detail, Casterbridge really is Dorchester 'by any other name'. In this study, Martin Davies examines the role which Thomas Hardy's involvement with the past plays in his life and literary work.
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1 online resource : illustrations :
Specialized. :
Includes bibliographical references and index. :
9781784910792 (PDF ebook) :
Das Archiv des Idadda : Die Keilschrifttexten aus den deutsch-syrischen Ausgrabungen 2001-2003 im Königspalast von Qatna /
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"Katalog der Tontafeln" : pages 213-234.
Research report. :
xxx, 234 pages, 60 pages of plates (1 folded) : illustrations (some colored), plans ; 31 cm. :
Includes bibliographical references and index. :
9783447067096 :
2191-4818 ; :
aya
A distant prospect of Wessex : archaeology and the past in the life and works of Thomas Hardy /
:
'If the real Wessex, with its counties, towns, villages and topography, was no mere readily available template upon which Hardy could carve a fictional pattern, Dorchester provided a very different model, though at the level of local colour and detail, Casterbridge really is Dorchester 'by any other name'. In this study, Martin Davies examines the role which Thomas Hardy's involvement with the past plays in his life and literary work.
:
1 online resource : illustrations :
Specialized. :
Includes bibliographical references and index. :
9781784910792 (PDF ebook) :
Ovid in exile : power and poetic redress in the Tristia and Epistulae ex Ponto /
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In response to being exiled to the Black Sea by the Roman emperor Augustus in 8 AD, Ovid began to compose the Tristia and Epistulae ex Ponto and to create for himself a place of intellectual refuge. From there he was able to reflect out loud on how and why his own art had been legally banned and left for dead on the margins of the empire. As the last of the Augustan poets, Ovid was in a unique position to take stock of his own standing and of the place of poetry itself in a culture deeply restructured during the lengthy rule of Rome's first emperor. This study considers exile in the Tristia and Epistulae ex Ponto as a place of genuine suffering and a metaphor for poetry's marginalization from the imperial city. It analyzes, in particular, Ovid's representation of himself and the emperor Augustus against the background of Roman religion, law, and poetry.
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1 online resource. :
Includes bibliographical references (p. [217]-231) and indexes. :
9789047424079 :
Available to subscribing member institutions only.