Antiquity and Enlightenment culture : new approaches and perspectives /
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"This volume represents the first move towards a comprehensive overview of the place of antiquity in Enlightenment Europe. Eschewing a narrow focus on any one theme, it seeks to understand eighteenth-century engagements with antiquity on their own terms, focusing on the contexts, questions, and agendas that led people to turn to the ancient past. The contributors show that a profound interest in antiquity permeated all spheres of intellectual and creative endeavour, from antiquarianism to political discourse, travel writing to portraiture, theology to education. They offer new perspectives on familiar figures, such as Rousseau and Hume, as well as insights into hitherto obscure antiquarians and scholars. What emerges is a richer, more textured understanding of the substantial eighteenth-century engagement with antiquity. Contributors are: Anthony Ossa-Richardson, Maria Giulia Franzoni, Thomas Hopkinson, Maeve O'Dwyer, Miriam Al Jamil, Kelsey Jackson Williams, Alan Montgomery, Marta Dieli, Tim Stuart-Buttle, Flora Champy".
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"This volume proceeds from an international conference held at the University of Edinburgh on 2 April 2016 entitled "Antiquity and the History of Ideas in Eighteenth-Century Europe."--Acknowledgments.
Includes index. :
1 online resource. :
9789004412675
Ägyptisches Kulturgut im phönikischen und punischen Sardinien /
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From the early part of the first century BC, Egyptian cultural artefacts spread to an increasing degree into Palestine and Syria and (via the Greeks and Phoenicians) into the Greek, Italian and Western Phoenician spheres. Following a presentation of the Near Eastern background and a survey of Sardinian findspots, this work lists the types of monument found on Sardinia (from the 8th c. to the Roman period). In the case of both amulets (gods in human and animal form) and scarabs made if steatite and fayence an attempt is made, using a carefully developed typology (both of material and form) and other statistical criteria, to derive a characterisation of groups of differing origin (Egyptian, Eastern Phoenician, Punic). These objects reflect the expansion and adaptation of polupar Egyptian magic. Even the Egyptian motifs on hard-stone Punic scarabs and precious-metal artefacts have a religious significance, which is very closely related to Egyptian concepts. In the same way the Egyptian elements on Punic steles and portions of architecture underline their sacral character. This study pursues methodological goals using evidence from the whole of Mediterranean area.
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1 online resource (2 volumes) : illustrations (some color) :
Includes bibliographical references (v. 1, pages xv-xxi) and indexes. :
9789004301375 :
Available to subscribing member institutions only.