The Shaping of Professional Identities : Revisiting Critical Event Narrative Inquiry /
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This thought-provoking research anthology adopts a postmodern stance and fills in a gap of knowledge for the education of professional development in teacher education, health sciences and the arts. Allowing subjectivity and multiple voices, the authors add to the intimate and negotiated knowledge of being and becoming - indigenous, architect, mother, teacher, health researcher, and supervisor. In fifteen chapters, the authors share knowledge of pain and reward in critical events in the realm of professional identity formation. The book provides a selection of personal and far-reaching stories and adds to the reflexivity of memories of critical events. Contributors are: Geir Aaserud, Åsta Birkeland, Bodil H. Blix, Sidsel Boldermo, Mimesis Heidi Dahlsveen, Nanna Kathrine Edvardsen, Rikke Gürgens Gjærum, Tona Gulpinar, Carola Kleemann, Tove Lafton, Mette Bøe Lyngstad, Elin Eriksen Ødegaard, Anna-Lena Østern, Alicja R. Sadownik, Tiri Bergesen Schei and Vibeke Solbue.
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1 online resource (286 pages) : illustrations. :
Includes bibliographical references and index. :
9789004699236
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317
TransLatin: The Transnational Impact of Latin Theatre from the Early Modern Netherlands : Qualitative and Computational Analyses /
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What do a Dutch school drama and a Swedish royal tragedy have in common? TransLatin uncovers the unexpected journeys of Latin plays from the Low Countries across early modern Europe. Bridging qualitative and computational methods, the volume reveals previously uncharted networks of circulation, translation, and reuse. New data and visualisations offer insights into the infrastructure of transmission: print networks, pedagogical institutions, and multilingual intermediaries. Case studies range from biblical drama and Jesuit theatre to the Everyman tradition and the Swedish Rosimunda . By combining traditional scholarship with Digital Humanities, TransLatin redefines the boundaries of early modern theatre studies and offers a model for transnational literary research. Contributors are Dinah Wouters, Andrea Peverelli, Jan Bloemendal, and James A. Parente, Jr..
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1 online resource (186 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753198
Model Works During the Cultural Revolution /
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This book offers a groundbreaking exploration of China's Cultural Revolution through the lens of the Model Works, revealing their intricate fusion of politics, art, and ideology. From Mao's diplomatic maneuvers to the enduring legacy of revolutionary opera, it traces how artistic innovation became a vehicle for cultural transformation and global strategy. Rich in historical detail, it illuminates the creative genius of figures like Yu Huiyong, the political theater of Jiang Qing, and the post-revolution commodification of socialist culture. Both a cultural history and a meditation on revolution's unfinished mission, it challenges readers to rethink the intersections of arts and politics.
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1 online resource (280 pages) : illustrations. :
Includes bibliographical references and index. :
9789004755949