Dīwān-i Ishrāq /
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In early Islamic philosophy, poetry was regarded as a means to transmit the eternal truths of philosophy to the masses and to move them to virtuous conduct by the use of poetical syllogisms. We find this theory for the first time in the works of Abū Naṣr al-Fārābī (d. 339/950). In another application, poetry was used as a didactic tool in the philosophical curriculum, like Avicenna's (d. 428/1037) Urjūza fi ʼl-manṭiq or, much later, Mullā Hādī Sabzavārī's (d. 1289/1873) Manẓūma on logic and philosophy. Finally, there are the many poems which, while philosophical in spirit, were not written to be learned by heart by others but rather from personal motives. Here we can mention some of the Persian poetry ascribed to Avicenna or the philosophical poetry of Nāṣir Khusraw (d. 481/1088). The poems in this collection by Mīr Dāmād (d. 1040/1631), a prominent member of the Isfahan School in philosophy, belong to this latter category.
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Poems :
1 online resource. :
9789004404762
9789648700190
Tarjuma-yi manẓūm-i waṣiyyat-i Imām ʿAlī (ʿalayhi al-salām) bih Imām Ḥusayn (ʿalayhi al-salām) : Kuhantarīn tarjuma-yi manẓūm-i Fārsī az kalām-i ʿAlawī /
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In Shīʿī literature, there exist several texts containing the last will ( waṣiyya ) of ʿAlī b. Abī Ṭālib, son-in-law of the Prophet and, in Shīʿism, his rightful successor. These last wishes were addressed to his sons Ḥasan and Ḥusayn and to the Muslim community at large. Transmitted through various sources, they are important insofar as each of them, in its own way, justifies the Shīʿī view on ʿAlī's succession after he was murdered in Kufa in the year 40/661. This volume contains two Persian versions-one in verse, the other in prose-of ʿAlī's last will and injunctions addressed to Ḥusayn, the third imam. The original Arabic prose text has come down to us through various ancient sources, the oldest one dating from the fourth/tenth century. The Persian translation in verse was made by the poet Sayyid Ḥasan Ghaznawī (d. 556/1161), the prose version possibly around 910/1504 by a scribe named Muʿīn al-Dīn Munshī Shīrāzi.
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1 online resource. :
9789004405653
9786002030023
Āthār-i Fatḥallāh Khān-i Shaybānī. Volume 2 : Jild-i duvum Zubat al-āthār, Maqālāt-i Shaybānī, Fawākih al-siḥr /
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Fatḥallāh Khān Shaybānī (d. 1308/1891) was a major poet of the Qajar era who belonged to the so-called 'return' movement, which wanted to break free from the Sabk-i Hindī or 'Indian style' in poetry, that was popular in Iran since Safavid times. Shaybānī was born in a suburb of Kashan around 1241/1825. Having completed his education there and thanks to his father's connections, he became a companion of the future Nāṣir al-Dīn Shāh Qājār (r. 1264-1313/1848-96). However, due to courtly intrigues he was soon expelled, an expulsion which would last a full 35 years before relations were restored. In that period he served in various official capacities, lastly as the governor of Mashhad. Between assigments, he lived in the countryside near Natanz for around 25 years. Shaybānī's work, here published in full, is characterized by an aversion of undue embellishments, his choice of subjects, his criticism of politics and society, and his concrete suggestions for change. 2 vols; volume 2.
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1 online resource. :
9789004406391
9786002030887
Orality and textuality in the Iranian world : patterns of interaction across the centuries /
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The volume demonstrates the cultural centrality of the oral tradition for Iranian studies. It contains contributions from scholars from various areas of Iranian and comparative studies, among which are the pre-Islamic Zoroastrian tradition with its wide network of influences in late antique Mesopotamia, notably among the Jewish milieu; classical Persian literature in its manifold genres; medieval Persian history; oral history; folklore and more. The essays in this collection embrace both the pre-Islamic and Islamic periods, both verbal and visual media, as well as various language communities (Middle Persian, Persian, Tajik, Dari) and geographical spaces (Greater Iran in pre-Islamic and Islamic medieval periods; Iran, Afghanistan and Tajikistan of modern times). Taken as a whole, the essays reveal the unique blending of oral and literate poetics in the texts or visual artefacts each author focuses upon, conceptualizing their interrelationship and function.
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1 online resource (xx, 456 pages) : illustrations (some color) :
Includes bibliographical references and index. :
9789004291973 :
1570-078X ; :
Available to subscribing member institutions only.
Muntakhab-i risālāt-i Ṣafāʾ al-Ḥaqq /
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Ṣafāʾ al-Ḥaqq (1879-1962) is the artist's name of an Iranian Kurd whose family had moved from Kurdistan to Hamadan when he was still a child. His father was a respected businessman and a follower of the ideas of Shaykh Aḥmad Aḥsāʾī (d. 1241/1826). Though well-educated, having studied traditional and herbal medicine and animal husbandry, as an adolescent Ṣafāʾ al-Haqq spent a lot of time in his father's business in the bazaar. Due to his convictions, his father lost his livelyhood and Ṣafāʾ al-Ḥaqq started travelling. He spent several years in India, where he worked in a British hospital in Bombay. He then returned to Hamadan, where he settled as a physician. As a poet Ṣafāʾ al-Ḥaqq wrote in the Hindī style. He was an amateur musicologist as well as an accomplished calligrapher. This volume contains his autobiography, a treatise on animal husbandry, and two further treatises on various aspects of Shaykhism and music.
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1 online resource. :
9789004404892
9789648700466
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 4, Shīn-Ẓāʾ /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
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1 online resource. :
9789004405530
9789648700824
Dīwān-i Ghālib-i Dihlawī : Mushtamil bar ghazaliyyāt u rubāʿiyyāt-i Fārsi /
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Mīrzā Asadallāh Khān, better known by his pen-name of Ghālib Dihlawī, is the last one of the great poets of the Mughal era. Born in Agra in 1212/1797, he traced his origins back to Tūrān, his paternal grandfather having emigrated from Transoxania to India during the reign of Shāh ʿĀlam (r. 1759-1806). While mostly known as one of the foremost Urdu poets, Ghālib's Persian work, poetry and prose, is of comparable quality. In his childhood days, his Persian had been greatly improved thanks to the teachings of a Persian immigrant by the name of ʿAbd al-Ṣamad. But even if Ghālib acknowledged ʿAbd al-Ṣamad's qualities as a teacher and a human being, as a writer of Persian poetry, he regarded his talents as God-given. Ghālib's life was full of drama: an unhappy marriage, the loss of all his children, alcoholism, depression, and years of financial hardship. Plagued by ill health, he died in Delhi, aged 71.
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1 online resource. :
9789004401877
9789648700299
L'hymnaire manichéen chinois Xiabuzan (Xia bu zan) à l'usage des auditeurs : un manuscrit trouvé à Dunhuang /
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L'Hymnaire manichéen chinois offre un ensemble de 25 hymnes destinées à la pratique de la religion manichéenne par la Section des Auditeurs. Mis au jour à Dunhuang (actuel Gansu) au début du 20ème siècle, après être resté enfoui dans une cache pendant quelque douze siècles, ce rouleau écrit en langue chinoise, comprend plusieurs hymnes transcrites de diverses langues courantes en Asie centrale à l'époque de sa rédaction. Cette traduction apporte une vision nouvelle de la Religion de Lumière, telle qu'elle se vit adoptée par les Chinois, ainsi que de l'ampleur du message du prophète iranien Mani (216-276), aspirant à une portée universelle et destiné à relier entre eux les hommes de tous horizons de par le monde, quelque soit leur origine, leur langue ou leur histoire. L'Hymnaire manichéen chinois presents a collection of twenty-five hymns that were intended for the Manichean religious practice of the class of Auditors. The scroll, which came to light in the early twentieth century in the province of Dunhuang (modern Ganzu) after lying buried for around twelve centuries, contains several hymns transcribed from a variety of languages that were current in Central Asia during the epoch of its redaction. This translation provides a new perspective on the Religion of Light as it was adopted in China, and on the wide reach of the message of the Iranian prophet Mani (216-276) that aimed at universal scope and was meant to unite people from all parts of the world, of whatever origin, language and history.
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Translation into French of a group of hymns in Chinese, originally translated from a variety of Central Asian languages in the 800s and written on a scroll later found in the early 20th century in the province of Dunhuang, modern day Gansu, and held at the British Library under the annotation S 2659. :
1 online resource. :
Includes bibliographical references and index. :
9789004380264 :
0929-2470 ;
Taḥqīq dar majālis-i tafsīri-yi Faḍl b. Muḥibb-i Nīshābūrī wa abyāt-i Fārsi-yi ān : Ganjīnaʾī az surūdhā-yi Zāhidāna-yi Fārsī az sada-yi panjum-i hijrī /
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In Persian literature, so-called ' majālis ' (sg. majlis , 'session') works typically evoke the atmosphere of a religious gathering. In some of these gatherings, a lecturer recounted parts of the history of Islam and the lives and times of its prominent representatives. In others, his focus was on the interpretation of the Qurʾān or some other subject. Sometimes, a speaker answered questions and at others, he sermonized. An early work in this genre is a majālis text on Qurʾān interpretation by Faḍl b. Muḥibb Nīshāpūrī (d. 472/1079). Issuing from a well-educated family of Nishapur, Faḍl was known for his learning and his virtue, earning him the nicknames of ustādh ('master') and wāʿiẓ ('preacher'). The lines of poetry published here were culled from a majālis text by him, the title of which remains unknown. Testimony to his use of rhetorical means to enhance the impact of his talk, these lines of poetry are also among the earliest in their genre in Khurāsān.
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1 online resource. :
9789004406643
9786002031044
Rubāʿiyyāt-i Ḥakīm Khayyām /
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The rubāʿī or quatrain is a short Persian poem in a special metre with a rhyme suitable to its form. Its use is not bound to any specific field, there being philosophical, satirical, romantic, lyrical and other types of quatrain. In the past, it was believed that the rubāʿī was a special form of the hazaj metre of Arabic poetry. Meanwhile, it has been established that it is in fact Iranian, its origin being the pre-Islamic tarānah or song for feasting and wine. In the West the quatrain was rendered immortal through the work of ʿUmar al-Khayyām (d. ca. 517/1123). A native of Nishapur, he was a respected mathematician and astronomer, as well as a recognized expert in poetry. Many of the quatrains ascribed to him are, however, spurious. This volume contains a reprint of Yār Aḥmad Rashīdī's selection (dated 867/1460), first published in 1953, followed by two other works in Persian, also by Khayyām.
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Includes facsimile text originally published in Istanbul, 1953. :
1 online resource. :
9789004404885
9789648700374
Miʿyār al-ashʿār wa-Mizān al-afkār fī sharḥ Miʿyār al-ashʿār /
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Naṣīr al-Dīn Ṭūsī (d. 672/1274) was an influential philosopher, theologian, mathematician and astronomer, besides being the first director of the famous observatory at Marāghah near Tabriz as well as a man of politics. Author of a large number of scholarly works, he is especially famous for such treatises as his Tajrīd al-iʿtiqād on theology, the Zīj-i Īlkhānī on astronomy, the Ḥall mushkilāt al-Ishārāt , his influential commentary on Avicenna's (428/1037) Kitāb al-ishārāt wal-tanbīhāt on philosophy and logic, and his Akhlāq-i Nāṣirī on ethics. The present work contains an edition of a compendium on Persian and Arabic metrics which Ṭūsī says he wrote at the request of some friends, probably at the time of his association with the Ismailis, before the Mongol invasion and the collapse of the Niẓārī state in 654/1256. It is followed by the edition of a detailed commentary on it by the Indian scholar Muḥammad Saʿdallāh Murādābādī (d. 1294/1877). Persian, interspersed with Arabic.
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1 online resource. :
9789004405714
9786002030115
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 3, Dal-Sīn /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
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1 online resource. :
9789004405233
9789648700831
Metaphor and imagery in Persian poetry /
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This volume is a collection of essays on classical Persian literature, focusing on Persian rhetorical devices, especially imagery and metaphors. The various contributions discuss the origin and the development of debate poetry, the transmission of Persian and Arabic tales to the works of Europeans medieval authors such as Boccaccio and Chaucer, but also the development of Aristotelian poetics and epistemology in Persian philosophical tradition. Furthermore, the baroque style of the Shiʿite author Ḥusayn Vāʾiẓ Kāshifī, the use of wine metaphors by mystics such as Jalāl al-Dīn Rūmī, Ḥāfiẓ's original use of candle metaphors, the translation of Khayyām's metaphors into English, and the importance of a single metaphor in the epic Barzū-nāma are discussed. Contributors include: F. Abdullaeva, G.R. van den Berg, J. Landau, F.D. Lewis, N. Pourjavady, Ch. van Ruymbeke, A. Sedighi and S. Sharma
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1 online resource (viii, 281 pages) : illustrations. :
Includes bibliographical references and index. :
9789004217645 :
1569-7401 ; :
Available to subscribing member institutions only.
Mathnawi-yi Haft awrang. Volume 2 : Yūsuf wa-Sulaykhā, Laylā wa-Majnūn, wa-Khiradnāma-yi Iskandar /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. Highly imaginative in their treatment of the human condition, Jāmī's seven long mathnawī s contained in the present two-volume edition bear witness to his great artistic talents and wide intellectual horizon. 2 vols; volume 2.
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Poems.
Vol. 2 edited by: Aʻlākhān Afṣaḥʹzād and Ḥusayn Aḥmad Tarbiyat. :
1 online resource. :
9789004402447
9789646781054
Mathnawi-yi Haft awrang. Volume 1 : Silsilat al-dhahab, Salmān wa-Absāl, Tuḥfat al-aḥrār wa-suḥbat al-abrār /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. Highly imaginative in their treatment of the human condition, Jāmī's seven long mathnawī s contained in the present two-volume edition bear witness to his great artistic talents and wide intellectual horizon. 2 vols; volume 1.
:
Poems.
Vol. 2 edited by: Aʻlākhān Afṣaḥʹzād and Ḥusayn Aḥmad Tarbiyat. :
1 online resource. :
9789004402423
9789646781030