Nefertiti's sun temple : a new cult complex at Tell el-Amarna /
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Nefertiti's Sun Temple publishes stone relief fragments excavated from the site of Kom el-Nana at Tell el-Amarna, Egypt, dating to approximately 1350 BCE. This is the first time relief fragments can be associated with a specific wall from a specific temple at Tell el-Amarna. Jacquelyn Williamson reconstructs the architecture, art, and inscriptions from the site to demonstrate Kom el-Nana is the location of Queen Nefertiti's 'Sunshade of Re' temple and another more enigmatic structure that served the funerary needs of the non-royal courtiers at the ancient city. The art and inscriptions provide new information about Queen Nefertiti and challenge assumptions about her role in Pharaoh Akhenaten's religious movement dedicated to the sun god Aten.
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1 online resource (2 volumes (436 pages)) : illustrations (some color), maps. :
Includes bibliographical references and index. :
9789004325555 :
2352-7501 ; :
Available to subscribing member institutions only.
Two Names, One Compound: The rwd ‘n?w ?tn and the Sunshade of Re at Kom el-Nana /
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Inscription fragments from the site of Kom el-Nana at Tell el-Amarna, the location of the capital city of Akhenaten, have established the location of two structures previously thought lost or nonexistent: a Sunshade of Re likely of Nefertiti, and the rwd ‘n?w ?tn. This article reviews the evidence for the two structures, suggesting that although closely related, they were likely separate but complementary structures. The article also includes a discussion of possible reasons the archaeological record outside of Kom el-Nana proper never mentions the two names together. It also offers suggestions regarding the function of Kom el-Nana at Tell el-Amarna.
Alone before the God: Gender, Status, and Nefertiti’s Image /
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Two architectural elements from Akhenaten’s early buildings at Karnak temple, a gateway and a set of pillars, are decorated with scenes of Nefertiti worshipping the Aten alone with only her daughters in attendance. Assumed to be examples of Nefertiti acting independently in the Aten cult, these monuments are sometimes hailed as precursors to the Sunshade of Re/sun temple structures so popular at Tell el-Amarna, most of which are associated with Akhenaten’s female family members. In this article these monuments are studied in the context of scenes reconstructed from Kom el-Nana, a Sunshade of Re at Tell el-Amarna, and other examples of women shown as the sole ritualist before a deity. It is proposed that images of Nefertiti acting alone are an indication of her lower status in the early part of Akhenaten’s reign, and that her status was elevated after the erection of the gateway and pillars. Nefertiti did not yet have enough status to act along side Akhenaten before year 6, and the gateway and pillars from Karnak cannot be considered precursors of Sunshade of Re temples, or as evidence for her independence in the Aten cult. In conclusion it is suggested that conversations about ancient women in religious hierarchies should be shifted from discussions about agency and power to discussions about importance, as a means to avoid the anachronistic application of western feminist thought to ancient evidence.