Portraits of Medea in Portugal during the 20th and 21st Centuries
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The theme of Medea in Portuguese literature has mainly given rise to the writing of new plays on the subject. The central episode in the Portuguese rewritings in the last two centuries is the one that takes place in Corinth, id est, the break between Medea and Jason, on the one hand, and Medea's killing of their children in retaliation, on the other. Besides the complex play of feelings that provides this episode with very real human emotions, gender was a key issue in determining the interest that this story elicited in a society in search of social renovation, after profound political transformations - during the transition between dictatorship and democracy which happened in 1974 - that generated instability and established a requirement to find alternative rules of social intercourse in the path towards a new Portugal.
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1 online resource. :
Includes bibliographical references and index. :
9789004383395 :
Available to subscribing member institutions only.
Portrayals of Antigone in Portugal : 20th and 21st century rewritings of the Antigone myth /
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Portrayals of Antigone in Portugal gathers a collection of essays on the Portuguese drama rewritings of this Theban myth produced in the 20th and 21st centuries. For each of the cases analysed, the Portuguese historical, political and cultural context is described. This perspective is expanded through a dialogue with coeval European events. As concerns Portugal, this results principally in political and feminist approaches to the texts. Since the importation of the Sophoclean model is often indirect, the volume includes comparisons with intermediate sources, namely French (Cocteau, Anouilh) and Spanish (María Zambrano), which were extremely influential on the many and diversified versions written in Portugal during this period.
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1 online resource (xii, 361 pages) : illustrations. :
Includes bibliographical references and index. :
9789004340060 :
2212-9405 ; :
Available to subscribing member institutions only.