The miniature wall paintings of Thera : a study in Aegean culture and iconography /
: One folded color leaf of plates (28 x 100 cm.) attached at end. : xix, 234 pages, [97] pages of plates : illustrations (some color) ; 29 cm. : Includes bibliographical references (pages 212-223) and index. : 0521247276 : .alaa-sweed
Body language in Hellenistic art and society /
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Revision of the author's thesis (Ph. D.--University of Oxford, 1980) under the title : Gestures, postures and body actions in Hellenistic art. :
xxiv, 362 pages : illustrations (black and white) ; 25 cm. :
Includes bibliographical references (pages 329-355) and index. :
9780198723592 (hardback)
0198723598 (hardcover)
The early black-figured pottery of Attika in context (c. 630-570 BCE) /
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Setting as a starting point the introduction of the black-figure technique in Attic workshops at around 630 BCE, this book attempts a contextual analysis of Attic pottery until late in the first quarter of the sixth century BCE. The shapes and their functions, as well as the iconographic themes are explored through this perspective. This offers an interesting insight into funerary, cultic and profane activities in Athens and the Attic countryside, which is completed by an extensive study of the trade and distribution of Attic vases during this period. The result is a complete overview of early black-figure Attic production, enabling an afresh archaeological approach to late seventh-and early sixth-century Attic society.
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1 online resource. :
Includes bibliographical references (p. [xii]-xxxix) and indexes. :
9789004192317 :
0169-8850 ; :
Available to subscribing member institutions only.
Polis and personification in classical Athenian art
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In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens-its people, government, and events-as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
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1 online resource. :
Includes bibliography (p. [xiii]-xxxix) and indexes. :
9789004214521 :
Available to subscribing member institutions only.
Dionysos in archaic Greece : an understanding through images /
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For the Greek, Dionysos was a very important god: for individuals as well as for the community as a whole. As there are only a few written sources dating from before the 5th Century BC the many images of Dionysos on Greek vases may well offer a genuine approach to the meaning given by the ancient viewer. This book explores the earliest images followed by those on small vases for private use, on mixing bowls of the symposion, on amphoras, on later drinking cups and on archaic sculptures. It gives an overview of Dionysian iconography of the 5th Century BC as well as an overall interpretation. The reader will learn why this god of vine and wine, of theatre and ecstasy, was so important for humans and why he played a key role in the life of the polis. Dionysos war für die Griechen ein Gott von zentraler Bedeutung, sowohl im Leben des Einzelnen wie der Gemeinschaft. Weil vor dem 5. Jahrhundert volumeChr. sehr wenige Schriftzeugnisse existieren, können uns die vielen Darstellungen des Dionysos auf griechischen Vasen am ehesten einen Zugang zu dem vermitteln, was der antike Mensch über ihn dachte. Analysiert werden zuerst die frühesten Bilder, dann jene auf kleinen individuell gebrauchten Vasen, auf grossen, beim Symposion verwendeten Mischgefässen, auf Amphoren, auf den späteren Trinkschalen und schliesslich in der archaischen Skulptur. Das Buch schliesst mit einem Ausblick auf die Bildgeschichte des Dionysos im 5. Jahrhundert volumeChr. und einer umfassenden Deutung. Diese Interpretation hilft zu verstehen, warum Dionysos, der Gott der Rebe und des Weins, des Theaters, der Ekstase, für den antiken Menschen so wichtig war und auch im öffentlichen Leben der klassischen Polis eine so grosse Rolle gespielt hat.
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1 online resource (xx, 291 pages, [68] pages of plates) : illustrations. :
Includes bibliographical references (p. 255-266) and indexes. :
9789047418825 :
0927-7633 ; :
Available to subscribing member institutions only.
Not the Classical Ideal : Athens and the Construction of the Other in Greek Art /
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A vision of reality in which a pre-eminent human type was defined in opposition to non-ideal 'Others' characterized ancient Greece. In democratic Athens the social structure privileged male citizens, and women, resident aliens, and slaves were marginalized. The Persian Wars polarized the opposition of Greeks and Barbarians. This anthology provides the first investigation of the delineation of otherness across a broad spectrum of the imagery of Greek art. An international cast of authors, with methodologies ranging from traditional to avant-garde, examines manifestations of the Other in Late Archaic and Classical Greek representations that particularly interest them. The 17 chapters develop a nuanced picture of the visual criteria that denoted otherness in regard to gender, class, and ethnicity and also reveal the social and political functions of this remarkable Greek imagery. Also available in paperback (ISBN 9789004117129).
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1 online resource. :
Includes bibliographical references and index. :
9789004493742
9789004116184