Collected papers on Greek tragedy /
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Sir Charles Willink was responsible for some of the most important advances in the study of the text and metre of Greek tragedy published in the last fifty years. With his unrivalled knowledge of tragic usage and ear for subtle rhythmical points, he was able to solve long-standing problems in areas ranging from metrical analysis to staging and the detection of interpolations, and many of his proposals have already been adopted in standard editions. This volume collects all Willink's published papers, except the two earliest, which are summarized. Three important new articles, on Euripides' Helen , Medea , and Alcestis , are published for the first time, and additions and corrections to the published papers are included, together with an index of passages discussed.
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1 online resource. :
Includes bibliographical references and index. :
9789004189799 :
Available to subscribing member institutions only.
The use of anonymous characters in Greek tragedy : the shaping of heroes /
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Anonymous characters appear in almost every extant Greek Tragedy, yet they have long been overlooked in critical scholarship. This book argues that the creation and use of anonymous figures is an important tool in the transformation of traditional mythological heroes into unique dramatic characters. Through close reading of the passages in which nameless characters appear, this study demonstrates the significant impact of their speech, actions, and identity on the characterization of the particular named heroes to whom they are attached. Exploring the boundaries between anonymity and naming in mythico-historical drama, the book draws attention to an important but neglected aspect of the genre, suggesting a new perspective from which to read, perform, and appreciate Greek Tragedy.
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1 online resource (xii, 178 pages) :
Includes bibliographical references and index. :
9789004233430 :
Available to subscribing member institutions only.
Groaning tears : ethical and dramatic aspects of suicide in Greek tragedy /
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Groaning Tears examines suicide in Greek tragedy in light of the fifth-century ethical climate. No full-scale work has previously been devoted to this pervasive topic. The particular focus of identifying suicide as a response to the expectations of popular ethics and social demands makes it useful for scholars and students of drama, ethics and sociology. Chapter one establishes the ethical background of audiences in the fifth century while chapters two through five examine suicide in the context of whole plays based on motivational distinctions: to avoid disgrace and preserve an honorable reputation; to avoid further suffering; to end grief; and to sacrifice oneself for a greater good. The final chapter considers a drama of lighter tone that presents suicide in all of its ethical and theatrical aspects.
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1 online resource (x, 210 pages) :
Includes bibliographical references (p. 186-199) and index. :
9789004329522 :
0169-8958 ; :
Available to subscribing member institutions only.
Gender and communication in Euripides' plays : between song and silence /
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The prominent role of women in Greek drama has always fascinated readers. This book proposes that women in Euripides' plays communicate in ways constructed by the tragic genre itself as 'female.' Yet these women's words are surprisingly not uniformly dangerous or excessively emotional, as has traditionally been thought. Rather, Euripides' women resort to 'female' ways of talking in order to enable others to understand them and their unique point-of-view. Aspects of women's speech-song, silence and secret-keeping as female verbal genres, and the challenges of speaking out of place-contribute to Euripides' portrayal of women as different from men. Originating in a culture where putting women under scrutiny was part of daily life, Euripides' tragedies dramatise women's constant struggle to control language.
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1 online resource. :
Includes bibliographical references (p. [247]-254) and indexes. :
9789047442769 :
Available to subscribing member institutions only.
Narrative setting and dramatic poetry /
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This volume evaluates a single element of tragic art, namely the way in which narrative descriptions of place participate in the poetry of tragedy. They join together structures of the theater to create a context for tragic performance, and ultimately reflect upon tragedy's connection to earlier narrative forms and to the traditional tales that regularly supply tragic plots. The first part of this book examines the introductory function of spatial descriptions and the peculiar resources offered to the playwright by cult settings. In the second part, the spatial oppositions, that are inherent structuring devices in traditional tales, are taken up in chapters treating the motif of exile in extant tragedy.
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Revision of the author's thesis (doctoral--Yale), presented in 1985 under the title, Setting and theme in Greek tragedy. :
1 online resource (178 pages) :
Includes bibliographical references (p. 162-168) and index. :
9789004329201 :
0169-8958 ; :
Available to subscribing member institutions only.
Tragic props and cognitive function : aspects of the function of images in thinking /
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By applying aspects of cognitive psychology to a study of three key tragic props, this book examines the importance of visual imagery in ancient Greek tragedy. The shield, the urn and the mask are props which serve as controls for investigating the connection between visual imagery and the spectators' intellectual experience of tragic drama. As vehicles for conceptual change the props point to a function of imagery in problem solving. Connections between the visual and the cognitive in tragedy, particularly through image shape and its potential for various meanings, add a new perspective to scholarship on the role of the visual in ancient performance. These connections also add weight to the importance of imagery in contemporary problem solving and creative thought.
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1 online resource. :
Includes bibliographical references (p. [245]-259) and indexes. :
9789047430827 :
0169-8958 ; :
Available to subscribing member institutions only.