Wort und Wandlung : Senecas Lebenskunst /
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The most important medium of Seneca's Lebenskunst is language. We first change the meaning of words through philosophical reflection; then we can change ourselves through language. Each chapter in this book takes linguistic or stylistic observations in texts as starting point (e.g. metaphors from the domains of health, finance, and sea-faring). Topics are man's self-definition in time and place and his relation to property, learning, and tradition. Single words and rhetorical patterns guide us in constructing an inner world and to find our own identity. Texts in Latin and in translation document Seneca's importance for modern, Christian Europe.
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1 online resource (236 pages) :
Includes bibliographical references (p. [221]-229) and index. :
9789047413998 :
0169-8958 ; :
Available to subscribing member institutions only.
Ovid Heroides 11, 13, and 14 : a commentary /
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The volume provides a full literary and textual commentary on three of the verse epistles ( Heroides ) by the Roman poet Ovid (43 BC. - AD. 17): the letter of Canace to her brother-lover Macareus; of Laodamia to the war-hero Protesilaus; and of Hypermestra to Lynceus, the cousin whose life she recently spared. These three poems, together with the letters of Medea (recently the subject of a commentary in the same series) and Sappho, formed the last of Ovid's three books of heroine letters. The introduction discusses Ovid's innovative use both of his sources and of the epistolary form. A text with selective apparatus is provided for each of the three poems, and the detailed commentary is fully indexed.
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Originally presented as the author's thesis (doctoral)--University of Newcastle upon Tyne, 1999. :
1 online resource (xii, 357 pages) :
Includes bibliographical references (p. 315-322) and indexes. :
9789004351004 :
0169-8958 ; :
Available to subscribing member institutions only.
Poetic memory : allusion in the poetry of Callimachus and the Metamorphoses of Ovid /
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This book explores Callimachus' allusive practice in his Aetia prologue and Hymns 4, 5, and 6, and in Ovid's Metamorphoses . The study includes an overview of modern approaches to poetic allusion, a close (re-)examination of the lexical allusions in the Aetia's and Metamorphoses' prologues, extensive examinations of allusive techniques within selections of these works, the poets' use of \'signposting\' and \'authorization\' techniques, and the relationship between allusion and genre.
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1 online resource (viii, 218 pages) :
Includes bibliographical references (p. 197-206) and indexes. :
9789047406624 :
0169-8958 ; :
Available to subscribing member institutions only.
Repertorium der Konjekturen in den Seneca-Tragödien /
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The transmission of the Seneca tragedies first became an object of critical discussion by the Italian humanists and has continued to occupy scholars to the present day. Besides a brief account of the critical work of Jodocus Badius (Ascensiana 1514) and of Girolamo Avanzi (Aldina 1517) the repertory lists systematically the conjectures recorded since M.A. Delrio (Second edition, 1619) down to the year 2007 and arranges them in the context of the critical discussion of the text. Conceived in the first instance as a work of reference for future editors, commentators and critical readers of the tragedies, the repertory is also a mirror of the critical acumen as well as the vagaries in the long tradition of Latin textual criticism. Die kritische Auseinandersetzung mit der Überlieferung der Seneca-Tragödien beginnt im humanistischen Italien und wird seither intensiv betrieben; entsprechend zahlreich sind die Eingriffe und Vorschläge, welche zum besseren Verständnis des überlieferten Textes vorgetragen worden sind. Neben einem Einblick in die kritische Arbeit von Jodocus Badius (Ascensiana 1514) und von Girolamo Avanzi (Aldina 1517) verzeichnet das Repertorium systematisch die seit M.A. Delrio (2. Ausgabe 1619) bis zum Jahre 2007 erfassten Konjekturen und ordnet sie unter jeweiliger Angabe des Fundortes in die textkritische Diskussion ein. Das Repertorium ist in erster Linie als Nachschlagewerk für künftige Herausgeber und Kommentatoren der Seneca-Tragödien gedacht. Als Spiegel von Scharfsinn und Irrungen in der Konjekturalkritik leistet es zudem einen Beitrag zur traditionsreichen Geschichte der lateinischen Philologie.
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1 online resource. :
Includes bibliographical references. :
9789047430780 :
0169-8958 ; :
Available to subscribing member institutions only.
Annaeana tragica : notes on the text of Seneca's tragedies /
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This volume is a companion to the author's new Loeb edition of Seneca's tragedies (vol. 1, 2002; volume 2, 2004). It offers reasons for his editorial choices, and explains his interpretations of the text as reflected in his translation. Hercules Oetanus and Octavia , now generally regarded as imitations of Senecan drama, are both included. The volume is intended to be read alongside Otto Zwierlein's Kritische Kommentar , published in 1986. In the intervening years there has been much new work pertaining to Seneca's text, including full-scale editions with commentary on individual plays, such as Keulen's Troades , Töchterle's Oedipus and Ferri's Octavia . Annaeana Tragica seeks to supplement and advance Zwierlein's work in the light of this new material. An appendix reviews the scholarly controversy concerning the anapaestic odes of these plays, and offers fresh evidence relevant to the issue.
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1 online resource (293 pages) :
Includes bibliographical references (p. 279-283) and indexes. :
9789047406006 :
0169-8958 ; :
Available to subscribing member institutions only.
Aspects of Apuleius' Golden Ass : Volume III: The Isis Book. a Collection of Original Papers.
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This new monograph on Apuleius' Isis Book not only brings together the striking diversity of opinions that continues to enliven the discussion about Book Eleven, but also sets new trends in reading the narrative in its literary, religious, archaeological and cultural context. Through a variety of approaches, including religious studies (ancient mystery cult), textual criticism, literary analysis, Greek philosophy, and archaeology, the volume sheds new light on important aspects of Book XI, such as the relation with Plutarch's De Iside et Osiride ; aspects of Lucius' multifarious physical self-presentation as an Isiac convert; aspects of style and language (wordplay), textual problems in relation to problems of interpretation; the role of Providence and Platonic philosophy, and numerous metaliterary and intertextual aspects.
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1 online resource (272 pages) :
9789004224551 :
Available to subscribing member institutions only.
The reception of ancient Greece and Rome in children's literature : heroes and eagles /
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Greece and Rome have long featured in books for children and teens, whether through the genres of historical fiction, fantasy, mystery stories or mythological compendiums. These depictions and adaptations of the Ancient World have varied at different times, however, in accordance with changes in societies and cultures. This book investigates the varying receptions and ideological manipulations of the classical world in children's literature. Its subtitle, Heroes and Eagles , reflects the two most common ways in which this reception appears, namely in the forms of the portrayal of the Greek heroic world of classical mythology on the one hand, and of the Roman imperial presence on the other. Both of these are ideologically loaded approaches intended to educate the young reader.
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1 online resource (xiv, 344 pages) :
Includes blbliographical references and index. :
9789004298606 :
2212-9405 ; :
Available to subscribing member institutions only.
Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
Reading the Ovidian heroine : Metamorphoses commentaries, 1100-1618 /
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This study investigates the reception of Ovid's heroines in Metamorphoses commentaries written between 1100 and 1618. The Ovidian heroine offers a telling window onto medieval and early modern clerical constructions of gender and selfhood. In the context of classical representations of the feminine, the book examines Ovid's engagement of the heroine to explore problems of intentionality. The second part of the study presents commentaries by such clerics as William of Orléans, the \'Vulgate\' commentator, Thomas Walsingham, and Raphael Regius, illustrating the reception of the Ovidian heroine in medieval France and England as well as in Renaissance Italy and Germany. The works analyzed here show that clerical readings of the feminine in Ovid reflect greater heterogeneity than is commonly alleged. Both moralizing summaries and Latin editions used as schooltexts are discussed.
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1 online resource (xxviii, 187 pages) : illustrations. :
Includes bibliographical references (p. 179-183) and index. :
9789004351011 :
Available to subscribing member institutions only.
Brill's companion to Ovid /
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This volume on the Roman poet Ovid (43 BCE - 17 CE) comprises articles by an international group of fourteen scholars. Their contributions cover a wide range of topics, including a biographical essay, a survey of the major manuscripts and textual traditions, and a comprehensive discussion of Ovid's style. The remaining chapters are devoted to focused studies of each of Ovid's major works, with emphasis given where appropriate to the poet's interest in genre and narrative techniques, his engagement with the poetry that preceded his oeuvre, his response to the political, religious, and social realities of Augustan Rome, and his enduring legacy in the European literary traditions of the first 1300 years after his death. Brill's Companion to Ovid combines close analysis of each of Ovid's major works with a comprehensive overview of scholarly trends in the study of Latin poetry and Roman literary culture. It will be a valuable resource for students and scholars of Latin literature alike.
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1 online resource (xiii, 533 pages) :
Includes bibliographical references (p. 485-512) and indexes. :
9789047400950 :
Available to subscribing member institutions only.