Orality and textuality in the Iranian world : patterns of interaction across the centuries /
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The volume demonstrates the cultural centrality of the oral tradition for Iranian studies. It contains contributions from scholars from various areas of Iranian and comparative studies, among which are the pre-Islamic Zoroastrian tradition with its wide network of influences in late antique Mesopotamia, notably among the Jewish milieu; classical Persian literature in its manifold genres; medieval Persian history; oral history; folklore and more. The essays in this collection embrace both the pre-Islamic and Islamic periods, both verbal and visual media, as well as various language communities (Middle Persian, Persian, Tajik, Dari) and geographical spaces (Greater Iran in pre-Islamic and Islamic medieval periods; Iran, Afghanistan and Tajikistan of modern times). Taken as a whole, the essays reveal the unique blending of oral and literate poetics in the texts or visual artefacts each author focuses upon, conceptualizing their interrelationship and function.
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1 online resource (xx, 456 pages) : illustrations (some color) :
Includes bibliographical references and index. :
9789004291973 :
1570-078X ; :
Available to subscribing member institutions only.
Rawḍa-yi taslīm (taṣavvurāt) /
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Naṣīr al-Dīn Ṭūsī (d. 672/1274) was an influential philosopher, theologian, mathematician and astronomer, besides being the first director of the famous observatory at Marāghah near Tabriz as well as a man of politics. Author of a large number of scholarly works, he is especially famous for such treatises as his Tajrīd al-iʿtiqād on theology, the Zīj-i Īlkhānī on astronomy, the Ḥall mushkilāt al-Ishārāt , his influential commentary on Avicenna's (428/1037) Kitāb al-ishārāt wal-tanbīhāt on philosophy and logic, and his Akhlāq-i Nāṣirī on ethics. Ṭūsī spent at least half of his academic and political life among the Nizārī branch of the Ismailis, first in Quhistan in eastern Iran, and then in Alamut in the north and other Ismaili strongholds. The Persian work published here originated as a lecture series on Nizārī Ismaili doctrine, given by Ṭūsī in Alamut. The edition is a much improved version of the one by Ivanov, based on better manuscripts, unavailable to him.
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1 online resource. :
9789004406353
9786002030832
Mathnāwi-yi Shīrīn u Farhād /
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In the history of Persian literature, one finds quite a number of works by famous authors which later served as a model for similar works by other writers. By way of example one could mention Firdawsī's (d. 411/1020) Shāh-nāma and Niẓāmī's (d. 608/1209) Iskandar-nāma , Saʿdī's (d. 691/1291-92) Gulistān and Jāmī's (d. 898/1492) Bahāristān , or Farīd al-Dīn ʿAṭṭār's (d. 618/1221) Manṭiq al-ṭayr and Mīr ʿAlī Shīr Navāʾī's (d. 906/1501) Lisān al-ṭayr . In the case of the mathnawī contained in the present volume, it was Niẓāmī's Khusraw u Shīrīn which served as the model for Shīrīn u Farhād , a romantic epos by the otherwise unknown 9th/15th-century poet Salīmī Jarūnī. A native of Hormuz (formerly Jarūn), he dedicated his poem in 880/1475 to the local sultan of his days, Salgharshāh. Its language is unpretentious and the native ambiance is sometimes palpable. Its heros are pure of heart, and a mystical thread runs throughout the poem.
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1 online resource. :
9789004402805
9789646781634
Rasāʾil-i Fārsi-yi Jurjānī : Rasāʾil-i kalāmī, taʾlīf ḥudūd-i qarn-i nuhum-i hijrī /
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From the time that ʿAlī b. Mūsā al-Riḍā (d. 203/818) was designated to be the successor of al-Maʾmūn b. Hārūn al-Rashīd (d. 218/833) and then murdered shortly after that, various Shīʿa groups have been at odds with whoever opposed their claim to leadership in Islam. The author of the Persian dissertations contained in the present volume, the otherwise unknown Ḍiyāʾ al-Dīn b. Sadīd al-Dīn Jurjānī (ca. 9th/15th cent.), clearly issues from this polemic tradition. Reading his work, it is clear that Jurjānī had a full command of all the theological registers to be played upon in a traditional sectarian debate. This is especially the case for the first treatise in this collection, in which he opposes such movements as the Ashʿarīs, the Ḥanbalīs, the Ismāʿīlīs, and the Sufis. The treatises that follow, too, are all about religious dogma ( ʿaqāʾid ), with some of them showing clear signs of thematic, not to say temporal, association.
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1 online resource. :
9789004401846
9789645568175
Farāmarz, the Sistāni Hero : Texts and Traditions of the Farāmarznāme and the Persian Epic Cycle.
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In Farāmarz, the Sistāni Hero Marjolijn van Zutphen discusses the manuscripts, storylines and main themes of the shorter and the longer Farāmarznāme (c. 1100), in relation to Ferdowsi's Shāhnāme and several other later maṡnawis about the warriors from Sistān (the Persian Epic Cycle). Farāmarz, a secondary figure of the Shāhnāme , gained importance in later epic traditions and as the invincible protagonist of both Farāmarznāmes reached a status that equalled, if not surpassed, that of his famous father Rostam. Van Zutphen further shows how Farāmarz displays parallels to the fictional figures of Garshāsp (his ancestor) and Eskandar and argues that some story elements of Farāmarz's Indian conquest may be rooted in historical events from both the Parthian and the Ghaznawid period.
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Description based upon print version of record.
7 Conclusion. :
1 online resource (790 pages) :
9789004268289 :
Available to subscribing member institutions only.
Majmū'a-yi āthār-i Ḥusām al-Dīn-i Khūʾī /
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In every age and culture, royal courts have always attracted a multitude of scholars, artists and other folk seeking patronage and protection. In the Islamic world, one of these courts was that of the emirs of the Saljuqs of Rūm in Kastamonu in northern Anatolia. In the year 680/1282, Quṭb al-Dīn Shīrāzī (d. 709-1309), a student of Naṣīr al-Dīn Ṭūsī (d. 672/1274) who lived in Anatolia for years, dedicated his Ikhtiyārāt to the emir of Kastamonu, Muẓaffar al-Dīn Yavlaq Arslan (d. 691/1292). This same Muẓaffar also had a secretary in his service by the name of Ḥusām al-Dīn Khūʾī (alive in 709/1309-10), a refugee from Khūy near Tabriz in Iran. Ḥusām al-Dīn is the author of a number of works, six of which are published here for the very first time: four manuals on the art of the secretary, one Arabic-Persian glossary for use at the chancellery, and finally a collection of his poetry.
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1 online resource. :
9789004402256
9789646781481
Siyah bar safīd : Majmūʿa-yi guftārhā u yād dāshthā dar zamīna-yi kitābshināsī u nuskhashināsī /
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This is a collection of research notes, personal recollections, interviews with colleagues, and professional letters, sent and received, compiled by the Pakistani specialist of Islamic manuscripts ʿĀrif Nawshāhī (b. 1955). They cover a period of over 35 years of professional activity (1974-2011), mostly in Pakistan, India, and Iran. The work consists of five chapters, of which the research notes contained in chapters one and two are perhaps the most informative ones. Especially interesting is the information on the holdings of some of the libraries in India and Pakistan in chapter one and the codicological notes in chapter two. The notes, memoirs, anecdotes, interviews, and letters of chapters three to five give a fine impression of how this prominent scholar experienced the world of manuscripts and codicologists in which he was active for so many years. And here too, useful information may be found, especially in his long series of very short notes in chapter three.
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1 online resource. :
9789004405844
9786002030207
Bahāristān wa rasāʾil-i Jāmī : Mushtamil bar risālahā-yi mūsīqī, ʿarūḍ, qiyāfa, chihil ḥadīth, nāʾiyya, lawāmiʿ, sharḥ-i tāʾiyya, lawāyiḥ wa sar rishta /...
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in his joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. The present volume contains his Bahāristān , in imitation of Saʿdī's (d.691/1291-92) work on morals Gulistān , as well as a number of other texts, treating of music, poetry and mysticism.
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1 online resource. :
9789004402119
9789646781320
Khānaqāh : Mathnawi-yi ʿirfānī u akhlāqī bih payrawī az Būstān-i Saʿdī /
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In the history of the arts, emulation has always been important, regardless of time and place. Indeed, even the greatest artists always turn out to have their idols. Emulation is usually a way to acquire a certain skill or style that will then be put to use in the artist's own, original creations. Sometimes, emulation is such that the work of the original artist is still very present in the later work, mostly as a result of structural or stylistic similarities. In the field of Persian literature, a case in point is Jāmī's (d. 898/1492) Bahāristān , a work on morals that was written in imitation of Saʿdī's (d.691/1291-92) Gulistān . Similarly, the present work by Faqīr Shīrāzī (d. 1351/1932) is a successful reproduction of the style and format of Saʿdī's ethical mathnawī , the Bustān . Still, their content is quite different, Khānaqāh being an ode on mysticism and the Bustān a poem on ethics.
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Poems. :
1 online resource. :
9789004402171
9789646781382
Dīwān-i Mukhliṣ-i Kāshānī /
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Persian poetry of the pre-modern era is divided into three successive styles, each belonging to a different period: Khurāsānī, ʿIrāqī and Hindī. The Hindī style is called such because in Safavid times, during which it developed, poets no longer enjoyed the shah's patronage so that many of them went to India, where Persian poetry had flourished since Ghaznavid times (11th-12th cent.). The Hindī style is often regarded as being of a lesser kind than the Khurāsānī or ʿIrāqī ones, but has the merit of having put a halt to the decline that Persian poetry was suffering from at the time and also, by its accessible language and subject matter, of having brought poetry within reach of the ordinary man. The Hindī style of those who never went to India is commonly described as 'Iṣfahānī'. Mukhliṣ Kāshānī's (d. 1150/1737) poetry is Hindī in the Iṣfahānī variant and is published here for the very first time.
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1 online resource. :
9789004402232
9789646781467