al-Riwāyāt al-mufīdah fī ʿilm al-trājīda /
:
[Three tragedies by Racine, namely, "Esther," "Iphigénie," and "Alexandre le Grand," translated into vernacular Arabic verse by Muḥammad ʿUthmān Jalāl. To which is appended a brief sketch of the history of Egypt from the accession of Muḥammad ʿAlī Pasha, composed in verse by the translator].
:
138 pages ; 18 cm.
Die Unfähigkeit, sich zu erkennen : Sophokles' Tragödien /
:
This book interprets all seven Sophoclean tragedies (5th century B.C.) as a whole, focussing on the aspect of individuals being guilty of not reaching proper conclusions about their own selves and their situation, although they possess the means and ability to do so. Chapter I offers exact definitions of the concepts employed in analyzing the tragedies. Chapters II-VIII each contain a detailed interpretation of one of Sophocles' seven tragedies. Chapter IX ('Tableau') presents the dramatic works within the context of Greek history of thought and politics of their time, while Chapter X sheds some light on how Sophoclean concepts were continued in the comedies of Menander. This study should not only prove helpful to scholars in the field of literary studies, but also to historians, philosophers and all those interested in history of thought and cultural history, since it examines in a fundamental way the thought of one of the most important poets of ancient Europe.
:
1 online resource (xi, 320 pages) :
Includes bibliographical references (p. 289-303) and indexes. :
9789004350953 :
0169-8958 ; :
Available to subscribing member institutions only.
Wort und Wandlung : Senecas Lebenskunst /
:
The most important medium of Seneca's Lebenskunst is language. We first change the meaning of words through philosophical reflection; then we can change ourselves through language. Each chapter in this book takes linguistic or stylistic observations in texts as starting point (e.g. metaphors from the domains of health, finance, and sea-faring). Topics are man's self-definition in time and place and his relation to property, learning, and tradition. Single words and rhetorical patterns guide us in constructing an inner world and to find our own identity. Texts in Latin and in translation document Seneca's importance for modern, Christian Europe.
:
1 online resource (236 pages) :
Includes bibliographical references (p. [221]-229) and index. :
9789047413998 :
0169-8958 ; :
Available to subscribing member institutions only.
Euripidea tertia /
:
Euripidea Tertia is a companion volume to the Loeb Classical Library edition of Euripides. It discusses places in the text primarily of the late plays where the editor's choice of variants or adoption of conjectures required some explanation and also places where the translation needed explaining. The plays covered are Iphigenia Taurica, Ion, Helen, Phoenissae, Orestes, Bacchae, Iphigenia Aulidensis , and Rhesus , with addenda on earlier plays. Reviewers of the earlier volumes Euripidea and Euripidea Altera have commented on the cogency and sensitivity of his textual arguments. Serious students of Euripides, tragedy, textual criticism, and Greek metre will all want to read this book.
:
1 online resource (x, 191 pages) :
Includes bibliographical references and indexes. :
9789004349995 :
0169-8958 ; :
Available to subscribing member institutions only.
Euripidea /
:
Euripidea contains material to supplement Volume One of the author's Loeb Euripides. It consists of two parts, Testimonia Vitae et Artis Selecta and Textual Discussions. The Testimonia, ancient notices about the life of Euripides and his career as a tragic poet, are printed together for the first time, together with a facing English translation. The Loeb Introduction examines this material critically. Equipped with this body of evidence, students of Greek tragedy and of ancient biography will be able to assess for themselves the reliability of the biographical tradition, in which, the author argues, too much confidence has been placed by interpreters of the plays. The Textual Discussions explain places in the plays of Volume One, Cyclops, Alcestis and Medea , where the text adopted by the editor calls for comment.
:
English and Greek. :
1 online resource (viii, 181 pages) :
Includes bibliographical references (p. 173-175) and indexes. :
9789004329379 :
0169-8958 ; :
Available to subscribing member institutions only.
Repertorium der Konjekturen in den Seneca-Tragödien /
:
The transmission of the Seneca tragedies first became an object of critical discussion by the Italian humanists and has continued to occupy scholars to the present day. Besides a brief account of the critical work of Jodocus Badius (Ascensiana 1514) and of Girolamo Avanzi (Aldina 1517) the repertory lists systematically the conjectures recorded since M.A. Delrio (Second edition, 1619) down to the year 2007 and arranges them in the context of the critical discussion of the text. Conceived in the first instance as a work of reference for future editors, commentators and critical readers of the tragedies, the repertory is also a mirror of the critical acumen as well as the vagaries in the long tradition of Latin textual criticism. Die kritische Auseinandersetzung mit der Überlieferung der Seneca-Tragödien beginnt im humanistischen Italien und wird seither intensiv betrieben; entsprechend zahlreich sind die Eingriffe und Vorschläge, welche zum besseren Verständnis des überlieferten Textes vorgetragen worden sind. Neben einem Einblick in die kritische Arbeit von Jodocus Badius (Ascensiana 1514) und von Girolamo Avanzi (Aldina 1517) verzeichnet das Repertorium systematisch die seit M.A. Delrio (2. Ausgabe 1619) bis zum Jahre 2007 erfassten Konjekturen und ordnet sie unter jeweiliger Angabe des Fundortes in die textkritische Diskussion ein. Das Repertorium ist in erster Linie als Nachschlagewerk für künftige Herausgeber und Kommentatoren der Seneca-Tragödien gedacht. Als Spiegel von Scharfsinn und Irrungen in der Konjekturalkritik leistet es zudem einen Beitrag zur traditionsreichen Geschichte der lateinischen Philologie.
:
1 online resource. :
Includes bibliographical references. :
9789047430780 :
0169-8958 ; :
Available to subscribing member institutions only.
Euripidea altera /
:
This volume, which continues the textual discussions section of the author's Euripidea (Brill, 1994), discusses those passages in Euripides' Heraclidae, Hippolytus, Andromache, Hecuba, Supplices, Electra, Heracles , and Troades - the plays of the author's Loeb Euripides, volumes Two and Three - where text or translation was in need of explanation or justification. A large number of new conjectures are proposed and some forgotten conjectures argued for.
:
1 online resource (x, 159 pages) :
Includes bibliographical references and indexes. :
9789004329874 :
0169-8958 ; :
Available to subscribing member institutions only.
Annaeana tragica : notes on the text of Seneca's tragedies /
:
This volume is a companion to the author's new Loeb edition of Seneca's tragedies (vol. 1, 2002; volume 2, 2004). It offers reasons for his editorial choices, and explains his interpretations of the text as reflected in his translation. Hercules Oetanus and Octavia , now generally regarded as imitations of Senecan drama, are both included. The volume is intended to be read alongside Otto Zwierlein's Kritische Kommentar , published in 1986. In the intervening years there has been much new work pertaining to Seneca's text, including full-scale editions with commentary on individual plays, such as Keulen's Troades , Töchterle's Oedipus and Ferri's Octavia . Annaeana Tragica seeks to supplement and advance Zwierlein's work in the light of this new material. An appendix reviews the scholarly controversy concerning the anapaestic odes of these plays, and offers fresh evidence relevant to the issue.
:
1 online resource (293 pages) :
Includes bibliographical references (p. 279-283) and indexes. :
9789047406006 :
0169-8958 ; :
Available to subscribing member institutions only.
Narrative in drama : the art of the Euripidean messenger-speech /
:
This book, consisting of three self-contained studies, deals with the Euripidean messenger-speech. The first study concerns the form of the messenger-speech, which is that of a first-person narrative, and the consequences of this form. The second study analyses the messenger's style of presentation. In the third study the place and function of the messenger-speech within the play is discussed. Although scholars have dealt with the messenger-speech before, there is no single, up-to-date work of reference available. The present study aims at filling this void, while making use of analytical tools deriving from narratology and drama-theory. Eight appendices are added, which provide the reader with complete lists of phenomena discussed in the main text. Often considered transparent and self-explanatory, the messenger-speeches are now shown to be both complex and subtle texts.
:
1 online resource (ix, 214 pages) :
Includes bibliographical references (p. 203-208) and index. :
9789004329126 :
0169-8958 ; :
Available to subscribing member institutions only.
Heroic measures : Hippocratic medicine in the making of Euripidean tragedy /
:
This book demonstrates the importance of Greek medical thought in the work of Euripides. The first part of the book argues for the significance of the healing figure in Euripidean drama, while the second part analyzes the role of traditional and rationalist healing strategies in the construction of Euripidean plots and arguments. The work will be of interest to those pursuing studies in Greek drama, Greek intellectual history and Greek medicine.
:
1 online resource (x, 229 pages) :
Includes bibliographical references (p. 199-209) and indexes. :
9789047405955 :
0925-1421 ; :
Available to subscribing member institutions only.
Seneca on the stage /
:
In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
:
1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
The Gorgon's severed head : studies in Alcestis, Electra, and Phoenissae /
:
The Gorgon's Severed Head looks at three plays of Euripides, one early, one middle and one late in his career. Innovations in genre, in the use of the traditional stories, in the representation of women and of gender issues are present at every period. In all three plays characters are depicted creating themselves and each other. Chapter One on Alcestis looks at the artistry of the two main characters and is especially concerned with finding a role for Admetus, the play's most serious problem. The second chapter treats the physical displacement of the myth in Euripides' version of the Electra-Orestes story. A last section approaches the layers of time and space in Phoenissae .
:
1 online resource (xv, 255 pages) :
Includes bibliographical references and indexes. :
9789004329799 :
0169-8958 ; :
Available to subscribing member institutions only.