Le corps dans le roman des écrivaines syriennes contemporaines : dire, écrire, inscrire la différence /
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Le Corps dans le roman des écrivaines syriennes contemporaines , de Martina Censi, explore les représentations du corps dans un corpus de romans en arabe publiés (entre 2004 et 2011) par six écrivaines syriennes. L'auteure conjugue l'analyse du texte littéraire avec la critique féministe et les études de genre. Par cette approche interdisciplinaire, Censi démontre que l'attention reservée par ces écrivaines aux représentations du corps féminin et masculin témoigne de leurs engagements dans la lutte pour l'émancipation des femmes, mais aussi, et surtout, dans celle pour l'affirmation de l'individu dans la société syrienne contemporaine. Les corps des personnages, marqués par leur différence unique, sont le lieu symbolique de la négociation entre les instances individuelles et collectives. In Le Corps dans le roman des écrivaines syriennes contemporaines , Martina Censi explores the representation of the body in a selection of Arabic novels published (between 2004 and 2011) by six Syrian women authors. Taking an interdisciplinary approach, which combines analysis of the literary texts with Feminist Criticism and Gender Studies, Censi demonstrates that, by focusing on the representation of female and male bodies, these novelists deal not only with feminist issues related to women's emancipation. The author reveals that they also engage in a broader analysis concerning the status of the individual in contemporary Syrian society. Marked by their unique difference, the characters' bodies become the symbolic location for the negotiation between individual and collective claims.
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1 online resource. :
Includes bibliographical references and index. :
9789004315259 :
Available to subscribing member institutions only.
Pure gold from the words of Sayyidī ʻAbd al-ʻAzīz al-Dabbāgh =al-Dhabab al-Ibrīz min kalām Sayyidī ʻAbd al-ʻAzīz al-Dabbāgh /
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Around 1720 in Fez Aḥmad born al-Mubārak al-Lamaṭī, a religious scholar, wrote down the words and teachings of the Sufi master ʿAbd al-ʿAzīz al-Dabbāgh. Al-Dabbāgh shunned religious studies but, having reached illumination and met with the Prophet Muḥammad, he was able to explain any obscurities in the Qurʾān, ḥadīth s and sayings of earlier Sufis. The resulting book, known as the Ibrīz , describes how al-Dabbāgh attained illumination and access to the Prophet, as well as his teachings about the Council of the godly that regulates the world, relations between master and disciple, the darkness in men's bodies, Adam's creation, Barzakh, Paradise and Hell, and much more besides. This 'encyclopaedia' of Sufism with its many teaching stories and illustrations provides a window onto social life and religious ideas in Fez a generation or so before powerful outside forces began to play a role in the radical transformation of Morocco.
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1 online resource. :
Includes bibliographical references (p. [933]-944) and indexes. :
9789047432487 :
Available to subscribing member institutions only.
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317
Nature, Man and God in Medieval Islam : Volume One /
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A contemporary to Thomas Aquinas in Latin Catholic Italy, and with a parallel motivation to stabilize each his own civilization in its flux and storm, 'Abd Allah Baydawi of Ilkhan Persia wrote a compact and memorable Arabic Summation of Islamic Natural and Traditional Theology. With the same strokes of his pen he presented the Islamic version of the Science of Theological Statement, bafflingly called "Kalam" while familiarly embracing "Theology". Baydawi's Tawali'al-Anwar min Matal'al-Anzar (Rays of Dawnlight Outstreaming from Far Horizons of Logical Reasoning), with Mahmud Isfahani's commentary, is a formidably clear logical and mental vision of mankind's final completion as a spiritual structure in Islam. Reality - in nature's Possible mode, in an apodictic Divine mode, and in humanity's heroic Prophetic mode - comprises man's Worldview and is the Theme of the Baydawi/Isfahani discourse. The Edifice of Man and Humanity's evanescent Evidence within it are both hugely arresting and moving. The print edition is available as a set of two volumes (9789004121027).
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1 online resource :
Includes bibliographical references and index. :
9789004123816
9789004531468