The making of Islamic art : studies in honour of Sheila Blair and Jonathan Bloom
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1. Old Mosques : Destroyed, Lost and Transformed in 20th- and 21st-Century India / Catherine B. Asher
2. The 'Arraf Mosque in Dhu Jibla / Barbara Finster
3. Monumentality en Miniature : On two dome-shaped carpet weights - mir-I farsh / Kjeld von Folsach
4. 'The View from Above' : Muslim Perceptions of the Turks of Syria and the Jazira in the Period 1070 to 1176 / Carole Hillenbrand
5. The Multiple Faces of Restoration in the Medieval Islamic Architecture of Central Asia / Robert Hillenbrand
6. A Damascus Room in Los Angeles / Linda Komaroff
7. Rubbish, Recycling and Repair : Perspectives on the Portable Arts of the Islamic Middle East / Marcus Milwright
8. A Copper-Alloy Plate with Architectural Imagery in Berlin... and Jerusalem? / Lawrence Nees
9. Looking Inside the Book : Doublures of the Mamluk Period / Alison Ohta
10. Taj al-Din 'Alishah : The Reconstruction of his Mosque Complex at Tabriz / Bernard O'Kane
11. Once More Cosmophilia : Facing the Truth, Later / Simon O'Meara
12. The Making, Unmaking and Making Sense of an Illustration from an Imperial Mughal Akbarnama / Laura E. Parodi
13. The Use of Metals in Islamic Manuscripts / Cheryl Porter
14. Telling Stories : Artists' Books in the Collection of the British Museum / Venetia Porter
15. The Freer Beaker in Text and Image / Marianna Shreve Simpson
16. When Muslims Died in China / Nancy Steinhardt
17. Abu'l-Fazl's Description of Akbar's 'House of Depiction' / Wheeler M. Thackston
18. 'Migration Theory' in Islamic Pottery / Oliver Watson ? Appendix: Sheila Blair and Jonathan Bloom : a Combined Bibliography
ملخصات ابحاث المؤتمر العالمي الاول العمارة والفنون الاسلامية : الماضي والحاضر والمستقبل : المنعقد خلال الفترة من 15-17 شوال، 27-29 اكتوبر 2007 م / Mulakhkhaṣāt abḥāth al-muʼtamar a...
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Added t.p. in English: The First International Conference for the Islamic Arts & Architeture
عنوان غلاف: المؤتمر العالمي الاول للعمارة والفنون الاسلامية :
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Tree of pearls : the extraordinary architectural patronage of the 13th-century Egyptian slave-Queen Shajar al-Durr
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The woman known as "Tree of Pearls," who ruled Egypt in the summer of 1250 was unusual in every way. A rare case of a woman ruler, her reign marked the shift from Ayyubid to Mamluk rule, and her architectural patronage of two building complexes changed the face of Cairo and had a lasting impact on Islamic architecture. Rising to power from slave origins, Tree of Pearls-her name in Arabic is Shajar al-Durr-used her wealth and power to add a tomb to the urban madrasa (college) that had been built by her husband, Sultan Salih, and with this innovation, madrasas and many other charitably endowed archite++654ctural complexes became commemorative monuments, a practice that remains widespread today. This was the first occasion in Cairo in which a secular patron's relationship to his architectural foundation was reified through the actual presence of his body. The tomb thus profoundly transformed the relationship between architecture and its patron, emphasizing and emblematizing his historical presence. Indeed, the characteristic domed skyline of Cairo that we see today is shaped by such domes that have kept the memory of their named patrons visible to the public eye. This dramatic transformation, in which architecture came to embody human identity, was made possible by the sultan-queen Shajar al-Durr, a woman who began her career as a mere slave-concubine.Her path-breaking patronage contradicts the prevailing assumption among historians of Islam that there was no distinctive female voice in art and architecture