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Les périples de Kalila et Dimna: Itinéraires de fables dans les arts et la littérature du monde islamique : The Journeys of Kalila and Dimna: Itineraries of Fables in the Arts and...
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Kalīla wa-Dimna is one of the best-known texts of medieval Arabic literature and counts among the most illustrated works in the Islamic world. The extent of the corpus and its journey through the ages make it the ideal material for a reflection on the evolution of iconography in Islamic art. The studies gathered in this volume edited by Eloïse Brac de la Perrière, Aïda El Khiari and Annie Vernay-Nouri, showcase a wide diversity of approaches that convincingly crosses textual investigation, codicology, iconographical study, and physico-chemical analyses. They explore new tracks, either by devoting themselves to the examination of unknown or rarely studied manuscripts, or by proposing innovative readings of this extremely rich work that is Kalīla wa-Dimna. Kalīla wa-Dimna est l'un des textes les plus célèbres de la littérature arabe médiévale et compte parmi les œuvres les plus illustrées du monde islamique. L'étendue du corpus et son parcours à travers les âges en font un extraordinaire matériau pour mener une réflexion sur l'image dans l'histoire des arts islamiques. Les études rassemblées dans ce volume dirigé par Eloïse Brac de la Perrière, Aïda El Khiari et Annie Vernay-Nouri, mettent en œuvre une grande diversité d'approches croisant investigation textuelle, codicologique, iconographique et analyses physico-chimiques. Elles explorent toutes des pistes nouvelles, soit en se consacrant à l'examen de manuscrits inédits ou très rarement étudiés, soit en proposant des lectures innovantes de cette œuvre extrêmement riche qu'est Kalīla wa-Dimna. Contributors: Eloïse Brac de la Perrière, Nathalie Buisson, Mounia Chekhab-Abudaya, Frantz Chaigne, Anna Contadini, Jean-Charles Coulon, Françoise Cuisance, Aïda El Khiari, Rajana Fatima Amalarajah, Béatrice Gruendler, Mika Natif, Bernard O'Kane, Hoa Perriguey, Yves Porter, Francis Richard, Valérie Saurel, Christine Van Ruymbeke, Annie Vernay-Nouri.
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1 online resource. :
Includes bibliographical references and index. :
9789004498143
9789004467101
Pens, swords, and the springs of art : the oral poetry dueling of Palestinian weddings in the Galilee /
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Offering a detailed analysis of oral poetry dueling performed at traditional Palestinian weddings, this work is unique in addressing poetry dueling as a performative and compositional device, and exploring the complex linkages between this tradition and other genres of Arabic poetry. It includes a study of poetry dueling in standard Arabic; a description of the historical and performance contexts of the Palestinian duels, as well as of poets and their training; an analysis of a single performance; and a re-interpretation of the nature verbal dueling generally. Including a transcription and translation of an entire performance, the book considers the social efficacy of poetry dueling, its aesthetic nature, and its value as a compositional device within a larger system of poetic production.
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1 online resource. :
Includes bibliographical references (p. [363]-369) and index. :
9789047410348 :
1571-5183 ; :
Available to subscribing member institutions only.
The Virgin and her Lover : Fragments of an Ancient Greek Novel and a Persian Epic Poem /
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Starting from the authors' discovery that the Persian epic poem Vāmiq and ʿAdhrā by ʿUnṣurī (11th century AD) derives from the ancient Greek novel of Mētiokhos and Parthenopē, the book contains critical editions of the Greek and Persian fragments and testimonia, with English translation and comments. The exciting story of the modern recovery of the two texts is told, and the transformations of the productive theme of The ardent lover and the virgin are traced from Greek novel to Persian poem, and through later Persian and Turkish literature. Of particular importance is the authors' attempt to reconstruct the common plot and individual variations, adding a new work to the limited corpus of ancient novels and shedding new light on the genre of Persian epic poetry.
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1 online resource. :
Includes bibliographical references and index. :
9789047402589
9789004132603
Essays on Nima Yushij : Animating Modernism in Persian Poetry /
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Through several groundbreaking critical articles on the question of poetic modernity in Persian new verse, this book focuses on the life and works of Nima Yushij (1887-1960), a major modernist Iranian poet. The articles situate Nima's life firmly within the context of early 20th century Iranian history. They are framed by a brief introduction in which the various contributions are related to each other and to various trends in poetic modernism in the Persian language, and a bibliography that lists all of Nima's works and the major studies of his life and work, both in Persian and in various Western languages. The book fills a gap in the history of Persian literature that has long endured due to the resistance of such a tradition-bound culture to the modernization of its poetry.
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1 online resource. :
Includes bibliographical references and index. :
9789047414414
9789004138094
Laylī and Majnūn : Love, Madness and Mystic Longing in Niẓāmī's Epic Romance /
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This book is the first comprehensive analysis of Nezāmī's romance Laylī and Majnūn (1188). It examines key themes such as chastity, constancy and suffering through an analysis of the main characters. Majnūn's asceticism, kingship, love-madness, poetic genius, ill-fate, and love-death are treated in separate chapters. The patriarchal society in which Laylī lives, her anxieties and dilemmas, incarceration, secret love, imposed marriage and finally her death are discussed in detail. One chapter is devoted entirely to the different ways parents raise their children and the consequences. Finally, the book gives an analysis of Nezāmī's style, the narrative structure of the romance and the symbolism of time and setting.
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1 online resource. :
Includes bibliographical references and index. :
9789004492431
9789004129429
Nūbat Ramal al-Māya in cultural context : the pen, the voice, the text /
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In this unique edition, Carl Davila takes an original approach to the texts of the modern Moroccan Andalusian music tradition. This volume offers a literary-critical analysis and English translation of the texts of this nūba , studies their linguistic and thematic features, and compares them with key manuscripts and published anthologies. Four introductory chapters and four appendices discuss the role of orality in the tradition and the manuscripts that lie behind the print anthologies. Two supplements cross-reference key poetic images in English and Arabic, and provide information on known authors of the texts. This groundbreaking contribution will interest scholars and students of pre-modern Arabic poetry, muwashshaḥāt , Andalusian music traditions, Arabic Studies, orality, and sociolinguistics.
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1 online resource (xxii, 624 pages) :
Includes bibliographical references and indexes. :
9789004294530 :
1571-5183 ; :
Available to subscribing member institutions only.
The mischievous muse : extant poetry and prose by Ibn Quzman of Cordoba (d. AH 555/AD 1160) /
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The first part of this work includes all the known works of the twelfth-century Andalusi author Ibn Quzmān, most of which are zajal poems composed in the colloquial dialect of Andalus. They have been edited in a Romanized transliteration, and are accompanied by a facing-page English prose translation, along with notes and commentaries intended to elucidate matters relevant to each poem. In the second part of the work, sixteen chapters are devoted to analyzing specific poems from a literary perspective, in order to delve into their meaning and, thereby, explain the poet's literary goals.
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1 online resource (2 volumes (1038 pages ; 500 pages)) :
Includes bibliographical references and index. :
9789004323773 :
Available to subscribing member institutions only.
How do you say "epigram" in Arabic? : literary history at the limits of comparison /
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The qaṣīdah and the qiṭʿah are well known to scholars of classical Arabic literature, but the maqṭūʿ , a form of poetry that emerged in the thirteenth century and soon became ubiquitous, is as obscure today as it was once popular. These poems circulated across the Arabo-Islamic world for some six centuries in speech, letters, inscriptions, and, above all, anthologies. Drawing on more than a hundred unpublished and published works, How Do You Say "Epigram" in Arabic? is the first study of this highly popular and adaptable genre of Arabic poetry. By addressing this lacuna, the book models an alternative comparative literature, one in which the history of Arabic poetry has as much to tell us about epigrams as does Greek.
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1 online resource (337 pages) :
Includes bibliographical references and index. :
9789004350533 :
Available to subscribing member institutions only.
Looking back at al-Andalus : the poetics of loss and nostalgia in medieval Arabic and Hebrew literature /
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Looking Back at al-Andalus focuses on Arabic and Hebrew Literature that expresses the loss of al-Andalus from multiple vantage points. In doing so, this book examines the definition of al-Andalus' literary borders, the reconstruction of which navigates between traditional generic formulations and actual political, military and cultural challenges. By looking at a variety of genres, the book shows that literature aiming to recall and define al-Andalus expresses a series of symbolic literary objects more than a geographic and political entity fixed in a single time and place. Looking Back at al-Andalus offers a unique examination into the role of memory, language, and subjectivity in presenting a series of interpretations of what al-Andalus represented to different writers at different historical-cultural moments.
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1 online resource. :
Includes bibliographical references (p. [171]-180) and index. :
9789047442721 :
Available to subscribing member institutions only.
Beholding Beauty : Saʿdi of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry /
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Beholding Beauty: Saʿdi of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry explores the relationship between sexuality, politics, and spirituality in the lyrics of Saʿdi Shirazi (d. 1292 CE), one of the most revered masters of classical Persian literature. Relying on a variety of sources, including unstudied manuscripts, Domenico Ingenito presents the so-called "inimitable smoothness" of Saʿdi's lyric style as a serene yet multifaceted window into the uncanny beauty of the world, the human body, and the realm of the unseen. The book constitutes the first attempt to study Sa'di's lyric meditations on beauty in the context of the major artistic, scientific and intellectual trends of his time. By charting unexplored connections between Islamic philosophy and mysticism, obscene verses and courtly ideals of love, Ingenito approaches Sa'di's literary genius from the perspective of sacred homoeroticism and the psychology of performative lyricism in their historical context.
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1 online resource. :
Includes bibliographical references and index. :
9789004435902
9789004435896
Like Joseph in beauty : Yemeni vernacular poetry and Arab-Jewish symbiosis /
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Like Joseph in Beauty traces the evolution of an Arabic poetic form called 'Humayni poetry'. From Muslim mystical circles, the courts of aristocrats in Highland Yemen, and kabbalist circles of Yemenite Jews, Humayni poetry distinguishes itself with lyricism, musicality, and eroticism. It also plays a variety of code-switching linguistic games. The book addresses the connections between the Humayni poetry of Yemen and the sacred poetry of Jews from Yemen, a hitherto-neglected chapter in the history of Arabic and Jewish literatures. The book culminates with a discussion of ways in which poets and critics in modern-day Yemen and in Israel transformed this poetry.
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1 online resource. :
Includes bibliographical references (p. [327]-339) and index. :
9789047442196 :
Available to subscribing member institutions only.
Metapoesis in the Arabic tradition : from modernists to muḥdathūn /
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In Metapoesis in the Arabic Tradition Huda J. Fakhreddine expands the study of metapoesis to include the Abbasid age in Arabic literature. Through this lens that is often used to study modernist poetry of the 20th and the 21st century, this book detects and examines a meta-poetic tendency and a self-reflexive attitude in the poetry of the first century of Abbasid poets. What and why is poetry? are questions the Abbasid poets asked themselves with the same persistence and urgency their modern successor did. This approach to the poetry of the Abbasid age serves to refresh our sense of what is "modernist" or "poetically new" and detach it from chronology.
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Originally presented as the author's dissertation (doctoral)--Indiana University, 2011. :
1 online resource (222 pages) :
Includes bibliographical references (p. 203-210) and index. :
9789004294578 :
Available to subscribing member institutions only.
The Anthologist's Art : Abū Manṣūr al-Thaʿālibī and His Yatīmat al-dahr.
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Why did premodern authors in the Arabic-Islamic culture compile literary anthologies, and why were these works remarkably popular? How can an anthology that consists of reproduced material be original and creative, and serve various literary and political ends? How did anthologists select their material, then record and arrange it? This book examines the life and works of Abū Manṣūr al-Thaʿālibī (350-429/961-1039), an eminent anthologist from Nīshāpūr, paying special attention to his magnum opus, Yatīmat al-dahr ( The Unique Pearl ), and its sequel, Tatimmat al-Yatīma ( The Completion of the Yatīma ). This book is a direct window on to an anthologist's workshop in the second half of the fourth/tenth century. It examines the methodological consciousness expressed in Thaʿālibī's selection and arrangement, and his sophisticated system of internal references and cross-references to other works; how he selected from his contemporaries' oeuvres; how he sought, recorded, memorized, misplaced, and sometimes lost or forgot his selections; how he scrutinized the authenticity of material, accepting, questioning, or rejecting its attribution; and the errors and inconsistencies that resulted from this process.
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Description based upon print version of record. :
1 online resource (291 pages) :
References to the Earlier Version of the Yatīma References to Other Works by Thaʿālibī ; Later Additions to the Yatīma ; Authenticity and Misattribution ; Forgotten, Lost, and Inconsistent Material ; Chapter 4. The Sources of Thaʿālibī in Yatīmat al-Dahr and Tatimmat al-Yatīma; Written Sources ; Dīwāns; Books; Other Written Media ; Oral and Aural Sources ; Main Guarantors in the Yatīma ; Main Guarantors in the Tatimma ; Conclusion ; Chapter 5. Material within the Entry; Categorization and Arrangement of Material within Entries ; The Biographical Summary ; Dates; Deaths of Poets. :
9789004317352 :
Available to subscribing member institutions only.
Prophets, gods and kings in Sirat Sayf ibn Dhi Yazan : an intertextual reading of an Egyptian popular epic /
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This book is a literary, intertextual study of an Egyptian popular epic. In this innovative study, Helen Blatherwick investigates how various sources, including Islamic qiṣaṣ al-anbiyāʾ ('tales of the prophets'), Pharaonic, Graeco-Roman and Coptic Egyptian myths and narratives, and recensions of the Alexander Romance function as intertexts within Sīrat Sayf . Blatherwick argues that these intertexts are deployed as narrative devices which are readily recognisable to the story's audience, and that they are significant carriers of meaning and theme. Crucially, these intertexts also interact within Sīrat Sayf to bring a conceptual continuity to its discussion of kingship and society that stretches from this late-medieval epic back to ancient Egyptian narratives.
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Revised and expanded version of the author's thesis (doctoral)--SOAS, University of London, 2002. :
1 online resource. :
Includes bibliographical references and index. :
9789004314801 :
Available to subscribing member institutions only.