Choreonarratives : Dancing Stories in Greek and Roman Antiquity and Beyond /
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Choreonarratives , a collection of essays by classicists, dance scholars, and dance practitioners, explores the uses of dance as a narrative medium. Case studies from Greek and Roman antiquity illustrate how dance contributed to narrative repertoires in their multimodal manifestations, while discussions of modern and contemporary dance shed light on practices, discourses, and ancient legacies regarding the art of dancing stories. Benefitting from the crossover of different disciplinary, historical, and artistic perspectives, the volume looks beyond current narratological trends and investigates the manifold ways in which dance can acquire meaning, disclose storyworlds ranging from myths to individual life-stories, elicit the narratees' responses, and generate powerful narratives of its own. Together, the eclectic approaches of Choreonarratives>/i> rethink dance's capacity to tell, enrich, and inspire stories. Contributors are Sophie M. Bocksberger, Iris J. Bührle, Marie-Louise Crawley, Samuel N. Dorf, Karin Fenböck, Susan L. Foster, Laura Gianvittorio-Ungar, Sarah Olsen, Lucia Ruprecht, Karin Schlapbach, Danuta Shanzer, Christina Thurner, Yana Zarifi-Sistovari, Bernhard Zimmermann.
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1 online resource. :
Includes bibliographical references and index. :
9789004462632
9789004462472
Femininity and dance in Egypt : embodiment and meaning in al-raqs al-baladi /
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"Fall 2009."
Originally presented as the author's thesis (master)--Sociology and Anthropology Department, American University in Cairo. :
iv, 110 pages ; 22 cm. :
Includes bibliographical references (pages 96-102). :
9789774165931
The ancient English morris dance /
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The idea that morris dancing captures the essence of ancient Englishness, inherently carefree and merry, has been present for over 400 years. This book traces the history of those attitudes, from the dance's introduction to England in the fifteenth century, through the contention of the Reformation and Civil War, during which morris dancing and maypoles became potent symbols of the older ways of living. Thereafter it developed and diversified, neglected and disdained, until antiquaries began to take an interest in its history, leading to its re-invention as emblematic of Victorian concepts of Merrie England in the nineteenth century.
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Also issued in print: 2023. :
1 online resource (xi, 517 pages) : illustrations (black and white, and colour), maps (colour) :
Specialized. :
Includes bibliographical references and index. :
9781803273877 (PDF ebook) :
Bharatanatyam Evolves : From Temple to Theatre and Back Again /
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Bharatanatyam is currently one of the most popular Indian classical dance styles, performed throughout India and the world. It originated in southern India, where it was taught by males and performed by female Devadasis, both of whom belonged to the same caste. Traditionally, the dance was associated with Hindu temples and courts and was performed in a variety of sacred and secular settings. Since the early twentieth century, both practitioners of and venues for the dance have expanded. It is now taught and performed globally by people from all castes and nationalities, including teachers and dancers of all genders and religions. Most performances are now public events presented on the concert stage. Anne-Marie Gaston traces the development of Bharatanatyam from its religious and secular roots. She gives details of the teachers who were most influential in the transmission of the dance from traditional to modern practitioners and discusses the role of different interpretations (banis). By describing traditional and modern performances and choreography, she traces changes in the repertoire and presentation that have taken place during the post-revival era. Trends in performances at the MMA, considered the most important venue for Bharatanatyam, are described. Comments from the author's in-depth studies of Bharatanatyam, as both performer and academic, give a historical perspective to the current manifestation of the dance. Her observations are drawn especially from recitals at the Madras Winter Festivals, 2011-15. The volume is profusely illustrated with the author's own photographs.
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1 online resource (180 pages) : illustrations. :
Includes bibliographical references and index. :
9789004754010
My Journey : A Tale of two Births /
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My Journey: A Tale of Two Births is the unputdownable saga of the two avatars of the eminent Odissi danseuse Ileana Citaristi. Growing up in the times of hippie culture, among the flower children of the seventies, Ileana Citaristi's life is a fascinating story of a rebellious soul which migrates across continents, from the small town of Bergamo in the mountainous ranges of north Italy to bustling Cuttack on the east coast of India. In this autobiography, Ileana recounts her journey, going back in time to the sixties, in her frst avatar, doing it all; from a rebellious teenager to acting in theatre, from researching in Western psychoanalysis of Carl Gustav Jung to Tibetan mandala, from hitch-hiking across a pre-Taliban Kabul to entering India and learning Kathakali in Kerala, from being high on LSD to turning vegetarian, and finally metamorphosing from a bohemian foreigner to a disciplined Indianized shishya. In the second avatar she takes a gigantic leap of faith, when she embraces an alien land and language as her own and surrenders everything at the feet of her Guru, Shri Kelucharan Mohapatra, to learn the ancient art form of Odissi, she is able to give shape to the inner strivings of her soul.
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1 online resource (284 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752337
Tantra, Ritual Performance, and Politics in Nepal and Kerala : Embodying the Goddess-clan /
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In previous studies of South Asian Tantric ritual, scholars tend to focus on one region or context. For the first time, Tantra, Ritual Performance and Politics in Nepal and Kerala: Embodying the Goddess-clan offers a comparative approach to Tantric mediumship as observed in two locales: Navadurgā rituals in Bhaktapur, Nepal, and Teyyāṭṭam in North Kerala. In this book, Matthew Martin advances a new theory of ritual, which spotlights the way dancer-mediums embody medieval goddess-clans and ancestor deities, through offerings of food and sacrifice, that synchronize their denizens with the land in spiralling web-like ritual networks. Uniquely interdisciplinary in style, this study synthesizes cultural history, ethnography, and theory to explore the continuities - historical, societal, and political - that characterize these ritual traditions across the subcontinent.
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Revision of author's PhD dissertation. :
1 online resource. :
Includes bibliographical references and index. :
9789004439023
9789004438996
Platons tanzende Stadt : Moralpsychologie und Chortanz in den Nomoi /
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Weshalb ist der Chortanz (χορεία) in Platons Nomoi so prominent? Zur Beantwortung dieser Frage bietet dieses Buch eine eingehende Analyse der Moralpsychologie des Dialogs und argumentiert, dass der Tanz nicht nur ein erzieherisches Instrument, sondern - als körperlicher Ausdruck geordneter Lust - auch ein Symbolbild für das Hauptziel der moralischen Erziehung ist: die Mäßigung (σωφροσύνη). So wird der Chortanz zu einem wirkmächtigen Konstrukt zur Veranschaulichung der philosophischen Hauptanliegen Platons. Zu den Schwerpunkten des Buches gehören darüber hinaus eine innovative Erklärung des komplexen Aufbaus des Dialogs, neue Deutungen des Marionettengleichnisses und der Ansprache an die Tragiker sowie die erste Untersuchung der moralischen Funktion der Scham in Kapitellänge. Ausgezeichnet mit dem Conrado Eggers Lan Prize der International Plato Society 2022. Why is choral dance (χορεία) so prominent in Plato's Laws ? In answer to this question, this book offers an in-depth analysis of the dialogue's moral psychology, arguing that dance is not only an educational instrument but also, in terms of the physical expression of ordered pleasure, a symbolic image of the principal goal of moral education: moderation (σωφροσύνη). Thus, choral dance becomes a powerful construct to illustrate Plato's main philosophical concerns. Other key features of the book include an innovative account of the dialogue's complex composition, new interpretations of the puppet image and the tragedy claim, and the first chapter-length investigation of the moral funtion of shame. Winner of the Conrado Eggers Lan Prize of the International Plato Society 2022.
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1 online resource :
9789004525610
9789004527591