Bharatanatyam Evolves : From Temple to Theatre and Back Again /
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Bharatanatyam is currently one of the most popular Indian classical dance styles, performed throughout India and the world. It originated in southern India, where it was taught by males and performed by female Devadasis, both of whom belonged to the same caste. Traditionally, the dance was associated with Hindu temples and courts and was performed in a variety of sacred and secular settings. Since the early twentieth century, both practitioners of and venues for the dance have expanded. It is now taught and performed globally by people from all castes and nationalities, including teachers and dancers of all genders and religions. Most performances are now public events presented on the concert stage. Anne-Marie Gaston traces the development of Bharatanatyam from its religious and secular roots. She gives details of the teachers who were most influential in the transmission of the dance from traditional to modern practitioners and discusses the role of different interpretations (banis). By describing traditional and modern performances and choreography, she traces changes in the repertoire and presentation that have taken place during the post-revival era. Trends in performances at the MMA, considered the most important venue for Bharatanatyam, are described. Comments from the author's in-depth studies of Bharatanatyam, as both performer and academic, give a historical perspective to the current manifestation of the dance. Her observations are drawn especially from recitals at the Madras Winter Festivals, 2011-15. The volume is profusely illustrated with the author's own photographs.
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1 online resource (180 pages) : illustrations. :
Includes bibliographical references and index. :
9789004754010
Isaiah Shembe's hymns and the sacred dance in Ibandla LamaNazaretha /
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In Isaiah Shembe's Hymns and the Sacred Dance in Ibandla lamaNazaretha , Nkosinathi Sithole explores the hymns of Prophet Isaiah Shembe and the sacred dance in Ibandla LamaNazaretha, and offers an emic perspective on the Church which has attracted scholars from different disciplines. Isaiah Shembe's Hymns and the Sacred Dance in Ibandla lamaNazaretha posits that in the hymns, Shembe found a powerful medium through which he could voice his concerns as an African in colonial times, while praising and worshipping God. Sithole also refutes claims by some scholars that the sacred dance was a response to colonialism and oppression, showing that in fact the sacred dance in Ibandla lamaNazaretha is considered to be a form of worship and is thought to exist on earth and in heaven.
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1 online resource. :
Includes bibliographical references and index. :
9789004320628 :
Available to subscribing member institutions only.
Écrire, initier et transmette : identité locale et tradition confrérique dans la Ḥāfiẓiyya Halwatiyya, une confrérie soufie de Moyenne-Égypte, XIXe et XXe siécles /
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xii, 366 pages : color illustrations, map ; 24 cm. :
Includes bibliographical references (pages 351-366). :
9782724707823
2724707826 :
Egypt -- Cairo.