Euripides and the language of craft
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This first in-depth account of Euripides and the visual arts demonstrates how the tragedian used language to visual effect, whether through allusion or actual references to objects, motifs built around real or imaginary objects, or the use of technical terminology. The evidence presented in this study corroborates the concern for realism and the genre detail for which Euripides is parodied in Aristophanes' Frogs and presents him as a man of his time, like Socrates, fully versed in the ways and means of the visual arts as well as the verbal. In revealing the extent of the visual inclination of Euripides' language, this study reflects upon the larger dialogue between text and image, image and text.
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1 online resource. :
Includes bibliographical references (p. [435]-459) and indexes. :
9789004201149 :
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Brill's companion to the reception of Euripides /
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Brill's Companion to the Reception of Euripides provides a comprehensive account of the influence and appropriation of all extant Euripidean plays since their inception: from antiquity to modernity, across cultures and civilizations, from multiple perspectives and within a broad range of human experience and cultural trends, namely literature, intellectual history, visual arts, music, opera and dance, stage and cinematography. A concerted work by an international team of specialists in the field, the volume is addressed to a wide and multidisciplinary readership of classical reception studies, from experts to non-experts. Contributors engage in a vividly and lively interactive dialogue with the Ancient and the Modern which, while illuminating aspects of ancient drama and highlighting their ever-lasting relevance, offers a thoughtful and layered guide of the human condition.
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1 online resource (xvii, 661 pages) :
Includes bibliographical references, appendix, and index. :
9789004299818 :
2213-1426 ; :
Available to subscribing member institutions only.
Gender and communication in Euripides' plays : between song and silence /
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The prominent role of women in Greek drama has always fascinated readers. This book proposes that women in Euripides' plays communicate in ways constructed by the tragic genre itself as 'female.' Yet these women's words are surprisingly not uniformly dangerous or excessively emotional, as has traditionally been thought. Rather, Euripides' women resort to 'female' ways of talking in order to enable others to understand them and their unique point-of-view. Aspects of women's speech-song, silence and secret-keeping as female verbal genres, and the challenges of speaking out of place-contribute to Euripides' portrayal of women as different from men. Originating in a culture where putting women under scrutiny was part of daily life, Euripides' tragedies dramatise women's constant struggle to control language.
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1 online resource. :
Includes bibliographical references (p. [247]-254) and indexes. :
9789047442769 :
Available to subscribing member institutions only.
Euripides' Kresphontes and Archelaos : introduction, text, and commentary /
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This book contains an introduction to the text of and a commentary on the fragments of two plays by Euripides, the Kresphontes (ca. 424 B.C.) and the Archelaos (ca. 408/7 B.C.) Fragments of both plays are preserved in quotations by other writers and in recently published papyri. The introduction discusses aspects of the background and of the contents of the plays, such as, for example, their first performances, the relation of the Kresphontes with the plays about Orestes, and Euripides' motives in writing the Archelaos (politics or flattery?). The commentary to each play deals with the interpretation of the fragments and testimonia , with textual problems and with typical elements of Euripides' style. This is the first full-scale treatment of both plays and offers, thanks to modern papyrus finds, some new evidence on their composition and context. The text of the papyrus fragments is based on personal inspection of the papyri concerned, which has resulted in a number of new readings.
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Originally presented as the author's thesis (doctoral--University of Groningen).
Includes indexes. :
1 online resource (xi, 302 pages) :
Includes bibliographical references (p. 291-297). :
9789004328228 :
Available to subscribing member institutions only.
Granddaughter of the sun : a study of Euripides' Medea /
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This book attempts to view Medea in a positive light: looking not just at her failed relationships, but also at her successful ones and commenting on her intellect rather than just her clever manipulations of men. It tries to see her (or her author, who brings Medea home to Athens), as something of a political hero. The work considers the multiple facets of Medea, as the ideal wife, as a loving mother, as a woman among women, and how Medea becomes the author of her own story. The author asks what Medea is in the last scene: a demon or one of us; how she relates to the city-state; why this heroic drama is presented through the voices of two slaves.
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1 online resource. :
Includes bibliographical references (p. [203]-210) and indexes. :
9789047420149 :
Available to subscribing member institutions only.
Shared storytelling in Euripidean stichomythia /
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Long, stichomythic dialogues in the tragedies of Euripides are connected with some of the greatest problems of critical appreciation. The form is considered unnatural particularly when characters use stichomythia to tell stories to each other. In Shared Storytelling in Euripidean Stichomythia Liesbeth Schuren tries to rehabilitate Euripidean stichomythia, using pragmatic and narratological approaches. In the section devoted to pragmatic analysis, comparison between the turn-taking systems in Euripidean stichomythia and naturally occurring conversation establishes to what extent convention and realism are operative. Using narratological arguments, the traditional apparatus is expanded to suit the dialogic nature of narrative stichomythia. Analysis of narrative presentation in storytelling with two interlocutors results in a multi-faceted perspective, an effect unique to narrative stichomythia.
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1 online resource. :
Includes bibliographical references and index. :
9789004282612 :
Available to subscribing member institutions only.
Studies in Euripides' Orestes /
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This work challenges recent critical assessments that emphasize the allegedly subversive elements in Euripides' play. The Orestes is found to present a curious mélange of early and late Euripidean features, resulting in a drama where the tragic potential of Orestes' predicament becomes lost amid the moral, political and situational chaos that dominates the late Euripidean stage. Throughout, emphasis is placed on reading the Orestes in light of Greek stage conventions and the poet's own practice. Of particular interest are: an original examination, in light of Greek rhetorical practice, of Orestes' agon with Tyndareus; an analysis of the Phrygian's monody as a cunning hybrid of Timothean nome and traditional messenger speech; and a re-evaluation of the play's troubling deus ex machina.
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Rev. version of the author's thesis (Ph. D.)--University of Toronto, 1990. :
1 online resource (xiii, 364 pages) :
Includes bibliographical references (p. 345-357) and index. :
9789004329249 :
0169-8958 ; :
Available to subscribing member institutions only.
Euripidea tertia /
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Euripidea Tertia is a companion volume to the Loeb Classical Library edition of Euripides. It discusses places in the text primarily of the late plays where the editor's choice of variants or adoption of conjectures required some explanation and also places where the translation needed explaining. The plays covered are Iphigenia Taurica, Ion, Helen, Phoenissae, Orestes, Bacchae, Iphigenia Aulidensis , and Rhesus , with addenda on earlier plays. Reviewers of the earlier volumes Euripidea and Euripidea Altera have commented on the cogency and sensitivity of his textual arguments. Serious students of Euripides, tragedy, textual criticism, and Greek metre will all want to read this book.
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1 online resource (x, 191 pages) :
Includes bibliographical references and indexes. :
9789004349995 :
0169-8958 ; :
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Euripidea altera /
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This volume, which continues the textual discussions section of the author's Euripidea (Brill, 1994), discusses those passages in Euripides' Heraclidae, Hippolytus, Andromache, Hecuba, Supplices, Electra, Heracles , and Troades - the plays of the author's Loeb Euripides, volumes Two and Three - where text or translation was in need of explanation or justification. A large number of new conjectures are proposed and some forgotten conjectures argued for.
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1 online resource (x, 159 pages) :
Includes bibliographical references and indexes. :
9789004329874 :
0169-8958 ; :
Available to subscribing member institutions only.
The Gorgon's severed head : studies in Alcestis, Electra, and Phoenissae /
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The Gorgon's Severed Head looks at three plays of Euripides, one early, one middle and one late in his career. Innovations in genre, in the use of the traditional stories, in the representation of women and of gender issues are present at every period. In all three plays characters are depicted creating themselves and each other. Chapter One on Alcestis looks at the artistry of the two main characters and is especially concerned with finding a role for Admetus, the play's most serious problem. The second chapter treats the physical displacement of the myth in Euripides' version of the Electra-Orestes story. A last section approaches the layers of time and space in Phoenissae .
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1 online resource (xv, 255 pages) :
Includes bibliographical references and indexes. :
9789004329799 :
0169-8958 ; :
Available to subscribing member institutions only.
Time holds the mirror : a study of knowledge in Euripides' Hippolytus /
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The work is limited to the question of knowledge in Euripides' Hippolytus and seeks to show that one of the major themes of the Hippolytus , as of the Oedipus , is knowledge. In successive chapters these subjects are treated: (1) the witness theme, seeing and knowing, what the senses reveal; (2) fantasies of other worlds created by the characters and how these fantasies reavel the character's perceptions of the world; (3) how Euripides causes his characters to become aware of the shifting meanings of words and how it happens that one statement and its opposite can be predicated of the same individual or act; (4) the desire for and fear of knowledge and the choice of ignorance; (5) the use of generalization as a kind of ignorance; (6) the relation of the character's knowledge to that of the audience. The work offers a new perception of the drama through a detailed examination of this important question that was so warmly debated among the early Sophists.
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1 online resource (xii, 118 pages) :
Includes bibliographical references (p. 117-118). :
9789004328938 :
0169-8958 ; :
Available to subscribing member institutions only.
The play of texts and fragments : essays in honour of Martin Cropp /
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This volume is arguably one of the most important studies of Euripides to appear in the last decade. Not only does it offer incisive examinations of many of Euripides' extant plays and their influence, it also includes seminal examinations of a number of Euripides' fragmentary plays. This approach represents a novel and exciting development in Euripidean studies, since it is only very recently that the fragmentary plays have begun to appear in reliable and readily accessible editions. The book's thirty-two contributors constitute an international \'who's who\' of Euripidean studies and Athenian drama, and their contributions will certainly feature in the forefront of scholarly discourse on Euripides and Greek drama for years to come.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047428190 :
Available to subscribing member institutions only.
Euripidea /
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Euripidea contains material to supplement Volume One of the author's Loeb Euripides. It consists of two parts, Testimonia Vitae et Artis Selecta and Textual Discussions. The Testimonia, ancient notices about the life of Euripides and his career as a tragic poet, are printed together for the first time, together with a facing English translation. The Loeb Introduction examines this material critically. Equipped with this body of evidence, students of Greek tragedy and of ancient biography will be able to assess for themselves the reliability of the biographical tradition, in which, the author argues, too much confidence has been placed by interpreters of the plays. The Textual Discussions explain places in the plays of Volume One, Cyclops, Alcestis and Medea , where the text adopted by the editor calls for comment.
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English and Greek. :
1 online resource (viii, 181 pages) :
Includes bibliographical references (p. 173-175) and indexes. :
9789004329379 :
0169-8958 ; :
Available to subscribing member institutions only.
Narrative in drama : the art of the Euripidean messenger-speech /
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This book, consisting of three self-contained studies, deals with the Euripidean messenger-speech. The first study concerns the form of the messenger-speech, which is that of a first-person narrative, and the consequences of this form. The second study analyses the messenger's style of presentation. In the third study the place and function of the messenger-speech within the play is discussed. Although scholars have dealt with the messenger-speech before, there is no single, up-to-date work of reference available. The present study aims at filling this void, while making use of analytical tools deriving from narratology and drama-theory. Eight appendices are added, which provide the reader with complete lists of phenomena discussed in the main text. Often considered transparent and self-explanatory, the messenger-speeches are now shown to be both complex and subtle texts.
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1 online resource (ix, 214 pages) :
Includes bibliographical references (p. 203-208) and index. :
9789004329126 :
0169-8958 ; :
Available to subscribing member institutions only.
Heroic measures : Hippocratic medicine in the making of Euripidean tragedy /
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This book demonstrates the importance of Greek medical thought in the work of Euripides. The first part of the book argues for the significance of the healing figure in Euripidean drama, while the second part analyzes the role of traditional and rationalist healing strategies in the construction of Euripidean plots and arguments. The work will be of interest to those pursuing studies in Greek drama, Greek intellectual history and Greek medicine.
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1 online resource (x, 229 pages) :
Includes bibliographical references (p. 199-209) and indexes. :
9789047405955 :
0925-1421 ; :
Available to subscribing member institutions only.
Euripides' Bacchae : the play and its audience /
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The purpose of this book is to investigate what it was Euripides intended to convey to the theatre-going public of his day when he wrote his most exciting and most gruesome play, the Bacchae . The meanings which are to be attached to the action of a play are woven by an audience, both during and after the performance, into a single dramatic experience, labelled in this book as 'audience response'. After some introductory chapters dealing with the history of the interpretation of the Bacchae and with the theory of audience response, the main part of the book is devoted to a detailed analysis of the action of the play (chapters 4 and 5), and to a study of Dionysus in his various apects in Athenian life and in his appearances in earlier literature and on the tragic stage. The discussion of the choruses concentrates on the choruses' repeated utterances about cleverness and wisdom, which form the core of the Dionysian propaganda of the play. The most immediate results of this new interpretation of the Bacchae are that the widely-accepted view of Pentheus as a dark puritan, a man possessed by the Dionysian qualities of his divine opponent, proves to be untenable, and that that which in the past has been rightly called the overriding theme of the play - the god's epiphany - also contains the poet's most serious and ironical discussion of divinity and of man's treatment of it. The problems of the Greek text are given full discussion, mainly in the nots and appendices. In many cases new solutions are proposed; some new problems are however added.
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Originally presented as the author's thesis (doctoral)--Free University of Amsterdam. :
1 online resource (200 pages) :
Includes bibliographical references (p. 192-198) and index. :
9789004328051 :
Available to subscribing member institutions only.
Converging truths : Euripides' Ion and the Athenian quest for self-definition /
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This book is a study of the Ion of Euripides. Produced in a period of intense political crisis at Athens in 412 BC, this play went to the heart of Athenian self-perception but also highlighted the violent divine grace of Apollo, the intense emotional suffering of Kreousa, and Ion's insistent search for truth despite divine concealment. Informed by recent scholarship on Athenian ethnicity, this study shows how autochthony (claim to being earthborn) and Ionianism (Ionian character of Athens) are conceptually related with Apollo, father of Ion and god of the Delphic oracle where the play is set. Through careful analysis of the political, psychological, religious and poetic aspects of the play and use of modern critical theory, the Ion emerges as a polyphonic work expressing different and converging truths.
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Revision of the author's thesis (Ph. D.)--University of London, 1996. :
1 online resource (xiv, 231 pages) :
Includes bibliographical references (p. 189-212) and index. :
9789004349988 :
0169-8958 ; :
Available to subscribing member institutions only.