A companion to the Greek lyric poets /
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This handbook for the reading of early Greek poetry is intended to be both a manual for teachers and a guide for advanced undergraduate and graduate students. It covers poetry in the elegiac and iambic genres, as well as melic poetry which is provisionally divided into the personal and the public. The book takes a critical look at scholarly trends applied in interpreting this poetry, exploring, for example, the problems of defining the nature of the elegiac genre, the origins of iambic poetry, the personal voice used by the poets, and the validity of historical criticism. Appearing in the Classical Tradition series, it considers the impact of modern literary theory on the reading of these texts - for instance the new interpretations suggested by feminism - and guides readers to a full bibliography on scholarly debates from the 19th century to the present.
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First series statement from book jacket. :
1 online resource (viii, 287 pages) :
Includes bibliographical references and indexes. :
9789004217614 :
0169-8958 ; :
Available to subscribing member institutions only.
The reception of Greek lyric poetry in the ancient world : transmission, canonization and paratext /
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In The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext, a team of international scholars consider the afterlife of early Greek lyric poetry (iambic, elegiac, and melic) up to the 12th century CE, from a variety of intersecting perspectives: reperformance, textualization, the direct and indirect tradition, anthologies, poets' Lives, and the disquisitions of philosophers and scholars. Particular attention is given to the poets Tyrtaeus, Solon, Theognis, Sappho, Alcaeus, Stesichorus, Pindar, and Timotheus. Consideration is given to their reception in authors such as Aristophanes, Herodotus, Plato, Plutarch, Athenaeus, Aelius Aristides, Catullus, Horace, Virgil, Ovid, and Statius, as well as their discussion by Peripatetic scholars, the Hellenistic scholia to Pindar, Horace's commentator Porphyrio, and Eustathius on Pindar.
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Most of the chapters in this volume were originally presented at a conference organized by Oxford University and Reading University under the auspices of the Network of Archaic Greek Song at the University of Reading in 2013. :
1 online resource. :
Includes bibliographical references and index. :
9789004414525
Aelius Aristides between Greece, Rome, and the gods /
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Wealthy, conceited, hypochondriac (or perhaps just an invalid), obsessively religious, the orator Aelius Aristides (117 to about 180) is not the most attractive figure of his age, but because he is one of the best-known -- and he is intimately known, thanks to his Sacred Tales -- his works are a vital source for the cultural and religious and political history of Greece under the Roman Empire. The papers gathered here, the fruit of a conference held at Columbia in 2007, form the most intense study of Aristides and his context to have been published since the classic work of Charles Behr forty years ago.
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"Papers given at a conference organized ... by the Center for the Ancient Mediterranean at Columbia University on April 13th and 14th, 2007"--Pref. :
1 online resource. :
Includes bibliographical references (p. [295]-317) and index. :
9789047425366 :
Available to subscribing member institutions only.
The newest Sappho (P. Sapph. Obbink and P. GC inv. 105, frs. 1-4) : studies in archaic and classical Greek song, volume 2 /
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In The Newest Sappho Anton Bierl and André Lardinois have edited 21 papers of world-renowned Sappho scholars dealing with the new papyrus fragments of Sappho that were published in 2014. This set of papyrus fragments, the greatest find of Sappho fragments since the beginning of the 20th century, provides significant new readings and additions to five previously known songs of Sappho (frs. 5, 9, 16, 17 and 18), as well as the remains of four previously unknown songs, including the new Brothers Song and the Kypris Song. The contributors discuss the content of these poems as well as the consequence they have for our understanding of Sappho's life and work.
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1 online resource. :
Includes bibliographical references and index. :
9789004314832 :
Available to subscribing member institutions only.
The look of lyric : Greek song and the visual studies in archaic and classical Greek song /
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The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.
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1 online resource. :
Includes bibliographical references and index. :
9789004314849 :
Available to subscribing member institutions only.
Flavian poetry and its Greek past /
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Flavian Poetry and its Greek Past breaks new ground by investigating the close interaction between Flavian poetry and Greek literary tradition and by evaluating the meaning of this affiliation in the socio-political and cultural context of the late first century CE. Authors examined include Martial, Silius Italicus, Statius, and Valerius Flaccus. Their interaction with Greek literature is not just thematic or geographical: the Greek literary past is conceived as the poetic influence of a variety of authors, periods, and genres, such as Homer, the Cyclic tradition, Greek lyric poetry, Greek tragedy, Hellenistic poetry and aesthetics, and Greek historiography.
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1 online resource. :
Includes bibliographical references and index. :
9789004266490