Ancient Egyptian statues : their many lives and deaths /
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"Why do ancient Egyptian statues so often have their noses, hands, or genitals broken? Although Late Antiquity appears to have been one of the major moments of large-scale vandalism against pagan monuments, various contexts bear witness to several phases of reuse, modification, or mutilation of statues throughout and after the pharaonic period. Reasons for this range from a desire to erase the memory of specific rulers or individuals for ideological reasons to personal vengeance, war, tomb plundering, and the avoidance of a curse; or simply the reuse of material for construction or the need to ritually "deactivate" and bury old statues, without the added motive of explicit hostility toward the subject in question. Drawing on the latest scholarship and over 100 carefully selected illustrations, Ancient Egyptian Statues proceeds from a general discussion of the production and meaning of sculptures, and the mechanisms of their destruction, to review the role of ancient statuary in Egyptian history and belief. It then moves on to explore the various means of damage and their significance, and the role of restoration and reuse. Art historian Simon Connor offers an innovative and lucidly written reflection on beliefs and practices relating to statuary, and images more broadly, in ancient Egypt, showing how statues were regarded as the active manifestations of the entities they represented, and the ways in which they could endure many lives before being finally buried or forgotten."--
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xiii, 190 pages : illustrations (chiefly color), plan ; 25 cm. :
Includes bibliographical references and index. :
9781617971341
1617971340
The Late Medieval Image Debate in English and French Literature, 1160-1500 : Constructive Iconoclasm /
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Early modern reformers claimed to reject a superstitious, image-obsessed medieval past-but what if medieval thinkers had already begun to critique sacred images? This book reveals how late medieval literature reimagined breaking images as radical creation, not destruction. Step into the world of Arthurian legends, The Romance of the Rose , and saints' lives, where shattered statues and broken relics generate new meaning. Explore the writings of Chaucer and Julian of Norwich, who grapple with divine truth not by preserving images, but by dismantling and remaking them. This book uncovers a literary self that is dynamic, assertive, and subversive centuries before the Renaissance claims to invent it.
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1 online resource (269 pages) : illustrations. :
Includes bibliographical references and index. :
9789004745827
Iconoclasm and iconoclash : struggle for religious identity /
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This book focuses on iconoclastic controversies and, in particular, their impact on the creation of religious identities. In the history of Jewish, Christian and Muslim culture, religious identity was not only formed through historical claims, but also through the use of certain images: 'images of God', 'images of the others', and 'images of the self.' Moreover, in the struggle for religious identity these 'images' were time and again employed for the purpose of establishing distinct groups, both ortho- dox and deviant. At the same time, they supplied weapons in the theological debate and found explicit expression in certain rituals or liturgical traditions. These conference proceedings include a discussion of the role of images in society, politics, theology and liturgy, in particular addressing the 'iconoclash' of physical, mental and verbal images on the construction of religious identity.
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"Second conference of church historians Utrecht; University of Tilburg, faculty of Catholic Theology, Theology Department of Utrecht University." :
1 online resource. :
Includes bibliographical references and index. :
9789047422495 :
Available to subscribing member institutions only.