Entry into Force of the Law of the Sea Convention : with a Foreword by Sir Robert Y. Jennings /
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The 1994 Rhodes Papers , beginning with a foreword by Sir Robert Y. Jennings, member and former President of the International Court of Justice, offer a collection of contributions dealing with the negotiations and events leading to the entry into force of the UN Convention on the Law of the Sea. The volume also includes contributions of key participants from the Third United Nations Conference on the Law of the Sea, the subsequent work of the Preparatory Commission, and the Secretary-General's consultations adjusting Part XI of the convention. The collection is based on presentations made during the annual seminar of the Center for Oceans Law and Policy (University of Virginia School of Law), held in May 1994, at Rhodes, Greece. Topics include: UN efforts to adjust Part XI and perspectives thereon; legal effects of entry into force for parties and nonparties; consideration of the Convention by the U.S. Senate; and current fisheries issues in relation to the Convention.
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1 online resource (412 pages) : illustrations. :
Includes bibliographical references and index. :
9789004633018
Aux origines du classicisme, Calligraphes et bibliophiles au temps des dynasties mongoles (Les Ilkhanides et les Djalayirides 656-814 / 1258-1411).
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Cet ouvrage explore une période charnière de l'histoire du livre islamique et iranien: la période mongole envisagée dans le long terme, sous les dynasties ilkhanide et djalayiride. Il étudie la question de la maturation de la calligraphie arabe classique à travers la vie et l'œuvre de Yāqūt al-Mustaʿṣimī qui sont, pour la première fois, soumises à une analyse systématique, mettant en avant l'importance de son école et des maîtres bagdadiens pour les arts du livre des décennies suivantes. L'ouvrage se penche aussi sur les manuscrits des Ilkhans musulmans et du vizir Rashīd al-Dīn dans le cadre de la problématique de la naissance de la kitābkhānah et de l'affirmation du statut des calligraphes et des peintres sous les derniers Ilkhanides et les Djalayirides. This book explores a pivotal period in the history of the book in the Islamic world and Iran, id est the Mongol period viewed in a long-term perspective, under the Ilkhanid and the Djalayirid dynasties. It examines the issue of the maturation of classical Arabic calligraphy through the life and work of Yāqūt al-Mustaʿṣimī, which are for the first time subjected to a systematic analysis, highlighting the importance of his school and the Baghdadi masters for the arts of the book of the following decades. The study also looks at the manuscripts of the Muslim Ilkhans and the Vizier Rashīd al-Dīn in the context of the birth of the kitābkhānah and the rise in the status of calligraphers and painters under the last Ilkhanids and the Djalayirids.
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1 online resource. :
9789004369788