The Modern Hercules : Images of the Hero from the Nineteenth to the Early Twenty-First Century /
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The Modern Hercules explores the reception of the ancient Greek hero Herakles - the Roman Hercules - in western culture from the nineteenth century to the present day. Each chapter considers a particular work or theme in detail, exploring this complex hero's transformations of identity and significance in a wide range of modern media, including literature, visual arts and film. The volume is one of four to be published in the Metaforms series examining the extraordinarily persistent figuring of Herakles-Hercules in western culture, drawing together scholars from a range of disciplines to offer a unique insight into the hero's perennial appeal.
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1 online resource. :
Includes bibliographical references and index. :
9789004440067
9789004440005
The Hero's Life-Choice - Studies on Heracles at the Crossroads, the Judgement of Paris, and Their Reception : 'Verbalising the Visual and Visualising the Verbal' /
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Two allegorical ancient Greek stories about a young hero's career- defining choice are shown in this book to have later been appropriated to radically differing effects. E.g. a male's choice between female personifications can morph into a female's choice between the same, or between various male personifications. Never before have so many instances of this process from art, literature, music, even landscape gardening, been culled. Illustrations, mainly colour, many brought into this context for the first time, are conveniently incorporated into the text, thus mimetically mirroring a central theme of the book, the process of 'visualising the verbal, verbalising the visual.'
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1 online resource (292 pages) : illustrations. :
Includes bibliographical references and index. :
9789004678958
Ovid in China : Reception, Translation, and Comparison /
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Ovid in China offers a fresh look at an ancient Roman author in a Chinese context and often from a Chinese perspective. The seventeen essays in this volume, by a group of international scholars, examine Ovid's interaction with China in a broad historical context, including the arrival of Christian missionaries in 1294, the depiction of Ovidian scenes on 18th-century Chinese porcelain, the growing Chinese interest in Ovid in the early 20th century, a 21st-century collaborative project to translate Ovid's poetry into Chinese with commentary, and comparative studies on such themes as conceptualization of time, consolation, laughter, filicide, and revenge.
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1 online resource :
Includes bibliographical references and index. :
9789004467286
9789004467279
The Human Tragicomedy: the Reception of Apuleius' Golden Ass in the Twentieth and Twenty-First Century /
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Does the story of Lucius, a curious and lustful young man who is magically transformed into an ass, have anything to teach us today? Does it have a serious, philosophical and religious meaning, or is it just a form of literary play, full of adve
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1 online resource (248 pages) : illustrations. :
Includes bibliographical references and index. :
9789004704695
Ancient models in the early modern republican imagination /
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Ancient Models in the Early Modern Republican Imagination , edited by Wyger Velema and Arthur Weststeijn, approaches the early modern republican political imagination from a fresh perspective. While most scholars agree on the importance of the classical world to early modern republican theorists, its role is all too often described in rather abstract and general terms such as "classical republicanism" or the "neo-roman theory of free states". The contributions to this volume propose a different approach and all focus on the specific ways in which ancient republics such as Rome, Athens, Sparta, and the Hebrew Republic served as models for early modern republican thought. The result is a novel interpretation of the impact of antiquity on early modern republicanism.
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Includes index. :
1 online resource. :
9789004351387 :
Available to subscribing member institutions only.
Return to Troy : new essays on the Hollywood epic /
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Return to Troy presents essays by American and European classical scholars on the Director's Cut of Troy , a Hollywood film inspired by Homer's Iliad . The book addresses major topics that are important for any twenty-first century representation of ancient Greek myth and literature in the visual media, not only in regard to Troy : the portrayals of gods, heroes, and women; director Wolfgang Petersen's epic technique; anachronisms and supposed mistakes; the fall of Troy in classical literature and on screen; and the place of the Iliad in modern popular culture. Unique features are an interview with the director, a report on the complex filming process by his personal assistant, and rare photographs taken during the original production of Troy .
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1 online resource (x, 284 pages) : illustrations. :
Includes bibliographical references (p. 265-277) and index. :
9789004296084 :
Available to subscribing member institutions only.
Antiquity and Enlightenment culture : new approaches and perspectives /
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"This volume represents the first move towards a comprehensive overview of the place of antiquity in Enlightenment Europe. Eschewing a narrow focus on any one theme, it seeks to understand eighteenth-century engagements with antiquity on their own terms, focusing on the contexts, questions, and agendas that led people to turn to the ancient past. The contributors show that a profound interest in antiquity permeated all spheres of intellectual and creative endeavour, from antiquarianism to political discourse, travel writing to portraiture, theology to education. They offer new perspectives on familiar figures, such as Rousseau and Hume, as well as insights into hitherto obscure antiquarians and scholars. What emerges is a richer, more textured understanding of the substantial eighteenth-century engagement with antiquity. Contributors are: Anthony Ossa-Richardson, Maria Giulia Franzoni, Thomas Hopkinson, Maeve O'Dwyer, Miriam Al Jamil, Kelsey Jackson Williams, Alan Montgomery, Marta Dieli, Tim Stuart-Buttle, Flora Champy".
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"This volume proceeds from an international conference held at the University of Edinburgh on 2 April 2016 entitled "Antiquity and the History of Ideas in Eighteenth-Century Europe."--Acknowledgments.
Includes index. :
1 online resource. :
9789004412675
Portrayals of Antigone in Portugal : 20th and 21st century rewritings of the Antigone myth /
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Portrayals of Antigone in Portugal gathers a collection of essays on the Portuguese drama rewritings of this Theban myth produced in the 20th and 21st centuries. For each of the cases analysed, the Portuguese historical, political and cultural context is described. This perspective is expanded through a dialogue with coeval European events. As concerns Portugal, this results principally in political and feminist approaches to the texts. Since the importation of the Sophoclean model is often indirect, the volume includes comparisons with intermediate sources, namely French (Cocteau, Anouilh) and Spanish (María Zambrano), which were extremely influential on the many and diversified versions written in Portugal during this period.
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1 online resource (xii, 361 pages) : illustrations. :
Includes bibliographical references and index. :
9789004340060 :
2212-9405 ; :
Available to subscribing member institutions only.
The Exemplary Hercules from the Renaissance to the Enlightenment and Beyond /
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The Exemplary Hercules explores the reception of the ancient Greek hero Herakles - the Roman Hercules - in European culture from the Renaissance to the Enlightenment and beyond. Each chapter considers a particular work or theme in detail, raising questions about the hero's role as model of the princely ruler, and examining how the worthiness of this exemplary type came, in time, to be subverted. The volume is one of four to be published in the Metaforms series examining the extraordinarily persistent figuring of Herakles-Hercules in western culture up to the present day, drawing together scholars from a range of disciplines to offer a unique insight into the hero's perennial, but changingly problematic, appeal.
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1 online resource. :
Includes bibliographical references and index. :
9789004435414
9789004434868
Revenge, Agency, and Identity from European Drama to Asian Film : Agents of Vengeance /
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Eric Dodson-Robinson's Revenge, Agency, and Identity from European Drama to Asian Film challenges critical readings of drama, film, and literature that downplay agency. From Attic tragedy, through Seneca and Shakespeare, and into Japanese and Korean film, the book pursues the agent of vengeance in her fury to reconstruct an identity shattered by trauma. Tragic revenge is an imaginary theater only partly encompassed by disciplines, institutions, and discourses. In this theater, violence becomes contagious and potentially transformative as performance gives birth to the agent of vengeance: a complex, emergent agent who is more than the sum of the actors, auteur, tradition, and audience, all of whom infiltrate, and strive to control, her will. The agent of vengeance, determined to outdo past exemplars, exacts traumatic excess, not equivalence.
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1 online resource. :
Includes bibliographical references and index. :
9789004401280
Receptions of Greek and Roman antiquity in East Asia
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Receptions of Greek and Roman Antiquity in East Asia is an interdisciplinary, collaborative, and global effort to examine the receptions of the Western Classical tradition in a cross-cultural context. The inclusion of modern East Asia in Classical reception studies not only allows scholars in the field to expand the scope of their scholarly inquiries but will also become a vital step toward transcending the meaning of Greco-Roman tradition into a common legacy for all of human society.
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1 online resource. :
9789004370715
Framing Classical Reception Studies : Different Perspectives on a Developing Field /
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Framing Classical Reception Studies contains a representative number of analytic and synthetic contributions by scholars from diverse parts of the field of Classical Reception Studies. Together, they afford a synoptic view and typology of an extremely large and continuously diversifying discipline. Attentive to questions such as what, by whom, in what contexts and to what ends Classics have functioned and are functioning in our culture, all contributors ask themselves from what conceptual or disciplinary frame they approach the reception of the cultures of classical Greek and Roman antiquity. Within this questioning format, the book also contains suggestions for future agendas of research, and forcefully argues for the political, cultural and cognitive relevance of classical receptions in the Academy.
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1 online resource. :
9789004427020
9789004427013
The reception of ancient virtues and vices in modern popular culture : beauty, bravery, blood and glory /
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In Ancient Virtues and Vices in Modern Popular Culture , Eran Almagor and Lisa Maurice offer a comprehensive collection of chapters dealing with the reception of antiquity in popular media of the modern era (19th-21st centuries). These media include theatrical plays, cinematic representations, Television drama, popular newspapers or journals, poems and outdoor festivals. For the first time in Classical Reception Studies, ancient Jewish literature and imagery are included in the discussion. The focus of the volume is both the continuity and variance between ancient and modern sets of values, which appear in the new interpretations of the ancient stories, figures and protagonists.
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1 online resource. :
Includes bibliographical references and index. :
9789004347724 :
Available to subscribing member institutions only.
The reception of ancient Greece and Rome in children's literature : heroes and eagles /
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Greece and Rome have long featured in books for children and teens, whether through the genres of historical fiction, fantasy, mystery stories or mythological compendiums. These depictions and adaptations of the Ancient World have varied at different times, however, in accordance with changes in societies and cultures. This book investigates the varying receptions and ideological manipulations of the classical world in children's literature. Its subtitle, Heroes and Eagles , reflects the two most common ways in which this reception appears, namely in the forms of the portrayal of the Greek heroic world of classical mythology on the one hand, and of the Roman imperial presence on the other. Both of these are ideologically loaded approaches intended to educate the young reader.
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1 online resource (xiv, 344 pages) :
Includes blbliographical references and index. :
9789004298606 :
2212-9405 ; :
Available to subscribing member institutions only.
The reception of Aeschylus' plays through shifting models and frontiers /
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The Reception of Aeschylus' Plays through Shifting Models and Frontiers addresses the need for an integrated approach to the study and staging of Aeschylus' plays. It offers an invigorating discussion about the transmission and reception of his plays and explores the interrelated tasks of editing, translating, adapting and remaking them for the page and the stage. The volume seeks to reshape current debates about the place of his tragedies in the curriculum and the repertory in a scholarly manner that is accessible and innovative. Each chapter makes a significant and original contribution to its selected topic, but the collective strength of the volume rests on its simultaneous appeal to readers in theatre studies, classical studies, performance studies, comparative studies, translation studies, adaptation studies, and, naturally, reception studies.
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1 online resource. :
Includes bibliographical references and index. :
9789004332164 :
Available to subscribing member institutions only.
Portraits of Medea in Portugal during the 20th and 21st Centuries
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The theme of Medea in Portuguese literature has mainly given rise to the writing of new plays on the subject. The central episode in the Portuguese rewritings in the last two centuries is the one that takes place in Corinth, id est, the break between Medea and Jason, on the one hand, and Medea's killing of their children in retaliation, on the other. Besides the complex play of feelings that provides this episode with very real human emotions, gender was a key issue in determining the interest that this story elicited in a society in search of social renovation, after profound political transformations - during the transition between dictatorship and democracy which happened in 1974 - that generated instability and established a requirement to find alternative rules of social intercourse in the path towards a new Portugal.
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1 online resource. :
Includes bibliographical references and index. :
9789004383395 :
Available to subscribing member institutions only.
Rewriting the ancient world : Greeks, Romans, Jews and Christians in modern popular fiction /
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Rewriting the Ancient World looks at how and why the ancient world, including not only the Greeks and Romans, but also Jews and Christians, has been rewritten in popular fictions of the modern world. The fascination that ancient society holds for later periods in the Western world is as noticeable in popular fiction as it is in other media, for there is a vast body of work either set in, or interacting with, classical models, themes and societies. These works of popular fiction encompass a very wide range of society, and the examination of the interaction between these books and the world of classics provides a fascinating study of both popular culture and example of classical reception.
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1 online resource. :
Includes bibliographical references and index. :
9789004346383 :
2212-9405 ; :
Available to subscribing member institutions only.
Terence between late antiquity and the age of printing : illustration, commentary and performance /
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Terence between Late Antiquity and the Age of Printing investigates the Medieval and Early Renaissance reception of Terence in highly innovative ways, combining the diverse but interrelated strands of textual criticism, illustrative tradition, and performance. The plays of Terence seem to have remained unperformed until the Renaissance, but they were a central text for educators in Western Europe. Manuscripts of the plays contained scholarship and illustrations which were initially inspired by Late Antique models, and which were constantly transformed in response to contemporary thought. The contributions in this work deal with these topics, as well as the earliest printed editions of Terence, theatrical revivals in Northern Italy, and the readership of Terence throughout the Early Middle Ages.
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"[The book] grew out of a core of papers first presented at the conference Text, Illustration, Revival: Ancient Drama from Late Antiquity to 1550, which the two editors organised at the University of Melbourne from 13 to 15 July, 2011." -- Preface. :
1 online resource (xiii, 293 pages) : color illustrations. :
Includes bibliographical references (p. 251-275) and indexes. :
9789004289499 :
Available to subscribing member institutions only.
Receptions of antiquity, constructions of gender in European art, 1300-1600 /
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Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
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1 online resource (XV, 467 pages) : illustrations. :
Includes bibliographical references and index. :
9789004289697 :
Available to subscribing member institutions only.
Building the canon through the classics : imitation and variation in Renaissance Italy (1350-1550) /
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Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
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1 online resource. :
Includes bibliographical references and index. :
9789004398030 :
2212-9405 ;