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Gallo-Roman Bronzes and the Process of Romanization: The Cobannus Hoard /
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This book constitutes the first comprehensive publication of a cache of eight bronzes from east-central Gaul. The types of objects and accompanying inscriptions suggest that these bronzes originally came from a sanctuary of a god named Cobannus. The first part of the book describes, analyzes, and interprets the individual objects, which are divided between the J. Paul Getty Museum and the Shelby White - Leon Levy Collection. The latter part of this work places the cache within a chronological, cultic, and cultural context. The Cobannus hoard is valuable not only from an artistic point of view but also for the information it provides on many different aspects of the religious, social, and political life of Roman Gaul. The book is lavishly illustrated, with 2 maps and 117 illustrations.
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1 online resource. :
Includes bibliographical references and index. :
9789004493667
9789004124370
Mutilation and Transformation : Damnatio Memoriae and Roman Imperial Portraiture /
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The condemnation of memory inexorably altered the visual landscape of imperial Rome. Representations of 'bad' emperors, such as Caligula, Nero, Domitian, Commodus, or Elagabalus were routinely reconfigured into likenesses of victorious successors or revered predecessors. Alternatively, portraits could be physically attacked and mutilated or even executed in effigy. From the late first century B.C. until the fourth century A.D., the recycling and destruction of images of emperors, empresses, and other members of the imperial family occurred on a vast scale and often marked periods of violent political transition. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for damnatio memoriae and ultimately reveals its praxis to be at the core of Roman cultural identity.
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1 online resource. :
Includes bibliographical references and index. :
9789047404705
9789004135772
Horos Dios : An Athenian Shrine and Cult of Zeus /
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In five chapters this volume 1) offers new evidence for the form, date, and meaning of an Archaic rupestral horos of Zeus on the Hill of the Nymphs in Athens, 2) reports and interprets for the first time many rock cuttings as remnants of the shrine of Zeus implied by the horos inscription, 3) argues from scattered artifacts of Zeus found in central and western Athens and from comparative archaeological evidence that this shrine was devoted primarily to the popular cult of Zeus Meilichios, 4) presents evidence and arguments that other deities, including Herakles Alexikakos, were worshipped at this shrine, and 5) summarizes the chronology of this cult and shrine in their historical and topographical contexts. An Appendix assembles all the testimonia to Zeus Meilichios in Attica.
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1 online resource. :
Includes bibliographical references and index. :
9789047417392
9789004147416
The West Pediment of the Parthenon : Iconography and Iconology /
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This book offers a holistic study of the sculptures (and attributed fragments) of the west pediment of the Parthenon. For the very first time, the sculptures are examined in close relation to the drawings of the west pediment, as well as the iconography, myths, cults and topography of the Acropolis of Athens. The monograph offers nine new identifications, out of the fourteen heroic figures depicted on the west pediment of the Parthenon.
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1 online resource (156 pages) : illustrations. :
Includes bibliographical references and index. :
9789004721890
Montreal Museum of Fine Arts, collection of Mediterranean antiquities =Musée des beaux-arts de Montréal, collection des antiquités méditerranéennes. Volume 2, The terracotta collec...
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This catalogue raisonné describes the lamps and statuettes in terracotta of the Montreal Museum of Fine Arts, to which are added two lamps made of bronze. The collection, small but eclectic, has mostly been assembled in recent years and represents a wide variety of types in these two categories. After an introduction discussing the techniques involved in the production of these objects, the catalogue proper presents 44 lamps, 21 figurines and a single arula with full illustration. This catalogue makes the collection available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world. This is the second volume of a series intended to make public the different parts of the museum's collection of Mediterranean antiquities. Ce catalogue raisonné présente les lampes et les figurines en terre cuite du Musée des beaux-arts de Montréal ainsi que deux lampes de bronze. La collection, petite mais éclectique, a été formée récemment et comprend un bon échantillon de ces types d'objets. Après en avoir expliqué les techniques de fabrication, le catalogue illustré décrit 44 lampes, 21 statuettes et une arula . Ce livre s'adresse aux étudiants, aux conservateurs, aux archéologues, aux historiens d'art et aux collectionneurs, bref à ceux qu'intéresse l'archéologie du monde antique. Il s'agit du deuxième catalogue d'une série qui vise à publier la collection des antiquités du Musée.
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1 online resource. :
Includes bibliographical references and index. :
9789004193260 :
Available to subscribing member institutions only.
Hellenistic and Roman terracottas /
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Edited by G. Papantoniou, D. Michaelides and M. Dikomitou-Eliadou, Hellenistic and Roman Terracottas is a collection of 29 chapters with an introduction presenting diverse and innovative approaches (archaeological, stylistic, iconographic, functional, contextual, digital, and physicochemical) in the study of ancient terracottas across the Mediterranean and the Near East, from the Hellenistic period to Late Antiquity. The 34 authors advocate collectively the significance of a holistic approach to the study of coroplastic art, which considers terracottas not simply as works of art but, most importantly, as integral components of ancient material culture. The volume will prove to be an invaluable companion to all those interested in ancient terracottas and their associated iconography and technology, as well as in ancient artefacts and classical archaeology in general.
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1 online resource. :
Includes bibliographical references and index. :
9789004384835
Museum archetypes and collecting in the ancient world /
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Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
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1 online resource (xiv, 222 pages) : illustrations. :
Includes bibliographical references (p. 163-192) and index. :
9789004283480 :
Available to subscribing member institutions only.
Corinthian and Attic vases in the Detroit Institute of Arts : geometric, black-figure, and red-figure /
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The collection of Greek vases in the Detroit Institute of Arts has been compiled over the course of the twentieth century to reflect the range of painting styles and shapes which characterize the period from the eighth through fourth centuries B.C. This catalogue is the first publication of that collection, comprising those vases from Corinth and Athens with painted decoration. The physical and painted characteristics of each vase are recorded, with an attribution to a painter or group, and a date. The relationship of the painted decoration to other Greek painted vases, religious or social institutions is discussed. The catalogue will be of interest to specialists in Greek vase painting, and those interested in Greek art and its modern collecting.
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1 online resource. :
Includes bibliographical references (p. [67]-69) and index. :
9789047423782 :
Available to subscribing member institutions only.
Recarving of Roman portraits in Late Antiquity : from face to face /
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This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
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1 online resource. :
9789004192324 :
Available to subscribing member institutions only.
The early black-figured pottery of Attika in context (c. 630-570 BCE) /
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Setting as a starting point the introduction of the black-figure technique in Attic workshops at around 630 BCE, this book attempts a contextual analysis of Attic pottery until late in the first quarter of the sixth century BCE. The shapes and their functions, as well as the iconographic themes are explored through this perspective. This offers an interesting insight into funerary, cultic and profane activities in Athens and the Attic countryside, which is completed by an extensive study of the trade and distribution of Attic vases during this period. The result is a complete overview of early black-figure Attic production, enabling an afresh archaeological approach to late seventh-and early sixth-century Attic society.
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1 online resource. :
Includes bibliographical references (p. [xii]-xxxix) and indexes. :
9789004192317 :
0169-8850 ; :
Available to subscribing member institutions only.
The art of the Hekatompedon inscription and the birth of the stoikhedon style /
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The purpose of this book is to present the Hekatompedon Inscription at Athens ( IG I³ 4) as a major monument of Greek art, legitimately on a par with more famous landmarks of the Greek aesthetic tradition like the Parthenon Frieze. Inscribed most probably in the middle of the decade that saw the Greek response to the Persian invasion, the Hekatompedon Inscription has long been recognized for its historical and religious importance. This study looks at the inscription on its own terms: the unique fusion of its visual and textual content in that most Greek of epigraphical layouts, the stoikhedon style. Such an approach leads to the question of origins: where and why was the stoikhedon style formulated and where does the Hekatompedon Inscription stand in that development? Egypt's influential system of proportions and use of grids will be considered determinative for the very first time.
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Based the author's thesis (doctoral--University of Southern California, Los Angeles, 1995) under the title: The 'Hekatompedon Inscription' at Athens. :
1 online resource. :
Includes bibliographical references and indexes. :
9789004193277 :
Available to subscribing member institutions only.
New Approaches to Ancient Material Culture in the Greek & Roman World : 21st-Century Methods and Classical Antiquity /
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New Approaches to Ancient Material Culture in the Greek & Roman World is about Classical Archaeology at its broadest and is important reading to all Classicists. As part of a recent movement to highlight the rich diversity of the subject it overcomes traditional disciplinary boundaries to show the variety of current approaches to the study of Classical Antiquity from the Late Bronze Age to the Late Antique period. The multi-disciplinary papers deal with archaeology and art history, museum objects and fieldwork data, ancient texts and material culture, archaeological theory and historiography, and technical and literary analysis. The international contributors discuss a selection of methodologies currently used to study ancient material, and illustrate their relevance through case studies which span the Greek and Roman world.
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1 online resource. :
Includes bibliographical references and index. :
9789004440753
9789004440692
New directions and paradigms for the study of Greek architecture : interdisciplinary dialogues in the field /
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"New Directions and Paradigms for the Study of Greek Architecture comprises 20 chapters by nearly three dozen scholars who describe recent discoveries, new theoretical frameworks, and applications of cutting-edge techniques in their architectural research. The contributions are united by several broad themes that represent the current directions of study in the field, i.e.: the organization and techniques used by ancient Greek builders and designers; the use and life history of Greek monuments over time; the communication of ancient monuments with their intended audiences together with their reception by later viewers; the mining of large sets of architectural data for socio-economic inference; and the recreation and simulation of audio-visual experiences of ancient monuments and sites by means of digital technologies. Contributors are: Lena Lambrinou; Vasileia Manidaki; Jeanne Capelle; Alexander Tanner; Nancy L. Klein; Nils Hellner; D. Matthew Buell, John C. McEnroe, Jorge Andreas Botero Besadalombana, Rafał Bieńkowski; Yannos Kourayos, Kornilia Daifa, Goulielmos Orestidis, Dimitrios Egglezos, Vasilis Papavasileiou, Eleni-Eva Toumpakari; Kyle A. Jazwa; András Patay-Horváth; Mark Wilson Jones; Silke Müth; Sarah A. Rous; Matthias Grawehr; Mary B. Hollinshead; Miriam G. Clinton, Ansel MacLaughlin; Christian Fron, Verena Stappmanns, Xiaoru Zhou, Philip Leistner; Clemente Marconi, David Scahill, Massimo Limoncelli; Bonna D. Wescoat".
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1 online resource. :
Includes bibliographical references and index. :
9789004416659
Polis and personification in classical Athenian art
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In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens-its people, government, and events-as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
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1 online resource. :
Includes bibliography (p. [xiii]-xxxix) and indexes. :
9789004214521 :
Available to subscribing member institutions only.
The ceremonial sculptures of the Roman gods /
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The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is in some measure mobile, designed specifically to be carried about in processions, brought out for public viewing at throne ceremonies, or participate in divine banquets. In addition to defining the characteristics of these ceremonial sculptures, this study also addresses their performative qualities: where and how they appeared, who was responsible for handling them, with what conventions of decorum, and with what response from the audience.
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Title from PDF title page (viewed on Dec. 3, 2012). :
1 online resource (xxviii, 120 pages) :
Includes bibliographical references and index. :
9789004242265 :
Available to subscribing member institutions only.
Montreal Museum of Fine Arts, collection of Mediterranean antiquities /
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This catalogue raisonné describes a little-known but very interesting collection originally assembled by one of the important Canadian collectors of the early 20th century. After an account of the collection's history and a brief discussion of the techniques of ancient glass-making, the catalogue proper presents 191 pieces comprising a very wide range of typical forms, each of them fully illustrated. Publishing this extensive collection renders it available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world. It is the first of a series intended to make public the different parts of the museum's collection of Mediterranean antiquities.
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1 online resource. :
Includes bibliographical references and index. :
9789047431138 :
Available to subscribing member institutions only.