Einflüsse auf institutionelles musikpädagogisches Handeln : Dargestellt am Beispiel der Geschichte der Musikschule Frankfurt (1860-1885) /
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Im 19. Jahrhundert wurden in Deutschland viele musikalische Bildungseinrichtungen eröffnet - bezeichnet als "Musikschulen", "Konservatorien", "Akademien" usw. -, an denen sich junge Menschen einschreiben und Unterricht in verschiedenen musikalischen Fächern erhalten konnten. Mit dem Beginn dieser ,institutionellen Musikpädagogik' setzte ein Nachdenken über angemessene Ziele und Inhalte der neuen, breitgefächerten Ausbildungen ein. Am Beispiel der 1860 gegründeten Musikschule Frankfurt wird untersucht, welche Einflüsse sich auf diese Lehrgänge, etwa auf die Formulierung von Lehrplänen und die Auswahl von Unterrichtsinhalten auswirkten. Zentral sind hier u. a. zeitgenössische Musikbegriffe und Konventionen zur Erziehung von Jungen und v. a. von Mädchen. In der Studie werden aktuelle Forschungsansätze der Historischen Musikpädagogik reflektiert. Mit der genutzten systemtheoretisch inspirierten Analyse der Quellen wird ein Beitrag zu dieser Methodendiskussion geleistet.
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1 online resource (220 pages) : illustrations. :
Includes bibliographical references and index. :
9783846769058
Music in the Writings and Imagination of Silesian Humanists /
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Sound-Worlds of Central Europe explores the sound-world of early modern Silesia via the writings of humanists active there in the sixteenth and seventeenth centuries who both observed musical culture and actively participated in it: a poet, a publisher, a pedagogue, a physician, a historian, and a regionalist. Such an approach makes it possible to reconstruct their perceptions and understandings of music-a constitutive element of this community. As these authors concentrated more on the representation of music than the art itself, the book reflects the collective memory of the republic of scholars: their individual and common imaginarium.
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Includes bibliographical references and index. :
9789004707252
Robert Lachmann's Letters to Henry George Farmer (from 1923 to 1938) /
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Robert Lachmann's letters to Henry George Farmer, from the years 1923-38, provide insightful glimpses into his life and his progressive research projects. From an historical perspective, they offer critical data concerning the development of comparative musicology as it evolved in Germany during the early decades of the twentieth century. The fact that Lachmann sought contact with Farmer can be explained from their mutual, yet diverse interests in Arab music, particularly as they were then considered to be the foremost European scholars in the field. During the 1932 Cairo International Congress on Arab Music, they were selected as presidents of their respective committees.
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1 online resource. :
9789004432475
9789004431959
Interpretation and transformation : explorations in art and the self /
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In this book, Michael Krausz addresses the concept of interpretation in the visual arts, the emotions, and the self. He examines competing ideals of interpretation, their ontological entanglements, reference frames, and the relation between elucidation and self-transformation. The series Interpretation and Translation explores philosophical issues of interpretation and its cultural objects. It also addresses commensuration and understanding among languages, conceptual schemes, symbol systems, reference frames, and the like. The series publishes theoretical works drawn from philosophy, rhetoric, linguistics, anthropology, religious studies, art history, and musicology.
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1 online resource (xii, 154 pages) :
Includes bibliographical references (p. 133-136) and index. :
9789401204200 :
Available to subscribing member institutions only.
A study of the life and works of Athanasius Kircher, "Germanus incredibilis" : with a selection of his unpublished correspondence and an annotated translation of his autobiography...
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Athanasius Kircher, a German Jesuit in 17th-century Rome, was an enigma. Intensely pious and a prolific author, he was also a polymath fascinated with everything from Egyptian hieroglyphs to the tiny creatures in his microscope. His correspondence with popes, princes and priests was a window into the restless energy of the period. It showed first-hand the seventeenth-century's struggle for knowledge in astronomy, microscopy, geology, chemistry, musicology, Egyptology, horology... The list goes on. Kircher's books reflect the mind-set of 17th-century scholars - endless curiosity and a substantial larding of naiveté: Kircher scorned alchemy as the wishful thinking of charlatans, yet believed in dragons. His life and correspondence provide a key to the transition from the Middle Ages to a new scientific age. This book, though unpublished, has been long quoted and referred to. Awaited by scholars and specialists of Kircher, it is finally available with this edition.
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1 online resource. :
Includes bibliographical references and index. :
9789004216327 :
1871-1405 ; :
Available to subscribing member institutions only.
Word and Music Studies: Defining the Field : Proceedings of the First International Conference on Word and Music Studies at Graz, 1997 /
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The nineteen interdisciplinary essays assembled in WORD AND MUSIC STUDIES I were first presented in 1997 at the founding conference of the International Association for Word and Music Studies (WMA) in Graz, Austria. Diverse in subject matter, theoretical orientation, critical approach, and interpretive strategy, they share a keen scholarly interest in contemporary word-music reflection. Registering the impact of cultural studies on word-music relations, as manifested in the 'new musicology' and other 'historicist' approaches, the volume aims to assess the entire field of word and music studies, to define its subject, objectives, and methodology and to describe the field's state of the art. Within the broader context of generic, structural, performative, and ideological considerations concerning the manifold interrelations between literature and music, contributors explore wide-ranging topics, such as the vexing question of terminology (e.g. 'word and music', 'melopoetics', 'interart', 'intermedial', 'transmedial'); inquiry into the meaning, narrative potential, and verbalization of music; analysis of texted music (the Lied and opera) and instrumental music; and discussion of individual issues (e.g. 'ekphrasis', 'musicalization of fiction', 'word music', and 'verbal music') and interart loanwords (e.g. 'narrativity', 'counterpoint', and 'leitmotif'). See Less
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1 online resource (352 pages) : illustrations. :
Includes bibliographical references and index. :
9789004649217