Gott, Mensch, Pharao : viertausend Jahre Menschenbild in der Skulptur des Alten Ägypten : Künstlerhaus 25. Mai bis 4. Oktober 1992 : eine Ausstellung des Kunsthistorischen Museums...
: "Publikacja związana z : Künstlerhaus 25 Mai bis 4. Oktober 1992". : 510 pages : illustrations ; 27 cm. : Bibliography : pages 508-510. : 3900325227
Das Menschenbild im alten Ägypten : Porträts aus vier Jahrtausenden /
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"Redaktion: Leonore Stege; Katalog-Bearbeitung, Harwig Altenmüller, Wilhelm Hornbostel" -- Colophon.
Catalogue of an exhibition held at Interversa Gesellschaft für Beteiligungen, Hamburg, August 12 - October 29, 1982. :
126 p. : ill. (some col.), 2 maps ; 21 cm. :
Includes bibliographies.
The Origin of the Buddha Image /
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The image of Buddha in Gandhara style depicted in the padmasana pose, is one of the most popular images of the world. This image is connected with the symbol of Buddhism apart from the Ashoka Chakra. Throughout ancient India, Buddha's image gained popularity in the formation of Mahayana Buddhism. The major question that comes forth is how this art came into being during ancient times. This small volume on Buddhist art by Coomaraswamy challenges the notion that Buddha's image did not emerge from the Indo-Greek and other non-Indian art styles like Kushana or Bactrian. He asserts that Buddha's icon and its representation in various forms, found in monuments, sculptures, and other archaeological structures, was prevalent in the pre-existing Indian art forms. The book discusses the symbolisms, necessity of Buddha's image, and anthropomorphic iconography in the creation of Buddha's icons available in early India, and talks about the differences in Indian and historicity of Gandhara and Mathura art. The author writes further that Gandhara art is Indic, and not European. This book is highly recommended for scholars and researchers interested in Buddhist art.
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1 online resource (48 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752405
From face to face : recarving of Roman portraits and the Late-Antique portrait arts /
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This book is based on an investigation of more than five hundred recarved portraits. It includes analyses of different recarving methods, some of which can be attributed to geographically localised workshops. The different recarving methods have made it possible to suggest classifiable categories, which together underpin a hypothesis that the late-antique portrait style is a consequence of the many recarved portraits at the time. The practice of portrait recarving emerged due to economic, political, religious and ideological factors, and was influenced by the cultural-historical changes of Late Antiquity. The conclusion gives a new understanding of how wide-ranging, culturally and politically encoded and comprehensive the practice of recarving was.
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1 online resource (xxii, 202 pages, 155 pages of plates) : illustrations. :
Includes bibliographical references (p. 159-176) and indexes. :
9789004324558 :
Available to subscribing member institutions only.
The Egyptian Elite as Roman Citizens : Looking at Ptolemaic Private Portraiture /
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In The Egyptian Elite as Roman Citizens Giorgia Cafici offers the analysis of private, male portrait sculptures as attested in Egypt between the end of the Ptolemaic and the beginning of the Roman Period. Ptolemaic/Early Roman portraits are examined using a combination of detailed stylistic evaluation, philological analysis of the inscriptions and historical and prosopographical investigation of the individuals portrayed. The emergence of this type of sculpture has been contextualised, both geographically and chronologically, as it belongs to a wider Mediterranean horizon. The analysis has revealed that eminent members of the Egyptian elite decided to be represented in an innovative way, echoing the portraits of eminent Romans of the Late Republic, whose identity was surely known in Egypt.
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1 online resource. :
Includes bibliographical references and index. :
9789004459564
9789004432635
Pharaohs : treasures of Egyptian art from the Louvre /
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Published on the occasion of the exhibition organized by the Cleveland Museum of Art in collaboration with the department of egyptian antiquities, Musée du Louvre, Paris. :
100 pages : illustrations (some color), 1 color maps ; 28 cm. :
Includes bibliographical references. :
0195212355 (Oxford pbk.)
094071731x (CMA cloth)
0940717328 (CMA pbk.)
Recarving of Roman portraits in Late Antiquity : from face to face /
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This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
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1 online resource. :
9789004192324 :
Available to subscribing member institutions only.