Qur'ans of the Umayyads : a first overview /
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For the first time, the dramatic changes the Qur'anic code underwent during the Umayyad period (660-750 C.E.) are analysed and presented on the basis of a selection of material in good part unpublished. In Qur'ans of the Umayyads , François Déroche offers a chronology of the various developments which marked the period, in an approach combining philology, art history, codicology and palaeography. The conclusions he reaches challenge the traditional account about the writing down of the Qur'an and throw a new light on the role of the Umayyads in its handwritten diffusion. Winner of 23rd I.R. Iran World Award for the Book of the Year 2016!
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1 online resource (x, 155 pages, [45] pages of plates) : facsimile (some color) :
Includes bibliographical references and index. :
9789004261853 :
Available to subscribing member institutions only.
Codex Amrensis 1 /
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Codex Amrensis 1 , the first volume of the series Documenta Coranica contains images and Arabic texts of four sets of fragments (seventy-five sheets) of the Qurʾān codex, once kept in the ʿAmr ibn al-ʿĀṣ Mosque at Al-Fusṭāṭ, and now in the collections of the National Library of Russia, the Bibliothèque Nationale de France, The Museum of Islamic Art, Doha and the Nasser D. Khalili Collection of Islamic Art. It includes an extensive introduction, the facsimile of the original, and the full text with annotations.The manuscript, copied during the first half of the 8th century and written in ḥiǧāzī script, contains diacritical signs for about 20% of the letters, without any signs for short vowels. It varies from today's reference editions of the Qurʾān in verse numbering and has a different orthography. Essential reading for students and scholars of the history of the Qurʾān and its written transmission. Le Codex Amrensis 1 rassemble quatre fragments manuscrits, aujourd'hui dispersés dans les collections de la Bibliothèque nationale de France, de la Bibliothèque nationale de Russie, du Musée d'art islamique à Doha et dans la collection de Nasser D. Khalili. Ces fragments appartiennent à un même manuscrit, le Codex Amrensis 1 , qui était autrefois conservé dans la mosquée de ʿAmr ibn al-ʿĀṣ à Fusṭāṭ. Ses caractéristiques physiques et textuelles en font un témoin essentiel pour l'histoire du texte coranique et de sa transmission écrite au cours des deux premiers siècles de l'islam. Le présent volume propose aux lecteurs, étudiants et chercheurs, le fac-similé des folios, des annotations concernant son texte ainsi qu'une introduction à l'étude du manuscrit.
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"'Codex Amrensis 1', the first volume of the series 'Documenta Coranica', contains images and Arabic texts of four fragments from the Qurʼan codex once kept in the ʻAmr-ibn-al-ʻĀṣ-Mosque in Fusṭāṭ (Old Cairo). The manuscript, copied during the first half of the 8th century and written in ḥiǧāzī script, contains diacritical signs for about 20% or the letters, without any signs for short vowels. It varies from today's reference editions of the Qurʼan in verse numbering and has a different orthography. This volume contains the facsimile of the original (all images are 90% original size), annotations and an introduction to the research involved with this manuscript." -- Abstract.
Added title page in Arabic. :
1 online resource (xii, 319 pages) : facsimiles. :
Includes bibliographical references. :
9789004375499 :
Available to subscribing member institutions only.
Le Coran par lui-même : vocabulaire et argumentation du discours coranique autoréférentiel /
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Dans Le Coran par lui-même , Anne-Sylvie Boisliveau livre une analyse passionnante de la manière dont le Coran est l'architecte de sa propre image. Loin d'être un texte sans relief, celui-ci utilise un vocabulaire, des procédés rhétoriques et une argumentation soigneusement choisis pour orienter l'image qu'auditeurs ou lecteurs se feront de lui. Une analyse serrée du vocabulaire autoréférentiel montre que le Coran se décrit lui-même comme Ecriture « façon judéo-chrétienne » représentant un enjeu de communication. Mais surtout, par un triple discours - sur les actions divines, sur les Ecritures révélées antérieurement, telles la Bible, et sur la fonction prophétique -, le Coran se confère à lui-même le monopole de l'autorité issue de la révélation divine et pousse l'auditeur/lecteur à s'y soumettre. In Le Coran par lui-même , Anne-Sylvie Boisliveau provides a ground-breaking analysis of the way the Qurʾān is the architect of its own image. Far from being a flat text, the Qurʾān uses carefully chosen vocabulary, rhetorical tools and argumentation to direct the image that listeners or readers will then have in mind. A close analysis of its self-referential vocabulary shows that the Qurʾān describes itself as a Scripture "in a Judeo-Christian style" which communicative function is stressed. By a triple discourse (on divine actions, on previous Scriptures such as the Bible and on prophethood), the Qurʾān grants itself the monopoly of divine authority through revelation and pushes the listener/reader into a decisive submission. Winner of the I. R. Iran World Award for the Book of the Year 2014
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1 online resource. :
Includes bibliographical references and index. :
9789004259706
Unlocking the Medinan Qur'an /
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"The Qur'anic surahs and passages that are customarily taken to postdate Muhammad's emigration to Medina occupy a key position in the formative period of Islam: they fundamentally shaped later convictions about Muhammad's paradigmatic authority and universal missionary remit; they constitute an important basis for Islam's development into a religion with a strong legal focus; and they demarcate the Qur'anic community from Judaism and Christianity. The volume exemplifies a rich array of approaches to the challenges posed by this part of the Qur'an, including its distinctive literary and doctrinal features, its relationship to other late antique traditions, and the question of oral composition"--
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1 online resource. :
Includes bibliographical references and index. :
9789004509702
9789004509696