Makārim al-akhlāq : Sharḥ-i aḥwāl u zindagānī-yi Amīr ʿAlī Shīr Navāʾī /
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Ghiyāth al-Dīn Khwāndamīr (d. after 942/1535-6) is a Persian historian who worked for several Timurid rulers in Herat. After the capture of Herat by the Uzbeks in 912/1507 and their ousting by the Safavids in 916/1510, Khwāndamīr held no further public office there. In 927/1520 he went to Agra where he entered the service of the founder of the Mughal dynasty Bābūr (d. 937/1530) and, following the latter's death, his son Humāyūn (d. 963/1556). He died in India, where he was also laid to rest. Khwāndamīr is especially known for his Ḥabīb al-siyar , a universal history from the beginning of time until the reign of Shāh Ismāʿīl I (d. 930/1524). The present work, written at the beginning of his career, is a monument to the greatness of his first patron, the vizier Mīr ʿAlī Shīr Nawāʾī (d. 906/1501). Khwāndamīr's personal involvement in many of the events that it describes lends this work its special interest.
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Series taken from jacket. :
1 online resource. :
9789004401815
9789646781283
Timur and the princely vision : Persian art and culture in the fifteenth century /
: "Exhibition itinerary, Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C., April 16-July 6, 1989, Los Angeles County Museum of Art, August 13-November 5, 1989" -- title pages verso. : 395 pages : illustration (some color) ; 32 cm. : Includes bibliographical references. : 0874747066
Esoteric images : decoding the late Herat school of painting /
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In Esoteric Images: Decoding the Late Herat School of Painting Tawfiq Daʿadli decodes the pictorial language which flourished in the city of Herat, modern Afghanistan, under the rule of the last Timurid ruler, Sultan Husayn Bayqara (r.1469-1506). This study focuses on one illustrated manuscript of a poem entitled Khamsa by the Persian poet Nizami Ganjavi, kept in the British Library under code Or.6810. Tawfiq Daʿadli decodes the paintings, reveals the syntax behind them and thus deciphers the message of the whole manuscript. The book combines scholarly efforts to interpret theological-political lessons embedded in one of the foremost Persian schools of art against the background of the court dynamic of an influential medieval power in its final years.
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Based on the author's thesis (Hebrew University of Jerusalem, 2012) under alternative title: Pictorial language of the Herat school of painting. :
1 online resource. :
Includes bibliographical references and index. :
9789004398412