Mediating museums : exhibiting material culture in Tunisia (1881-2016) /
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This book documents and interprets the trajectory of ethnographic museums in Tunisia from the colonial to the post-revolutionary period, demonstrating changes and continuities in role, setting and architecture across shifting ideological landscapes. The display of everyday culture in museums is generally looked down upon as being kitsch and old-fashioned. This research shows that, in Tunisia, ethnographic museums have been highly significant sites in the definition of social identities. They have worked as sites that diffuse social, economic and political tensions through a vast array of means, such as the exhibition itself, architecture, activities, tourism, and consumerism. The book excavates the evolution of paradigms in which Tunisian popular identity has been expressed through the ethnographic museum, from the modernist notion of 'indigenous authenticity' under colonial time, to efforts at developing a Tunisian ethnography after Independence, and more recent conceptions of cultural diversity since the revolution. Based on a combination of archival research in Tunisia and in France, participant observation and interviews with past and present protagonists in the Tunisian museum field, this research brings to light new material on an understudied area.
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1 online resource. :
Includes bibliographical references and index. :
9789004394971
Le verre de Sabra al-Mansuriya (Kairouan, Tunisie) - milieu Xe-milieu XIe siècle : Production et consommation vaisselle - contenants - vitrages
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Knowledge of Islamic glass and its craftsmanship in the medieval period has relied heavily on Middle Eastern literature. The study of workshop and rich glass assemblage from Sabra al-Mansuriya (Kairouan), the Fatimid capital founded in 947/948 and destroyed in 1057, shows that Ifriqiya followed the technological evolutions of glass craftsmanship
Le verre de Sabra al-Mansuriya : (Kairouan, Tunisie) milieu Xe-milieu XIe siècle : production et consommation : vaisselle - contenants - vitrages /
:
Knowledge of Islamic glass and its craftsmanship in the medieval period has relied heavily on Middle Eastern literature. The study of workshop and rich glass assemblage from Sabra al-Mansuriya (Kairouan), the Fatimid capital founded in 947/948 and destroyed in 1057, shows that Ifriqiya followed the technological evolutions of glass craftsmanship.
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Also issued in print: 2020. :
1 online resource (300 pages) : illustrations (black and white, and colour), maps (colour). :
Specialized. :
Includes bibliographical references. :
9781789696622 (ebook) :